Showing posts with label Cosima Wagner. Show all posts
Showing posts with label Cosima Wagner. Show all posts

Sunday, August 14, 2011

Wagner was here...


I've just been to paradise, aka Lucerne. This Swiss lakeside city has got to be one of the most beautiful spots in Europe (and its KKL concert hall matches that point for point).

Wagner must have thought so too, because he lived here, at Tribschen (above) - a beautiful, good but gentle walk along the lakeside from the hall, the house is in a location second to no other. And it was here, on the stairs, that he assembled an ensemble of musicians to play the Siegfried Idyll to Cosima - who was upstairs in bed - on her Christmas Eve birthday. The view from the house is really not bad.




The only thing in Lucerne to convince you that you're still in the real world is...cost. With the Swiss franc among the world's strongest currencies at present, and the dear old pound plummeting, you pay, for example, more than six quid for a frappuccino and about seven for a reasonably decent sandwich. When I have written my 25th bestseller and all the other 24 have been filmed starring Daniel Craig and Rachel Weisz, I shall consider moving there. More about the concert I attended soon, but for now, suffice it to say that it was the Lucerne Festival Orchestra with Abbado...

Meanwhile, I wrote a piece about the agony and ecstasy of film music, for The Independent - it came out on Friday in time for the film music Prom and pays special attention to that desperately underrated centenary boy of 2011, Bernard Herrmann. Couldn't post earlier as was on the move, but here it is.

Yes, Korngold is in it too, but he would be - and I'm also delighted to say that next year I'll be doing a Radio 3 Building A Library broadcast to choose the finest available CD of the Violin Concerto, which is good news because it's a sure indication that now there are plenty available.





Saturday, July 30, 2011

FRANZ LISZT: SINS OF THE FATHER

Very happy to announce that TOMORROW, in AUSTRALIA, my latest 'stage work' will take the platform for the first time at the Australian Festival of Chamber Music in Townsville, Far North Queensland. Entitled Franz Liszt: Sins of the Father, it's a grand-scale piece bringing together as many of the resident musicians as humanly possible, and commissioned for the Liszt Bicentenary Year by the doughty Piers Lane, pianist and artistic director of the festival. The show kicks off at the Townsville Civic Theatre at 4pm.

The popular Australian radio presenter Damien Beaumont is Franz Liszt, narrating the strange history of how his sometime friend Wagner stole his limelight, his music and his daughter Cosima - and how, perhaps, the scandal of the latter was his own fault. There is humour, pathos, poetry (from Obermann), love and some reflection on the bonds that bind families so close, however bizarre that family may be.

It's very exciting that Lisa Gasteen, the great Australian Wagnerian soprano, is making a rare return to the concert platform to perform Wagner's Wesendonck Lieder and Liszt's 'O lieb', accompanied by Piers (pictured right) himself. The performance opens with Wagner's Siegfried Idyll, and along the way there are solo spots for violinists Jack Liebeck in Paganini's Variations on God Save the King and Philippe Graffin in Liszt's Romance Oubliee and Bartok's Romanian Dances; pianist Danny Driver, who'll play Liszt's transcription of Wagner's Liebestod from Tristan und Isolde; and cellist Louise Hopkins, who plays the cello version of La lugubre gondola and joins Philippe and Danny in the trio version of Vallee d'Obermann. And finally there's the Hungarian Rhapsody No.2...played by the Contiguglia Brothers piano duo, the American pianists who were among the last pupils of Dame Myra Hess.

I just wish I was there. But the performance will be broadcast the next day on ABC Radio and I'm informed that it should be possible to access it by internet, though I haven't quite worked out the time difference issues... UPDATE: An Australian tweet-friend has sent me this link which should hopefully do the trick: http://www.abc.net.au/classic/audio/#again

Do please feel free to drop me or Piers's agent a line if you are a venue that would like to book the show for Wagner Year, 2013.

UPDATE: Limelight Magazine has an interview with Damien today in which he (pictured left) talks quite extensively about Sins of the Father and what he loves about Liszt.
Taster:
Beaumont says a complicated triangle of musical passions, love and betrayal lies at the heart of the show, which takes as its subject not only Liszt but also that other Romantic titan, Richard Wagner. “We explore the story of Liszt, his daughter Cosima and her eventual marriage to Wagner. It’s an extraordinary tale of these two men connected by women, and connected by music."
The suave Hungarian and the imperious German were longtime friends, the wealthy concert pianist often helping Wagner financially. But the relationship turned sour. “The whole story is predicated on what Wagner stole from Liszt, right from his daughter to a musical phrase that Wagner turned into a five-hour opera.”