Showing posts with label London Mozart Players. Show all posts
Showing posts with label London Mozart Players. Show all posts

Wednesday, March 07, 2012

How to be part of Rox's Love album

We had a high old time on Saturday at the London premiere of Roxanna Panufnik's Four World Seasons. It's a far-flung take on the Four Seasons concept, integrating folk styles from around the world with Rox's distinctive, often bitonal harmonic voice. It manages to be original, imaginative and listenable without sacrificing one jot of character; and while demanding for the performers, it also looks and sounds enjoyable for them to play. Written for Tasmin Little and the London Mozart Players, it suited them down to the ground, and the Fairfield Halls audience gave it a warm welcome.

"Autumn in Albania" is full of Balkan rhythmic quirks and delicious folksy-Gypsyish slides; "Tibetan Winter" is an icy landscape haunted by a Tibetan "singing bowl"; "Spring in Japan" wakes up the earth from deep-rooted double basses through to the Japanese bush warbler on the fiddle; and "Indian Summer" is colourful, catchy and clever, transforming pizzicati on low strings into the flowing rhythms of the tabla, and turning Tasmin's violin into a singer. A terrific concert piece to put alongside those other Seasons from Vivaldi and Piazzolla - it's for the same forces, give or take the Tibetan singing bowl - and if recorded pronto, it ought to do well on Classic FM. Three days left to hear its world premiere from Basingstoke last Friday on BBC Radio 3's Listen Again, here.

Rox's fans might like to be part of her next album, Love Abide, which is devoted to 12 choral works on the theme of spiritual love as expressed through an eclectic variety of faiths and traditions. Here's what she has to say about it.
'Each work has a particular mood or sentiment around the theme of love, expressed in a musical language that echoes the origin of the words. I’ve drawn on writings from different faiths, from the 15th century Zen Master Ikkyu¯ So¯yun to the well-loved 1 Corinthians 13; from the Christian mass setting to the 14th Century Sufi poet Rumi to the ancient Psalm 102. The CD encapsulates the very contemporary ethos of multicultural spiritual devotion, in a world which is populated by different faiths – all feeling, as deeply and as aesthetically, the compelling potency of music with love'. 
Every piece on the disc will be dedicated as a personal gift for - or perhaps in memory of - a loved one. Sponsors/dedicatees could have the opportunity to be present at the recording session, where said loved one's photo and name can be circulated among the musicians so that they can perform with that person in mind. A dedication will be printed in the CD booklet and sponsors receive a signed, framed first page of the score as well as a signed recording.

The recording will be made by a top team including the LMP (of which Roxanna is composer-in-association), the London Oratory School Choir, Heather Shipp (mezzo), Roderick Williams (baritone), the Colla Voce Singers, conductor Lee Ward and Kiku Day (Jinashi Shakuhachi).

It's worth noting that, as the designated website explains, these days many classical record companies will only agree to put out a CD if they are provided with the finished master first - ie, they won't pay for the actual recording to be made. In a way, this matches the concept of "artist-led" labels, for which musicians have to fund their own recordings; the results are then marketed and distributed under the reputable umbrella tag of a team that exercises expert quality control over who/what it accepts. Now, the artist-led labels let everyone know from the start that that's what they're doing. But in hard times, this model has quietly become more widespread. Rox has invented a way to raise the necessary funds while also giving the sponsors a real stake in the result. Something that Count Razumovsky would have approved of, I think. Or you could see it as crowd funding with a difference.

If you want to sponsor the recording, or just learn more about how it works, all the details are here:

Thursday, March 01, 2012


CLASSICAL MUSIC, the magazine of the music business, is offering JDCMB readers free access to its online digital edition until 31 August 2012.

The magazine, produced by Rhinegold Publishing, reports fortnightly on the latest news, views and events from around the musical world and is a must-read for everyone in the industry and beyond - packed with insights, interviews, notices, job ads, etc.

To take advantage of this offer, simply go to and sign up at "Register below to access the digital editions". Use the access code CMJD12 and add your email address and a password of your choice. The code works until 31 August, so if you sign up now you get six months of free reading - 14 issues of the magazine.

In the earlier February edition you can find, among other things, a biggish piece by JD about Roxanna Panufnik's new suite of pieces for violin and orchestra, Four World Seasons, which Tasmin Little and the London Mozart Players are performing complete for the first time tomorrow in Basingstoke and on Saturday at the Fairfield Halls, Croydon.