On BBC Breakfast news this morning they interviewed a girl whose employer had caused ructions by asking her to cover up her spectacularly tattooed arms while in the office. "The thing is," she said, "where do you draw the line?"
Happy Midsummer's Eve!
Friday, June 23, 2006
Thursday, June 22, 2006
Never do anything before your second cup of coffee
A little alert for everyone. Early today I received a message from a correspondent in the US attaching a petition about the destruction of the Salle Pleyel in Paris. Sign the petition to Mr Villepin to stop it! The pleas seemed convincing, and before having my second cup of coffee I went into the site, signed the petition and forwarded the message to some people I thought would be interested.
A message promptly came back from an agent friend saying that actually the Salle Pleyel has been beautifully refurbished and the programme for next season is excellent. Another well-informed correspondent tells me that the acoustics are being done over by Russell Johnson. It does seem to be true, as the petition protested, that the number of seats has been reduced considerably and that the hall will be housing other kinds of music besides classical concerts. But it also seems to be true that the work is pretty much finished & that this is a strange moment indeed for such a petition to be doing the rounds.
I can't prove that the protest isn't genuine, of course, but I urge caution if you're on the receiving end of this since I've spent the better part of this morning sorting out the mess resulting from forwarding flawed info too fast.
UPDATE, 4pm: It seems sensible to let you all make up your own minds on this, so:
Here's the petition;
Here's the hall's official site containing all the information about the refurbishment.
The season opens in mid-September.
A message promptly came back from an agent friend saying that actually the Salle Pleyel has been beautifully refurbished and the programme for next season is excellent. Another well-informed correspondent tells me that the acoustics are being done over by Russell Johnson. It does seem to be true, as the petition protested, that the number of seats has been reduced considerably and that the hall will be housing other kinds of music besides classical concerts. But it also seems to be true that the work is pretty much finished & that this is a strange moment indeed for such a petition to be doing the rounds.
I can't prove that the protest isn't genuine, of course, but I urge caution if you're on the receiving end of this since I've spent the better part of this morning sorting out the mess resulting from forwarding flawed info too fast.
UPDATE, 4pm: It seems sensible to let you all make up your own minds on this, so:
Here's the petition;
Here's the hall's official site containing all the information about the refurbishment.
The season opens in mid-September.
Tuesday, June 20, 2006
Do you know this man?
My latest package of CDs to review has turned up quite a treasure: a young German tenor named Jonas Kaufmann singing Strauss songs, accompanied by the matchless Helmut Deutsch. I hadn't come across Kaufmann before, but the focus and fibre of his voice knocked me off my chair in the very first phrase of 'Zueignung'. Next, he seems to sing Strauss from the inside, with attention to every word. And thirdly, the voice is very powerful indeed - apparently he has sung Parsifal and one wonders whether he'll be a fabulous Siegmund or Tristan in years to come.
Some internet research revealed that he received a great deal of attention here three years ago at the Edinburgh Festival and he'll be back there on 24 August. And he's just made his debut at the Met in NY. I hope that The Guardian didn't do him too much damage, bless its cotton socks, by entitling its 2003 interview 'I don't mind my sexy image' - most singers don't get far these days without one (and yes, anyone looking for a pin-up won't be disappointed). But Strauss has provided him with his most consistently good reviews so far and if this disc is anything to go by, that's not surprising. It will be out soon on the harmonia mundi label.
Some internet research revealed that he received a great deal of attention here three years ago at the Edinburgh Festival and he'll be back there on 24 August. And he's just made his debut at the Met in NY. I hope that The Guardian didn't do him too much damage, bless its cotton socks, by entitling its 2003 interview 'I don't mind my sexy image' - most singers don't get far these days without one (and yes, anyone looking for a pin-up won't be disappointed). But Strauss has provided him with his most consistently good reviews so far and if this disc is anything to go by, that's not surprising. It will be out soon on the harmonia mundi label.
