The smiles shone right across London last night as the London Philharmonic returned proudly to the spanking, newly refurbished Royal Festival Hall with a spanking [not literally], new principal conductor, Vladimir Jurowski, for the opening night of the new season, which celebrates the band's 75th birthday. And it's full steam ahead.
After 21 years on board the LPO, Tom declares that this is the best time he can remember. Managers, musicians and family members in the audience talk about a sense of renaissance. Glamour and excitement - at the Southbank Centre? Yes, at last it's all there. I'm still adjusting to the remarkable fact that near the back of the rear stalls, I could hear every detail of the music as clearly as if through iPod headphones. More good news: last night's concert was filmed for release on DVD and it will appear in due course on the recently founded Medici label. [update: watch it online free now, until 30 October.]
In yesterday's Indy, Ed Seckerson had this interesting interview with Vlad. Extract:
"For the LPO, the Jurowski era begins with a programme that starts as he means to go on: Wagner's Parsifal Prelude; Berg's Three Orchestral Pieces; and the original version of Mahler's astonishing Das klagende Lied. That's not a programme, that's a manifesto. Indeed, such is the inventiveness and originality of Jurowski's programming in his first season that, for the first time in perhaps a decade, we can predict the unpredictable on the South Bank."
Yes indeed. It was clear from this selection that easy listening ain't the order of the day (and admittedly the hall wasn't as packed as it might have been without that killer word "Berg"), but the electricity and commitment flowing from the platform suggest that an ideal is gathering pace here. With musicianship like Vladimir's at stake, and the inspiration he's bringing to the orchestra, they should soon have the audience eating out of their hands. People will come to hear them no matter what they do, because there'll be trust; everything will be worth experiencing. This was only the beginning.
And as the work of an 18-year-old, the Mahler wasn't bad...
Monday will be the opening night at the LSO over at the Barbican, with Gergiev conducting Mahler 3, and meanwhile I'm on tenterhooks as to whether I may squeeze into a Wagner dress rehearsal at Covent Garden next week. On balance, France with its sunshine, sea and Provencal markets looks more attractive than grey old Blighty, but musical life like this only exists in London. So there is nowhere else to be.
UPDATE: Medici-Arts TV also has webstreamed concerts from this year's Verbier Festival, available to view online until 30 September. I intended to flag this up earlier, but when I tried to log on, the streaming quality was turning Thomas Quasthoff singing Schubert into something of which Stockhausen could scarcely have dreamed...in retrospect, this was probably my computer's fault rather than theirs. Give it a whirl while you can. And the LPO thing seems to be working perfectly.