Showing posts with label Darcey Bussell. Show all posts
Showing posts with label Darcey Bussell. Show all posts

Saturday, September 06, 2014

In which your blogger nearly dances with the Royal Ballet...


Your Cinderella put on her ballet hat the other day and went to the ball. Well, a gala at Claridge's. The Royal Academy of Dance celebrated the 60th anniversary of its most prestigious award, the Queen Elizabeth II Coronation Award, by holding a fundraising dinner at which the prize was handed over to an entire company for the first time, rather than just one individual: namely, the Royal Ballet. Darcey Bussell, president of the RAD, is in the photo above, giving the award to RB director Kevin O'Hare.

The evening, complete with a glittery auction, raised about £65,000 towards the creation of a new bursary scheme to help young dancers from all over the world to enter the RAD's Genée International Ballet Competition. A talent for dance, like that for music, is no respecter of geography or bank accounts. In these straitened times this kind of support has become more crucial than ever to ensure that gifted youngsters do not miss out on opportunities due to financial disadvantage. The Genée is one of the biggest: its former medallists have frequently gone on to very distinguished careers, including RB stars Steven McRae and Lauren Cuthbertson (pictured right as Juliet). More info about the new bursary scheme will be revealed in time for next year's competition.

This got me thinking. I do wonder if some of the top musical competitions could consider starting a similar scheme for young instrumentalists. Not everyone can afford to travel to Moscow, Fort Worth or Leeds. Independent schemes like the Solti Foundation offer grants for young musicians for such purposes, but why should the most famous and well-heeled of contests not offer means-tested bursaries to gifted entrants who couldn't otherwise afford to go?

Meanwhile, it was quite a night. The exquisite Art Deco ballroom of this most fantastical of swanky London hotels was chock-full of the ballet world's great and good. And if you're me, dear reader, thinking back to the starry-eyed schoolkid who used to run up to the back of the amphitheatre on every possible occasion, this meant a lot more than Christmas come early.

I had some wonderful chats during the course of the evening with luminaries past and present: Lesley Collier, for example, who was the one I loved best when I was 13 and had never met before - she now coaches the principal dancers (pictured above with Rudolf Nureyev in Swan Lake). Darcey Bussell talked into my voice recorder about the occasion and about her championship of dance for all; and over dinner I encountered, among others, Philip Mosley, a brilliant Puck, who was the original model for Billy Elliot, and the Canadian premier danseur Matthew Golding (pictured right), who joined the company earlier this year and happens to be a dead ringer for Brad Pitt.

My fairy godmother was the RAD's press office, my pumpkin was South West Trains and I did not lose a shoe. There was dancing - the fun, after-dinner kind, to Abba and Michael Jackson and suchlike. If I'd only had the guts, I could have danced with the Royal Ballet...

Watch this space for more news of exciting initiatives - this one and others too - designed to support talented young dancers and more. The autumn promises much.

Friday, February 14, 2014

Margot Fonteyn's lost kiss revealed



OH JOY, there's going to be a ballet season on BBC TV in March. Included is a programme of highlights from The Sleeping Beauty from 1959 starring Margot Fonteyn - and the above kiss sequence which has been long lost and resuscitated by a clever someone somewhere just in time for Valentine's Day. Other airings will include Good Swan, Bad Swan - Tamara Rojo on dancing Swan Lake; Darcey Bussell talking about her ballet heroines; and Dancing in the Blitz, about British ballet during World War II, including rare footage of Ashton's Symphonic Variations.

Saturday, June 02, 2012

In Darcey's shoes?

Tonight Kenneth MacMillan's last full-evening ballet, The Prince of the Pagodas, opens at Covent Garden after being missing for a generation. It's so much associated with Darcey Bussell, whom it propelled to stardom, that to step into her shoes is a tall order. I talked to the leading ballerinas Marianela Nunez and Sarah Lamb about what it's like to try. Here's my feature from today's Independent.

And here is the adorable Marianela in rehearsal, filmed in the Royal Ballet's entire day of live webcasts in March (on her birthday).



Meanwhile, it's Diamond Jubilee time. Of course, this being London in June, it's raining and the forecast for tomorrow's River Pageant is 13 degrees... Readers overseas might like to know that there are flags everywhere. The whole of London has sprouted up looking like it's the Last Night of the Proms. Union Jacks are all over the city centre, where the Christmas lights usually go, and plenty of people have hung bunting outside their houses. The atmosphere is wonderful, despite the rain, or perhaps because of it. Let's face it, the Queen is a remarkable woman who has been doing the same job for 60 years with a professionalism that puts the politicians to absolute shame.

As far as the River Pageant is concerned - 1000 carefully-chosen boats on the Thames - they could have come up with a more imaginative musical programme, really, although there are some nice premieres. You may have missed my "jeepers-who-came-up-with-this-UKIP-style-fantasy" piece about the music on the ten boats, written when the programme was announced. I'd nurtured a faint hope that the then-still-TBC Ninth Boat might hold a waterborne world premiere of Peter Maxwell Davies's Ninth Symphony. It doesn't. Just as well. Now, several months later, it's evident that all of this is just aural wallpaper. Probably there'll be so much noise that nobody will be able to hear anything anyway.