Showing posts with label Bavarian State Opera. Show all posts
Showing posts with label Bavarian State Opera. Show all posts

Monday, July 29, 2013

A very spoilt opera lover's home thoughts from abroad

So last night, here in Munich, I heard Don Carlo with Jonas Kaufmann sounding perhaps the best I've ever heard him (and you know how good that is), Anja Harteros sounding like a platinum-plated Maria Callas only possibly better, Rene Pape sounding like King Marke as King Philip II and a baritone new to my radar, Ludovic Tezier, as Rodrigo sounding like a presence who will dominate his repertoire to very fabulous effect for years to come. How many great voices can you have on a stage at any one time? It occurs to one that - perhaps unusually for a Verdi performance - one could reassemble the same team for a certain thing by Wagner to fine effect, one named Tristan und Isolde...

But oh dearie dearie dear... I went and missed Barenboim's Gotterdammerung at the Proms, and today have been inundated with messages full of overjoy, overwhelmedness or plain old Schadenfreude from those who were there, or heard it on the radio, or who are calling for a Ring cycle to become a regular feature of the Proms, please, something I will second with all my heart (provided it's done by the right performers). After a 20-minute ovation, Barenboim made a speech declaring that what the audience had been through with him and his musicians was something he had never even dreamed of. Can't manage to embed the code for some reason, so please follow this link to hear it: http://www.bbc.co.uk/programmes/p01ddfdr

Extra plaudits for the Proms this year for having made me seriously question the wisdom of taking a summer holiday abroad while they're on.



Thursday, July 04, 2013

Jonas to the rescue!

The Munich Opera Festival, which is in full swing for July, is doing wall-to-wall Verdi and Wagner this year. Last night it was Lohengrin. The tenor went ill. Who can you get to replace that at short notice? Hmm, how about this local bloke who knows the role?


Text from my spy says simply: "Jonas sensation, audience went nuts."

Kaufmaniacs should log on tomorrow when the Staatsoper is webcasting Il trovatore, with JK as Manrico, a role he's just been singing for the first time, with Anja Harteros - another local - as Leonora. My spy says that's sounding a bit good too. Webcast is free and starts at 7pm over there (so 1 hr earlier in UK and 6 hrs earlier in NY).

Friday, June 21, 2013

Kaufmann is going to Sony

The other week an editor friend mentioned, en passant, that he'd phoned Decca asking for some pics of Jonas - only to be told to call Sony Classical instead. Ooh la la, we thought. It's all official now, and the great tenor has indeed jumped ship. We can expect a Verdi album imminently.

Meanwhile he is at the Bayerische Staatsoper rehearsing Il Trovatore with Anja Harteros for the Munich Opera Festival. I'm reliably informed that they are both sounding absolutely fantastic. We can all watch their live webcast from the theatre on 5 July.

They're also doing Don Carlo - and I may even get to see this at the end of the festival. Here's last year's backstage glimpse (in German).

So for Decca today, it's one in and one out, and probably time for the weekend.




Wednesday, April 04, 2012

Newsround: The Long Road to Parsifal

My Internet is back, so very quickly, before it vanishes again, here's a little newsround.

BATONFLIPPER'S BIG BREAK


Don't miss this blog by conductor Michael Seal, who tweets as @batonflipper, about how Andris Nelsons dropped out of the CBSO tour and he had to step in at an astounding 20 minutes' notice. There followed a massive programme with Jonas Kaufmann singing the Kindertotenlieder. By all accounts Michael did magnificently. Is this his big break? Let's hope so. Interesting, too, to hear about how Der Jonas responded when a member of the audience shouted at him after his first song to step forward because they couldn't see him...

THE RETURN OF MAXIM VENGEROV


He's been around, but not playing the violin: an injury has kept him away from the fiddle on a sort of enforced sabbatical. But now he's back at last. Maxim Vengerov is on In Tune on BBC Radio 3 today, playing and talking, sometime after 4.30pm. Tomorrow he'll be giving his first Wigmore Hall recital for around 20 years, with Itamar Golan at the piano. I was at that last one, and I will never, ever forget it. He was 14 and there, on stage, was a spotty schoolboy playing for all the world like Jascha Heifetz. I am sure everything will be different now - have the intervening decades mellowed him, or will he be that same virtuoso daredevil? It's a comparatively restrained programme: Handel, Bach and Beethoven - but of course music doesn't get any greater than the Bach D minor Partita and the Beethoven 'Kreutzer'. Go, Maxim, go!

WHERE'S TOMCAT?

He's here:



That, in case you wondered, is a view from the pit at the Bavarian State Opera, Munich, where our Tomcat is currently working, having taken extra time away from London. His own enforced sabbatical (rather different from Vengerov's) has done him the power of good - and the particular ironic trajectory by which this Buxton-raised son of German-Jewish refugees from Berlin fetches up in Munich, playing Wagner's Parsifal at Easter, is something that you couldn't make up. The orchestra is fabulous, he says, with no weak links; it functions with plenty of space, great facilities, grown-up attitudes and, not least, crack football teams for both sexes. Right now he's being shown the town by Wilhelm Furtwangler's great-grandson, who happened to be sitting next to him on the plane.