A friend recently lent us a DVD of a violinist whom we knew by name but nothing more. We sat transfixed, watching the film of him playing Sibelius in the mid 1950s. This man has a sound that can slice through your abdomen like the world's finest butterknife; the intensity is heartbreaking, the consistency silky and substantial from foreground to background, the integrity total. We read the booklet and first discovered he was born in 1933 - a moment of excitement realising that he could, should, still be alive - until a paragraph later came the shock that he committed suicide at the age of 49.
Little clue is given to his character, his motivation, his problems. All that remains is the testimony of his musicianship. I sent off at once for a set in the EMI 'Les introuvables' series (EMI being EMI, you have to get it from France, but that's easy with amazon.fr). It arrived yesterday, including two different recordings of the Faure A major sonata made a few years apart - the first as tender and delicate as a mountain stream, the other smouldering and sparking like a volcano, yet each perfect in its own way - but they are almost upstaged by his account of Faure's Second Sonata in E minor, which is often thought 'difficult' yet which he lights up with visionary luminescence, generous tone and intuitively perfect phrasing. One senses from such white-hot playing that for this person life and music were serious matters - that perhaps his sensitivity and personal standards were too high to allow him to deal with reality.
His name is Christian Ferras.
This is the DVD. This is the CD set.
Meanwhile, Alex Ross has the most eloquent words about Korngold I've seen in a long time here.
Sunday, October 17, 2004
Thursday, October 14, 2004
Damsel in major computer distress
HELP!!!! Any computer wizards out there? I came back late last night in the middle of what's been the Week From The Depths of Hell to find that my internet connection won't work. I am a technoignorama [good word...] and Tom (who, to be fair, isn't much better) is away on tour in Brazil.
It isn't as simple as it sounds. My computer and Tom's are networked together on a single broadband connection in which Tom's is the closest to the telephone source. His works fine, hence I am on it now. All I can get out of my Internet Explorer and Entourage, though, is 'The Specified Server Could Not Be Found'.
What's going on? Is it my computer hardware? Software? The network? (yes I HAVE checked that the wires are plugged in.) Do I need to reinstall all my software, will it help, will I lose all my info if I do so? Who do I call? The Mac man? The friend who set up our network, which worked absolutely perfectly until Tom and his suitcase and violin vanished Heathrowards yesterday? I think actually I need Superman.
Anyone out there got any SENSIBLE AND HELPFUL SUGGESTIONS? ***PLEASE?!?!?***
It isn't as simple as it sounds. My computer and Tom's are networked together on a single broadband connection in which Tom's is the closest to the telephone source. His works fine, hence I am on it now. All I can get out of my Internet Explorer and Entourage, though, is 'The Specified Server Could Not Be Found'.
What's going on? Is it my computer hardware? Software? The network? (yes I HAVE checked that the wires are plugged in.) Do I need to reinstall all my software, will it help, will I lose all my info if I do so? Who do I call? The Mac man? The friend who set up our network, which worked absolutely perfectly until Tom and his suitcase and violin vanished Heathrowards yesterday? I think actually I need Superman.
Anyone out there got any SENSIBLE AND HELPFUL SUGGESTIONS? ***PLEASE?!?!?***
Wednesday, October 13, 2004
Strange stats
So far I've had hits on this blog in 36 countries, including via a few very odd google searches. My favourites are:
General anaesthetic symbolism
Danish blondes
Hungarian communist apartment disgusting
Where can I find magic mushrooms in Scunthorpe
Latkes en francais
I think that a latke is a latke is a latke - except perhaps in Lithuania, their homeland, where they're called something else since 94% of the Jewish population was killed 60 years ago.
My first English-language article about my Lithuanian trip is out now in the Jewish Quarterly.
General anaesthetic symbolism
Danish blondes
Hungarian communist apartment disgusting
Where can I find magic mushrooms in Scunthorpe
Latkes en francais
I think that a latke is a latke is a latke - except perhaps in Lithuania, their homeland, where they're called something else since 94% of the Jewish population was killed 60 years ago.
My first English-language article about my Lithuanian trip is out now in the Jewish Quarterly.
Sunday, October 10, 2004
Getting into Korngold
A Comments note from Ken Nielsen in Oz asks where to start with Korngold. Here we go:
START with the films - Adventures of Robin Hood, The Sea Hawk, The Private Lives of Elizabeth and Essex, Deception. You'll probably find you've heard them before, somewhere in your distant past. Next, the Violin Concerto is the best-known orchestral piece: try Gil Shaham with the LSO and Andre Previn. Happy? Now for his best opera, Die tote Stadt, in the recording by Erich Leinsdorf (don't bother with el cheapo Naxos, recorded live in Sweden complete with stage clonkings and swingeing cuts). If you get along with that, move on to Das Wunder der Heliane, the most ambitious of the operas and the work he regarded as his masterpiece - and turn the volume up high! If you can swallow Heliane, you are truly a Korngold person...
