Friday, January 26, 2007

LPO TO GIVE UK PREMIERE OF KORNGOLD'S 'DAS WUNDER DER HELIANE'

It's true! Korngold's biggest, greatest opera is finally to receive its UK premiere, nearly 80 years after it was written. The London Philharmonic will play, Vladimir Jurowski will conduct, and an all-star cast is headed by Patricia Racette, Michael Hendrick and Andreas Schmidt; supporting roles will be taken by the likes of Willard White, Robert Tear, Ursula Hesse von den Steinen and Andrew Kennedy. Date for the diary: 21 November 2007. Pre-concert talk by a Korngold devotee closer than you think (*blush*). Full details here.

Yesterday the upbeat team of what's now written as the Southbank Centre launched the classical music programme for the reopening season of the spanking newly refurbished Royal Festival Hall. 11 June is the big day; the first 48 hours are all free; and all four resident orchestras - the LPO, the Philharmonia, the Orchestra of the Age of Enlightenment and the London Sinfonietta - will play together for the very first time (Ravel's Bolero included). There's a tremendous bonanza of world-class music-making to look forward to. I note with tears in my eyes that the Philharmonia lists piano god Radu Lupu among its soloists. He hasn't played at the South Bank since...well, I can't remember. Pollini will be playing two Beethoven concertos with the LPO. The Piano Series includes recitals by Uchida, Brendel, Andsnes and Krystian Zimerman. Violinists include Mutter, Fischer, Kavakos. There's a run of Carmen Jones in the summer, and later there'll be festivals of Nono and of Messiaen for his centenary.

And they are going to do a Korngold anniversary series. A couple of years ago, I realised that 2007 would be the 50th anniversary of EWK's death and decided that someone had to do something, otherwise nothing would happen. Sketched out my Fantasy Football Korngold Festival, took it to the then head of classical music at the South Bank and left it in her capable hands. Cripes - they went for it. I'm still pinching myself in wonder. Of course, the series has evolved from the basic plan, with everyone deciding which pieces to do; and Vladimir himself plumped for Heliane, not Die tote Stadt.

The LPO is doing three Korngold concerts: a film music programme on 2 November conducted by John Wilson, putting his music alongside Steiner, Newman, Rozsa, Williams et al; the Violin Concerto with the glorious Nikolaj Znaider on 14 November, in a programme with Zemlinsky and Shostakovich conducted by Jurowski; and Heliane to culminate. The Korngold series will also feature a day of events on 27 October, with the showing of Barrie Gavin's splendid documentary, a round-table discussion with a panel of exerts (I'll be asking the questions), a chamber concert by the Nash Ensemble and a song recital by Anne Sofie von Otter with that great Korngold champion Bengt Forsberg at the piano.

I'll introduce a Korngold Watch series on this blog as soon as I can, as there are events taking place all over the world. But to the best of my knowledge, ours here in London is one of the biggest. BOX OFFICE IS NOW OPEN: 020 7840 4242 or online via the concert links above.

10 comments:

Lisa Hirsch said...

That is all fantastic! Really want to see ASvO & BF - I cannot tell you how much I loved his playing when they gave a recital here a while back.

I am sorry no SK among the pianists, however!

john mclaughlin williams said...

Incredible! It's about time. Bravo to you for working it wild. I will be there.

janos said...

Which CD would you suggest as a good starter for a Korngold sceptic (having heard some of his film music)?

Jessica said...

I think this one: Gil Shaham playing the Violin Concerto. The opening is to die for. Hear some extracts here at cduniverse.com.

Give it a go and let us know what you think!

Paul Stump said...

Hurrah!!!!!!!!!!!! Schreker at the Concertgebouw and EWK in London and more Joseph Marx on record in the same year!!!!

janos said...

I thought at first it sounded like lush Sibelius but it was the Barber concerto. The Korngold was pretty rich too - like a Viennese layer-cake with lots of cream. It didn't touch me very deeply but it isn't fair to judge on one-minute bites over minimalist speakers.

Jessica said...

Korngold was quite a chocaholic and I think you can hear it in the music! Maybe that's why I identify with him so much... It's a strong flavour and maybe an acquired taste, though I loved him straight off. When people ask me what he's all about, I sometimes say 'take some Richard Strauss and add bitter chocolate'.

Ariadne said...

oh holy f*&#ck! (You know what this means for me, J. ... !) HOORAY/HELP!

Jessica said...

Ariadne - it means book your plane ticket right now!! :-)

Ariadne said...

Uh, yeah! I already e-mailed my brother, who lives & works in London. Yikes!

I noticed WBJC-FM (local Baltimore, MD/USA radio station, streams on the web) started to play some random Korngold in December...

BTW, I already have Ich Ging zu Ihm on my May recital program. Since it's Korngold's deathiversary, of course.

Apropros the chocolate analogy, that's probably why I like Korngold. I love love love bittersweet chocolate, on the bitter side... ooooooohhhhh, I am in SO much trouble.

(sigh)(feeling Korngold's hands around throat again) I guess I'll have to post something about this on my blog. [Jessica, do you remember how my whole blog got started? It's all Korngold's fault!]

PS - SCHRECKER, TOO??? (Call Alex Ross asap!)