Showing posts with label Krystian Zimerman. Show all posts
Showing posts with label Krystian Zimerman. Show all posts

Friday, January 25, 2013

JD meets LUTOSLAWSKI

Today is Witold Lutoslawski's centenary. Back in 1992 I met him for the first, and sadly only, time - and talked to him about his Piano Concerto and working with Krystian Zimerman. This interview was never published, though, and I'm lucky that the cassette tape just about survived the intervening 20 years. I played it through my old Walkman; it emerged a bit slow and a bit low, but with words entirely clear. I've now made an article out of it for Sinfini.

I can't help finding the great composer's comment about this concerto being "playable" slightly amusing - to me it looks 500% impossible.

As Krystian is playing it on Wednesday with the Philharmonia and Esa-Pekka Salonen at the RFH, the interview is out just in time. Read it here:
http://sinfinimusic.com/uk/features/2013/01/lutoslawski-anniversary/

And book for the concert here: http://www.southbankcentre.co.uk/find/music/classical/tickets/philharmonia-orchestra-63639?dt=2013-01-30

Tuesday, January 01, 2013

New Year Fireworks!


HAPPY NEW YEAR!

As a disembodied voice said over the firework display by the Thames, "London 2012: we did it right". Wonder if we can keep that up in 2013? 

Here are a few handy points for starting the year with best foot forward.

1. Feel free to enjoy the New Year's Day Concert from Vienna. Whatever those self-righteous moaners say about the Vienna Philharmonic, I love it and New Year's Day would feel all wrong without it...
UPDATE, 11.55am: woops. This year's, conducted by Franz Welser-Most, really is "frankly worse than most" and I have SWITCHED IT OFF for the first time in living memory. There's no point grumbling about the number of women in the orchestra if there is an elephant on the podium.

Solution? Make Your Own New Year's Day Concert. Here's Willi Boskowsky, leading a Csardas with violin, smile and real pizzazz in 1967. This, dear friends, is more like it...



2. Make some fun resolutions. Yesterday the Royal Opera House asked us on Twitter for our best operatic ones. Mine include recognising that gold rings are overrated, especially when sourced in the Rhine - stick to platinum in future. And do not write unsolicited love-letters to handsome visitors, even if they can sing in Russian.

3. Then there are non-operatic resolutions, such as practising the piano, going back to ballet class, finishing the new novel, and other things that are probably doomed if you have to make a resolution about doing them.

4. Invest in some good carpet shampoo. Handy for cleaning up others' mess. (I think Solti must have overindulged at the cat party last night.)

5. Ring out the old, ring in the new. What's past is past.

6. Speaking of the Ring, this year there will be so much Verdi, Wagner and Britten around that it's tempting to board up the windows and say GONE SOMEWHERE SUNNY, SEE YOU IN 2014. Which of the three birthday boys will you still want to hear in 366 days' time?

7. While V, W and B are carpet-bombing us (or should that be BWV? is it all a plot by Bach?), please don't forget Lutoslawski. Luckily the Philharmonia is celebrating his centenary. Krystian Zimerman is performing the Piano Concerto that Lutoslawski wrote for him - RFH, 30 January.

8. I have a new concert-of-the-novel in the works, this time based on Alicia's Gift, with the lovely pianist Viv McLean. The story of a child prodigy trying to grow up, it includes piano music by Chopin, Ravel, Granados and others. I read, Viv plays and we'll launch it in the autumn. Ideal as a coffee-concert with a difference. Book us!

9. The Hungarian Dances concert and A Walk through the End of Time are expecting more airings - watch this space. I'm also looking forward to some seriously exciting interviews and various things that are currently queuing up in the ether, waiting to be written and performed.

10. It's tough out there. We'll all have to be positive and ingenious to navigate through '13. But if we have music, love and laughter in our hearts, we can do that. We need to invent, communicate, inspire and do good things. And you know something? We intend to. Please join us.








Thursday, November 03, 2011

Krystian Zimerman talks about sound...

...and about pianos, maturity, Rubinstein, Lutoslawski... This seems to be from Hong Kong radio - not sure precisely when the broadcast was, but it seems to have been uploaded about six months ago.



And here's another treasure I just found: Krystian aged about 25 playing the first movement of Chopin's B flat minor Sonata in a televised concert in Japan, 1982.

Friday, September 21, 2007

Krystian speaks...

My German isn't brilliant, but I think that this open letter from Krystian Zimerman explains why he and Gidon Kremer did not appear together as originally planned at this year's Salzburg Festival.

For those of us who rely on the universal language that is music, here is KZ playing two of Gershwin's Preludes in Japan. I'm told that he also made a substantial speech to the audience - in Japanese - about American politics and the war in Iraq, but that has not as yet made it on to Youtube.

Enjoy.

Tuesday, December 05, 2006

HAPPY BIRTHDAY, KRYSTIAN ZIMERMAN!

Krystian Zimerman notches up half a century today. When I was 14, I went with my parents to hear him play at the Royal Festival Hall. He was 23 and I'd never heard anything like it. There was a world in his piano that rolled together everything that was finest about art, poetry and pure, white-hot energy. He played the Brahms F minor Sonata Op.5, the Chopin First Ballade and the 'Funeral March' Sonata. Nothing was ever the same again. Ten years later, I had a job on a music magazine and I suddenly realised that all I needed to do was sell him to an editor, call up his manager and fix an interview, and then I could ask him all the questions I wanted to about what made that musicianship tick.

That was quite a while ago, but to this day, this man gives me faith in human nature, because he is as special a person as he is a pianist. The finest musicians play as they are; listening to the playing, you listen to them speak. You can hear their essence, distilled, in their music-making. Krystian is no exception. Few pianists have this degree of sensitivity, tenderness, intelligence and visionary wisdom, and few people.

Here's his page at Deutsche Grammophon: follow the link to the discography...

Happy birthday, Krystian! Have fun!