Showing posts with label Vladimir Horowitz. Show all posts
Showing posts with label Vladimir Horowitz. Show all posts

Thursday, February 05, 2015

Bryn Plus

I had a wonderful interview with Bryn Terfel last week and it is in today's Independent, here. Bryn sings the lead in Der fliegende Holländer at Covent Garden, opening tonight.

Here are a few bonus bits of the interview.


Bryn on...Andris Nelsons (who conducts the Wagner tonight):

"The first time I met him was in Birmingham - and then I heard the Boston Symphony Orchestra had snapped him up. He’s married to Kristine Opolais,of course, which will only make him an even better conductor of singers – but he can sing! Goodness gracious, you should hear his voice. He's a stunning bass-baritone and he loves to sing from the pit- and he laughs and winks at you. From what I hear, the orchestra loves him as well. Isn’t that a great formula already? Who knows where he’ll go?"

Bryn on...his foundation to help student musicians:


"Whatever I do concertwise now, the money I get for that goes to the foundation. I need to work a little bit harder, maybe, on getting people to invest some of their money into the youth of my chosen career, so I’ve given some nmoney to young Welsh singers, I’ve given some mopney to a young accordionist who's doing really well at the moment, Ksenija Sidorova, I gave her a little foundation money – I’m sure that any student coming out of college would like some help. So that’s something for the future. In the next 10 years I’m going to home in on my foundation. I started it because I heard from students that they were coming out of university with debts and that made me think that maybe they need the money now, while they’re still in college. So the money I’ve given to students, they’re in college now, spending it. And there’s no stipulation about what they can spend it on – they can buy shoes, a car, a dress – and these are things you need as a performer. I’ll never forget Sir Geraint Evans telling me: 'Buy a new suit.' And he was right. Because that generation, thety’d come to rehearsal in a three-piece suit! I’ll never forget who I got money from. Capital Radio gave me £500 once. The Kathleen Ferrier Scholarship I won was £5000 and that was really important for extra coaching and extra language coaching."

Bryn on...the great pianists:

"I’ll never forget going to hear Martha Argerich play with the young Verbier Symphony, full of kids under 25 years old. I sat there with Peter Gelb and he said 'It’ll be brilliant tonight.' I can guess a pianist will be brilliant by the names, but to hear piano music being played I need to study a little more, I think, on the difference between brilliant and mediocre, because I think they’re all fantastic. And Peter said that at the end of Horowitz’s career he was his agent and filmed him playing in Moscow for the last time. He said they didn’t want to film him from the front of the audience, so he had the camera on Horowitz from behind - and looking through into the audience, all these Russian people were sobbing. But he said Horowitz had said to him: 'Only one pianist will take over what I’ve started, and it’s Argerich'. So I was about to listen to this woman – I listen to a lot of Horowitz anyway on Youtube - his White House soirées with presidents are recorded on video. So that was one of the most exciting evenings I’d ever had, having heard that story."

Friday, July 19, 2013

Friday Historical: Horowitz Live in London



This is Vladimir Horowitz's second-last recital in London, filmed live at the Royal Festival Hall in May 1982 (the last one was a week later. Thanks to my pianophile-in-chief consultant for the correction). He was not a well man by then, and apparently was on much medication, but the old magic is alive and well despite some slips; listen to the tone, the voicing, the variety of imagination, and a Polonaise-Fantaisie that certainly draws the tears from fanatics like me... And the way he plays the national anthem at the outset is a sliver of piano genius in itself, though this audience of 31 years ago stands to attention and doesn't applaud. (Prince Charles and co are in the royal box, not looking their most comfortable ever...).

The concert hall, which we see at the start, stands in grim concrete isolation in a lifeless area. It's a bit different today, happily.

The programme is:

Part I

01. God Save The Queen
02. Scarlatti Sonata in A flat major K127
03. Scarlatti Sonata in F minor K466
04. Scarlatti Sonata in F minor K184
05. Scarlatti Sonata in A major K101
06. Scarlatti Sonata in B minor K87
07. Scarlatti Sonata in E major K135
08. Chopin Polonaise-Fantaisie Op.61
09. Chopin Ballade No.1 Op.23
10. Horowitz talks about himself

Part II

01. Schumann Kinderszenen Op.15
02. Rachmaninov Piano Sonata No.2 Op.36
03. Chopin Waltz Op.69-1
04. Rachmaninov Polka de W.R.
05. Scriabin Etude Op.8-12

Friday, June 28, 2013

Friday Historical: Horowitz plays the Chopin Barcarolle



Recorded live at Carnegie Hall on 26 November 1967, this is the kind of performance that proves that it ain't what you've got, it's what you do with it. Vladimir Horowitz had an extraordinary technique, but infinitely more vital than that was the brainpower, the imagination, behind it. That is the seat of true artistry, and to concentrate on the technical side of Horowitz is simply to miss the point: the vital spark was his capacity to reimagine the works he performed and take them to places - yet musically sincere ones, faithful to the composer - of which others can barely dream. As Martha Argerich said when I had my (one and only) interview with her: before you can make that sound, you must be able to imagine it. To that end, I've chosen today his live performance in 1967 of that masterpiece of abstract poetry, the Chopin Barcarolle.

Friday, January 04, 2013

Friday Historical: Vladimir Horowitz out-takes

"Listen, you wanted Moszkowski, maybe?..."

Just stumbled on this little selection of out-takes from Vladimir Horowitz - The Last Romantic. Wow.