Saturday, June 17, 2006
Roman in the gloaming
Yesterday I wrote a delicious post about my trip to Rome earlier this week: the glorious remnants of the Forum, the magical Fontana di Trevi, the sunshine, the oleanders, the incredible pizza. Then our host site decided my blog didn't exist. By the time I gave up, the entire post had vanished into the wilds of cyberspace. Today's is by way of an experiment, just to make certain I'm still here. Meanwhile, one lives and learns.
Friday, June 09, 2006
Hmm...
The LPO is having a sweepstake for the World Cup. Guess whose resident violinist drew Paraguy?!
Meanwhile we have been sitting on a Danish island in a dear friend's summer house, eating baby lobster tails and taking things far too easy - though thanks to my new laptop I was able to make some progress with Novel No.3.
Home again to find the Wigmore Hall's own-series programme for next season sitting on the doormat. Hmm indeed. Why can't I get more excited about it? It's full of excellent musicians, wonderful singers and lovely music. One event made me jump out of my chair: the inimitable Andras Schiff playing Beethoven's last three piano sonatas not once but twice - on the same evening! Dear maestro, HOW - ?!? The date for the diary is 29 November and anybody who can beg, borrow or steal a ticket for either performance (6pm and 8.30pm) is going to be very lucky.
Apart from that...Yes, I admire singers like Felicity Lott, Dietrich Henschel, Christian Gerheher, Veronique Gens et al. I'm always happy to listen to musicians like Tasmin Little, Michael Collins, Stephen Hough and Melvyn Tan, or exciting youngsters like violinists Alina Ibragimova and Sergey Khachatryan. There's nothing to beat a good string quartet, and ensembles like the Tokyo, Jerusalem and Michelangelo quartets should be jumped at. So should the Leopold String Trio and the Nash Ensemble. Also they're having a Kurtag festival, with the Hungarian guru himself, which should be very special.
But there's something about it that, overall, looks just that little bit The Same As Ever. Apart from Andras Schiff, I can't see anything else that will actually make me drop everything and run, not the way I did for Gidon Kremer and that incredible, unspellable marimba player last year, or Opera Rara's Pauline Viardot concert a few months back, or the Razumovsky Ensemble which I know and love (their next gig, by the way, is 21st June - book now!). Has the Wigmore abandoned its fledgling adventurousness in favour of retrenchment to St John's Wood? Or is it just the end of a long, hot day?
Meanwhile we have been sitting on a Danish island in a dear friend's summer house, eating baby lobster tails and taking things far too easy - though thanks to my new laptop I was able to make some progress with Novel No.3.
Home again to find the Wigmore Hall's own-series programme for next season sitting on the doormat. Hmm indeed. Why can't I get more excited about it? It's full of excellent musicians, wonderful singers and lovely music. One event made me jump out of my chair: the inimitable Andras Schiff playing Beethoven's last three piano sonatas not once but twice - on the same evening! Dear maestro, HOW - ?!? The date for the diary is 29 November and anybody who can beg, borrow or steal a ticket for either performance (6pm and 8.30pm) is going to be very lucky.
Apart from that...Yes, I admire singers like Felicity Lott, Dietrich Henschel, Christian Gerheher, Veronique Gens et al. I'm always happy to listen to musicians like Tasmin Little, Michael Collins, Stephen Hough and Melvyn Tan, or exciting youngsters like violinists Alina Ibragimova and Sergey Khachatryan. There's nothing to beat a good string quartet, and ensembles like the Tokyo, Jerusalem and Michelangelo quartets should be jumped at. So should the Leopold String Trio and the Nash Ensemble. Also they're having a Kurtag festival, with the Hungarian guru himself, which should be very special.
But there's something about it that, overall, looks just that little bit The Same As Ever. Apart from Andras Schiff, I can't see anything else that will actually make me drop everything and run, not the way I did for Gidon Kremer and that incredible, unspellable marimba player last year, or Opera Rara's Pauline Viardot concert a few months back, or the Razumovsky Ensemble which I know and love (their next gig, by the way, is 21st June - book now!). Has the Wigmore abandoned its fledgling adventurousness in favour of retrenchment to St John's Wood? Or is it just the end of a long, hot day?
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