Blimey, guv. George Benjamin's one-act opera Into the Little Hill ended up enjoying its London premiere yesterday in the spot the audience probably would have liked to be in all along: the bar. Ten minutes into the show in the ROH's Linbury Theatre, the lights went out, as Alan Rusbridger reports in the Grauniad. The power cut only affected the theatre, so everyone was offered free drinks in the bar while they tried to sort it, but eventually the doughty performers cut the Gordian Knot at 10.15pm and announced they'd do the performance right there instead.
"The audience, which included the Arts Council chair, Dame Liz Forgan, and the former defence secretary, Michael Portillo, stood, sat, crouched and perched on the floor and assorted chairs for the 40-minute work," writes Mr R. There's a video on the site, here, so you can see the scene for yourself.
But...drumroll...is it possible that a Jealous Rival Composer engaged in a Spot of Sabotage? Miss Duchmarple Investigates...
3 comments:
Ha! This happened to me during my circus act, so I went into my comic monologue about the chimp and the ostrich. The audience loved it and completely forgot they were sitting in the dark. We had a few problems with bum-pinchers though.
I think a lot of the audience are left in the dark regardless
I like the idea of Portillo on the floor. Though Einstein on the Beach is probably more my thing.
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