Showing posts with label Gabor Takacs-Nagy. Show all posts
Showing posts with label Gabor Takacs-Nagy. Show all posts

Tuesday, January 22, 2013

And he's off...

So Valery Gergiev is going. According to Norman, he'll finish with the LSO in 2016 and is strongly tipped to be heading for the well-moneyed Munich Philharmonic.  [UPDATE, WEDNESDAY 23 JAN, 5PM: it's confirmed. Munich Phil has got VG, with a five-year contract: 2015-20.]

Do you have any idea how much public subsidy that city puts into its arts? It's enough to make Keynes weep. The opera house alone gets well over E100m every year. The orchestra of the Bayerische Rundfunk is one of the finest I have ever heard in all my years of hanging out with orchestras, easily as good as Berlin, possibly better than Vienna. The townsfolk of Munich love their culture and regard classical music and opera as an accepted part of daily life, which is where it should be. The Munich Philharmonic can afford the best - and it makes sure it gets the best. Oh, and Germany just increased its arts budget. If the biggest musical stars in the world head for where the money is, we shouldn't be remotely surprised.

As for the LSO - well, looks like this timing won't work for Rattle, so a range of other brilliant and probably younger maestri will be lining up for the UK's top job. I can think of three or four seriously good candidates without trying too hard, of whom two are Russian, one is English and one is - ah, but that would give it away. (Meanwhile Solti is now waiting for two phone calls. He says there's no reason that he couldn't do both Berlin and London, being that sort of cat.)

The person at the top of my wish-list is a little different. I don't know if he'd be in the running, since I'm not sure he's conducted the LSO before. But we can dream, can't we, and I urge anyone who has the chance to get to the Manchester Camerata, the Verbier Chamber Orchestra or the Budapest Festival Orchestra (where he's Ivan Fischer's second-in-command) to grab a concert with this amazing, inspirational man.







Friday, November 09, 2012

Mozart, Manchester and one amazing man

Dear Manchester, do you have any idea how lucky you are having Gabor Takacs-Nagy aboard your very own Manchester Camerata? Probably the greatest string quartet leader I've ever seen, in the old Takacs Quartet days; an incredible inspiration in his masterclasses in Verbier; and he's second-in-command to Ivan Fischer at the Budapest Festival Orchestra. Fabulous that today he is bringing to the orchestral world his conviction that you should never compromise in the mission to communicate the absolute wonder of great music with the audience. Here he sums up in a few words precisely what Mozart is all about.

Mozart with Gábor Takács-Nagy from Manchester Camerata on Vimeo.

Saturday, May 14, 2011

After the outage...

Our host site was down all yesterday and there's a lot to catch up on now. (Is the John Lewis warranty system also powered by Blogger? Today their system is down...as I know because our fridge is bust...)

First, the 'Classic Brits'. Whatever you think about their abandonment of those two little letters '-al', they had a handful of really good winners the other night. Best of all, Tasmin Little won the Critic's Award for her CD of the Elgar Violin Concerto (on Chandos). As you will know, dear readers, she also got a JDCMB Ginger Stripe Award for it last winter solstice. The disc is seriously, highly recommended. And since other awards went to Tony Pappano and Alison Balsom, things can't be quite so dreadful and doom-laden without those two little letters as many would have us think.

Next, James MacMillan's new chamber opera, Clemency. Fascinating to hear this so soon after the Berlioz Damnation of Faust, since it proves that less really can be more. A co-commission between the ROH, the Britten Sinfonia and Scottish Opera, it's spare, concentrated, highly characterised, and packs an extraordinary number of difficult questions into just 45 minutes of music. My review is in The Independent.

Over in Hungary, JDCMB favourite conductor Iván Fischer has given a warm endorsement to JDCMB other favourite conductor, Gábor Takács-Nagy (right), who has just been appointed principal guest conductor of the Budapest Festival Orchestra. The news comes via the lucky old Manchester Camerata, where Gabor takes over as principal conductor in the season ahead. Iván says: "There will be a very important change in the life of the BFO from next season onwards. Gábor Takács-Nagy, who was our former concert master, has been nominated Principal Guest Conductor of the orchestra. There are many conductors in the world who can get orchestras to play together but there are very few who can profoundly inspire. Gábor Takács-Nagy is one of them."

TODAY there's a live cinecast from The Met of Die Walkure starring Jonas Kaufmann as Siegmund. Coming soon to a cinema near you, but if you can't get in there are a few 'encore' showings tomorrow and even Monday. Oh, and it also stars Deborah Voigt as Brunnhilde, Bryn Terfel as Wotan and Eva-Maria Westbroek (aka Anna Nicole) as Sieglinde. Playbill Arts has 20 Questions with Jonas Kaufmann, in which our tenor says rather charmingly that "every composer has weak und strong points". Intermezzo disapproves of his admission that he likes Dire Straits.

Faure fans who play the piano will be very glad to see Roy Howat's spanking new Urtext edition of Glorious Gabriel's Beautiful Barcarolles, all 13 of them, clearly and readably presented by Peters Edition and correcting all manner of mistakes, misreadings and misapprehensions that apparently crept into earlier publications. Roy's Faure editions have been arriving thick and fast over the past - well, probably a decade, come to think of it - and they're evidently a labour of love. This one may well tempt me back to the piano for a long-overdue wallow. Read more about it here.

And last but absolutely not least, my interview with the lovely South African soprano Pumeza Matshikiza was in The Independent yesterday. Pumeza grew up in the townships of the Cape Town area in the last decade of apartheid. Next week she'll be singing at the Wigmore Hall in a showcase concert of the Classical Opera Company, and will be doing a duet with white South African soprano Sarah-Jane Brandon. That wouldn't have been possible in South Africa a couple of decades ago. Go hear them.

Now, about that fridge...