Showing posts with label Lauren Cuthbertson. Show all posts
Showing posts with label Lauren Cuthbertson. Show all posts

Saturday, September 06, 2014

In which your blogger nearly dances with the Royal Ballet...


Your Cinderella put on her ballet hat the other day and went to the ball. Well, a gala at Claridge's. The Royal Academy of Dance celebrated the 60th anniversary of its most prestigious award, the Queen Elizabeth II Coronation Award, by holding a fundraising dinner at which the prize was handed over to an entire company for the first time, rather than just one individual: namely, the Royal Ballet. Darcey Bussell, president of the RAD, is in the photo above, giving the award to RB director Kevin O'Hare.

The evening, complete with a glittery auction, raised about £65,000 towards the creation of a new bursary scheme to help young dancers from all over the world to enter the RAD's Genée International Ballet Competition. A talent for dance, like that for music, is no respecter of geography or bank accounts. In these straitened times this kind of support has become more crucial than ever to ensure that gifted youngsters do not miss out on opportunities due to financial disadvantage. The Genée is one of the biggest: its former medallists have frequently gone on to very distinguished careers, including RB stars Steven McRae and Lauren Cuthbertson (pictured right as Juliet). More info about the new bursary scheme will be revealed in time for next year's competition.

This got me thinking. I do wonder if some of the top musical competitions could consider starting a similar scheme for young instrumentalists. Not everyone can afford to travel to Moscow, Fort Worth or Leeds. Independent schemes like the Solti Foundation offer grants for young musicians for such purposes, but why should the most famous and well-heeled of contests not offer means-tested bursaries to gifted entrants who couldn't otherwise afford to go?

Meanwhile, it was quite a night. The exquisite Art Deco ballroom of this most fantastical of swanky London hotels was chock-full of the ballet world's great and good. And if you're me, dear reader, thinking back to the starry-eyed schoolkid who used to run up to the back of the amphitheatre on every possible occasion, this meant a lot more than Christmas come early.

I had some wonderful chats during the course of the evening with luminaries past and present: Lesley Collier, for example, who was the one I loved best when I was 13 and had never met before - she now coaches the principal dancers (pictured above with Rudolf Nureyev in Swan Lake). Darcey Bussell talked into my voice recorder about the occasion and about her championship of dance for all; and over dinner I encountered, among others, Philip Mosley, a brilliant Puck, who was the original model for Billy Elliot, and the Canadian premier danseur Matthew Golding (pictured right), who joined the company earlier this year and happens to be a dead ringer for Brad Pitt.

My fairy godmother was the RAD's press office, my pumpkin was South West Trains and I did not lose a shoe. There was dancing - the fun, after-dinner kind, to Abba and Michael Jackson and suchlike. If I'd only had the guts, I could have danced with the Royal Ballet...

Watch this space for more news of exciting initiatives - this one and others too - designed to support talented young dancers and more. The autumn promises much.

Wednesday, March 13, 2013

Oh, my ears and whiskers!



Christopher Wheeldon's madcap, rainbow ballet of Alice's Adventures in Wonderland is coming back to Covent Garden on Friday and it will hit the big screens live on 28 March. I went down the rabbit hole to have a chat with two of its stars, Lauren Cuthbertson and Edward Watson. The piece is out in The Independent today - and Lauren also talks about what it was like when her Knave, Sergei Polunin, walked out with no notice last year.

Sod's Law, though, along with the ROH website, reveals this morning that poor old Lauren is not able to go on for her three performances after all. Seems to be the lingering effects of the ankle surgery. We wish her the speediest possible recovery. Sarah Lamb replaces her, and Yuhui Choe takes over the performances that Sarah was previously scheduled to do. Meanwhile, watch the ROH news page for more of my interview with the wonderful Ed, in which we talk about Mayerling.

On Saturday afternoon, incidentally, I went to the (mostly) excellent triple bill of Apollo, 24 Preludes (the new Ratmansky to orchestrated Chopin) and Aeternum (new Wheeldon) and three quarters of the cast - six out of eight dancers - had to be replaced in the Ratmansky. The last-minute line-up did provide a chance to enjoy the radiant dancing of someone who seems to be a real "one to watch" - Melisssa Hamilton, who hails from Northern Ireland and won a Critics' Circle Award in 2009. More about the programme when I've got a mo.

Tuesday, November 13, 2012

"He believed that you can say anything through dance"

It's 20 years since Sir Kenneth MacMillan died and the Royal Ballet is about to open a triple bill of his works to mark the anniversary. I had a wonderful talk the other week with his widow, Lady Deborah MacMillan, and my piece is out today. Read it in the Indy, here.

In this film, made to introduce the cinecast of Romeo and Juliet earlier this year, and fronted by its Juliet, the lovely Lauren Cuthbertson, the great and good of the company explore the work that is regarded by countless fans as the choreographer's prime masterpiece.

Today I am off to meet someone who could yet turn out to be one of his successors. Watch this space.