Tom has gone to Berlin for the first leg of an LPO tour that will take in a) Germany, b) Italy and Switzerland, c) Bucharest, Zagreb and one or two other unusual places with long names. He arrived in Berlin this evening. His suitcase didn't. Here's hoping it turns up in time for the concert at the Philharmonie tomorrow, otherwise the Tomcat will have no tails and may have to go on in his birthday suit instead.....
Here's a very small something from the Indy today to provide a little diversion. I promise that the stories are ALL TRUE. Printed version is nice, if you can get hold of one, because they commissioned a fantastic cartoon for it. (No, it doesn't involve any nude violinists.)
Back home, I've just emerged from a snowdrift of book proofs, which I've now given back to my publisher, quaking. That's it. Anything that didn't get changed is going to be on a shelf somewhere for longer than I shall be on this planet. Every time I looked at it, I found something more than needed to be remedied..... Anyway, the jacket proof is wonderful - and all I can do now is sit back and wait. Time to get on with the next one. Theoretically, at least. Next week I'm going to meet Tom & the band in Lucerne for two days (hope it's stopped raining); the following week off to Rome to interview a very special singer; and a few days later a welcome holiday in France will be upon us.
More seriously, we've been massively churned up today by the pictures of New Orleans virtually underwater. Our very deepest sympathies from London to everyone caught up in the devastation brought to the southern states by Hurricane Katrina.
Tuesday, August 30, 2005
Sunday, August 28, 2005
Admin...
Simply to let you know that I scrubbed out the Comment facility from the post below because of spam. In future, you'll all have to do Word Verification to leave a comment. Not my fault, just this crazy world we live in...
Oo la la in Edinburgh
This is in today's edition of Scotland On Sunday: my article about the Opera de Tours's production of the musical comedy L'amour masque by Andre Messager & Sascha Guitry. (This is the reason I've been getting interested in Guitry & co recently...). It's at the Edinburgh Festival from 1 to 3 September and I think it sounds fabulous - wish I could be there to hear it. You may need to register at the Scotsman website to get into the article, but it is quick, free and harmless. More info about the show from the EIF website here.
It is extraordinary, the way that one artistic passion can turn out to relate to many others in unsuspected ways. When I set out to write Faure's biography, I had no idea that he would turn out to have connections to one of my favourite writers, Turgenev; or that a ballet of Alain-Fournier's wonderful novel Le Grand Meulnes would have been made to his music (Andrée Howard's La fete etrange - being staged at the Royal Opera House in October); or that his friend Messager would have dedicated to Faure's memory the music he wrote to Guitry's play Deburau which may well have helped to inspire my favourite film Les Enfants du Paradis. Weird, eh? Or simply a symptom of attraction on my part to a particular aesthetic that is shared, in one way or another, between them all? As they say in Russian, 'Bog zniyet...'
It is extraordinary, the way that one artistic passion can turn out to relate to many others in unsuspected ways. When I set out to write Faure's biography, I had no idea that he would turn out to have connections to one of my favourite writers, Turgenev; or that a ballet of Alain-Fournier's wonderful novel Le Grand Meulnes would have been made to his music (Andrée Howard's La fete etrange - being staged at the Royal Opera House in October); or that his friend Messager would have dedicated to Faure's memory the music he wrote to Guitry's play Deburau which may well have helped to inspire my favourite film Les Enfants du Paradis. Weird, eh? Or simply a symptom of attraction on my part to a particular aesthetic that is shared, in one way or another, between them all? As they say in Russian, 'Bog zniyet...'
Labels:
articles
Friday, August 26, 2005
Stressbusters
This is the indomitable Norman Lebrecht's inspiring account of how he found himself performing the recitation in Schoenberg's 'A Survivor from Warsaw' at Dartington last week.
Every music commentator should take part in a performance now and then and Norman's article helps to show why.
Speaking of stressful performances, we hear this morning that one of Leonidas Kavakos's strings broke during the Berg at the Prom last night and he finished the concerto on the leader's violin. It must take nerves of diamond, never mind steel, to switch fiddles in that piece, of all pieces, in the middle of the Royal Albert Hall, live on BBC Radio. What's more, Andrew Davis had dropped out and Joseph Swensen was drafted in to conduct instead, somewhat late in the day. Tom and I were down at Glyndebourne and missed the fun...
If I feel stressed out by proofreading my novel and trying to catch last-minute inconsistencies - of which there've been plenty - all I have to do is think 'I will never have to recite Schoenberg, or break a string in a Prom' and I feel better INSTANTLY.
Every music commentator should take part in a performance now and then and Norman's article helps to show why.
Speaking of stressful performances, we hear this morning that one of Leonidas Kavakos's strings broke during the Berg at the Prom last night and he finished the concerto on the leader's violin. It must take nerves of diamond, never mind steel, to switch fiddles in that piece, of all pieces, in the middle of the Royal Albert Hall, live on BBC Radio. What's more, Andrew Davis had dropped out and Joseph Swensen was drafted in to conduct instead, somewhat late in the day. Tom and I were down at Glyndebourne and missed the fun...
If I feel stressed out by proofreading my novel and trying to catch last-minute inconsistencies - of which there've been plenty - all I have to do is think 'I will never have to recite Schoenberg, or break a string in a Prom' and I feel better INSTANTLY.
Labels:
travel,
violinists
Tuesday, August 23, 2005
Piano man or shaggy dog?
The mystery of the "piano man" has been solved. This is the report in The Guardian.
Turns out it was a bit of a shaggy dog story. He's from Bavaria and the whole thing appears to have been an elaborate hoax. As for the 'piano genius' element - it does seem that that was the result of mental health workers in the UK not being able to tell the difference between a full-fledged concert pianist and someone who can just about pick out a tune from Swan Lake. The report on the TV news last night was gently accompanied by a background account of Chopsticks.
Turns out it was a bit of a shaggy dog story. He's from Bavaria and the whole thing appears to have been an elaborate hoax. As for the 'piano genius' element - it does seem that that was the result of mental health workers in the UK not being able to tell the difference between a full-fledged concert pianist and someone who can just about pick out a tune from Swan Lake. The report on the TV news last night was gently accompanied by a background account of Chopsticks.
Labels:
Music news
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