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This is what CLOSER had to say about RITES OF SPRING a couple of weeks ago:

‘Adam and Sasha appear to have the perfect life - good jobs, a nice home, money and three perfect children. But as their marriage begins to unravel, their ballet-crazy daughter starts starving herself - and her parents are too preoccupied to notice. A haunting, heartbreaking novel.’

Being a tad out of touch with popular culture, I'd never even heard of CLOSER before. Now I see it's piled high on the shelves in the local supermarket.

Apologies for lack of normal blogging recently. Excuses: Tom went on tour for a month, I had too many daft things to deal with in his absence, got ill three times, am still not quite better, and there was the small matter of my first novel hitting the shelves in the meantime. Arguments about the vagaries of British critics and the merits or otherwise of 'Evgeny Onegin' at Covent Garden (principally 'otherwise') started to feel like they could wait for another day.......

Except this: yes, I did write 'Evgeny', not 'Eugene'. Calling the opera 'Eugene Onegin' is one of those tired old customs that make little sense but are hard to change, like saying 'The Marriage of Figaro' instead of 'Figaro's Wedding'... Do we talk about Eugene Kissin? Greg Sokolov? Mike Pletnev? Andrew Gavrilov? I know a few Vladimirs who are known as Bob, but I don't think Pushkin or Tchaikovsky thought of Onegin as a good old Gene.

Sneak preview

The first three pages of RITES OF SPRING are now available to read on my permasite, here.

This Thursday

I've got a gig at East Sheen Library this Thursday evening, 30th March, 7.30pm. I'll be introducing RITES OF SPRING and saying a few words about how it found its way into print; and the actress Geraldine Moffatt, whom you may have seen in 'Get Carter' with Michael Caine, will be reading extracts from it. Hot-off-the-press copies available to buy, too, with author on hand to sign them. The £2 entry fee includes a glass of wine. East Sheen Library is at the Sheen Lane Centre, Sheen Lane, London SW14, about one minute's walk from Mortlake station (South West Trains, 22 mins from Waterloo).

All welcome!

A bit of a scoop

This, published today in the Independent, has been really quite thrilling. A number of the specialist magazines have picked up on it, but I've been fortunate to be able to take it mainstream in the national press. Having been treated to a sneak preview of the Violin Concerto recording, I know, too, that it is simply stunning.

Cool it...

Anyone interested in ways of making classical music 'cool' could do worse than have a look at this programme tonight on BBC3, the BBC TV digital channel that is aimed at people younger than I am. It's about the power of marketing to influence kids and the way those kids then pester their parents to buy them X, Y and Z. Saw a trailer for it this morning...

They stage a trick: they market a classical string quartet to a primary school of multiethnic kids as the latest rap sensation, Wolf Gang. They bring one band member, a beautiful, glamorous black girl, to visit the school. There's merchandise - stickers, t-shirts, you name it - which the kids lap up; and she rolls up in a stretch limo, exquisitely dressed, to be met with shouts and screams and many small hands reaching out to beg for autographs. The children think it's the coolest thing ever.

A little later, the kids are told what music this band actually plays. Have they heard it? No, of course not. They just fell for the marketing.

Lessons there, classical comrades. Should we make graffiti-style I heart THE LPO t-shirts, sold at as high a price as possible so that people think they're valuable? Should we have stickers bearing pictures of... um...OK, Helene Grimaud, on sale at designer outlets? Should we drive her, or Julia Fischer, or Lisa Batiashvili, or Gabriela Montero, or whoever, to visit a primary school in a stretch limo - not to play music and make kids listen, but to wave, smile and preen, getting the message across that this is a beautiful superstar whose autograph it's worth having? Would it really help? What do you think?

UPDATE, 7.15pm: I've had a stroke of inspiration. It's often said that classical musicians need to 'ditch the penguin suits'. Various orchestras have tried other uniforms: black trousers and shirts (looks like they're not actually there), bright shirts & jeans (looks naff) etc etc. What they need is this: designer wear. It doesn't much matter which label, as long as it's famous. Let's try dressing the LPO from top to toe in identical Armani outfits & see what happens.

Unfortunately, nobody in the LPO can currently afford an Armani suit, so the company would have to be prevailed upon to hand 'em over free, or much reduced, as sponsorship.