In which case, you can gorge happily on all those beautiful but underplayed orchestral works like the Sinfonietta, the Abschiedlieder, the Symphony in F sharp, the Cello Concerto (here with hot young cellist Zuill Bailey), and the Piano Concerto for the left hand (with the glorious Marc-Andre Hamelin); and the songs, gloriously sung by Anne Sofie von Otter (this recording also features some of the chamber music, which is interesting, but not really the best place to begin).
Er, Ken, do I take it you've read my book already? If not, here's the Amazon link...
START with the films - Adventures of Robin Hood, The Sea Hawk, The Private Lives of Elizabeth and Essex, Deception. You'll probably find you've heard them before, somewhere in your distant past. Next, the Violin Concerto is the best-known orchestral piece: try Gil Shaham with the LSO and Andre Previn. Happy? Now for his best opera, Die tote Stadt, in the recording by Erich Leinsdorf (don't bother with el cheapo Naxos, recorded live in Sweden complete with stage clonkings and swingeing cuts). If you get along with that, move on to Das Wunder der Heliane, the most ambitious of the operas and the work he regarded as his masterpiece - and turn the volume up high! If you can swallow Heliane, you are truly a Korngold person...
In which case, you can gorge happily on all those beautiful but underplayed orchestral works like the Sinfonietta, the Abschiedlieder, the Symphony in F sharp, the Cello Concerto (here with hot young cellist Zuill Bailey), and the Piano Concerto for the left hand (with the glorious Marc-Andre Hamelin); and the songs, gloriously sung by Anne Sofie von Otter (this recording also features some of the chamber music, which is interesting, but not really the best place to begin).
Er, Ken, do I take it you've read my book already? If not, here's the Amazon link...
Labels:
Korngold
Sunday morning in blogland
Did you know that Saint-Saens has the same birthday as John Lennon? It was yesterday. This pithy info is from Ionarts, where there's also a wonderful picture of Cantankerous Camille playing the organ.
There is more useful information to be gleaned almost everywhere today. There's news of a production of Zauberflote in New York by Julie Taymor - she's a producer unfamiliar, I'm afraid, to me here in London, but apparently this is so stunning that both Alex Ross and ACD are in agreement (unusual in itself!) that she must now do The Ring. Zauberflote is notoriously difficult to bring off. Glyndebourne has had two disasters with it, the worst when Peter Sellars set it under a Los Angeles motorway, in an Ashram seemingly dependent upon sign language. The Covent Garden production has its moments, but is set within a distinctly gloomy background. ENO's is so successful that they've stuck with it for years and years and YEARS. And that is before you even start wondering what to do with the music - to vibrate or not to vibrate...
Meanwhile Helen Radice has an alarmingly interesting post about whether something called Il Divo is any good (not). She has also learned how to switch on her oven (sorry, hob!).
Given that TV news on a Sunday morning consists of wall-to-wall football coverage, utterly depressing pictures from Iraq, Egypt and Israel and robotic people telling you that personal debt in this nation is over a trillion pounds, if you want to keep up with the latest in the arts, there is now only one way to do it. Read the blogs!
There is more useful information to be gleaned almost everywhere today. There's news of a production of Zauberflote in New York by Julie Taymor - she's a producer unfamiliar, I'm afraid, to me here in London, but apparently this is so stunning that both Alex Ross and ACD are in agreement (unusual in itself!) that she must now do The Ring. Zauberflote is notoriously difficult to bring off. Glyndebourne has had two disasters with it, the worst when Peter Sellars set it under a Los Angeles motorway, in an Ashram seemingly dependent upon sign language. The Covent Garden production has its moments, but is set within a distinctly gloomy background. ENO's is so successful that they've stuck with it for years and years and YEARS. And that is before you even start wondering what to do with the music - to vibrate or not to vibrate...
Meanwhile Helen Radice has an alarmingly interesting post about whether something called Il Divo is any good (not). She has also learned how to switch on her oven (sorry, hob!).
Given that TV news on a Sunday morning consists of wall-to-wall football coverage, utterly depressing pictures from Iraq, Egypt and Israel and robotic people telling you that personal debt in this nation is over a trillion pounds, if you want to keep up with the latest in the arts, there is now only one way to do it. Read the blogs!
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