Saturday, August 05, 2006
TODAY
A quick reminder that this afternoon, Saturday, from 2pm I'll be at Waterstones in Richmond (2-6 Hill Street), Surrey, signing copies of RITES OF SPRING.
Friday, August 04, 2006
Hmm...
An item in the redoubtable Hornblower's Diary of Classical Music Magazine draws attention to a resemblance between the Prime Minister of the UK and a certain Hungarian grand maestro of the piano. There is indeed something about that steady, steely gaze...
Perhaps Mr Schiff would do a more statesmanlike job of sorting out the current horrific world situation than Mr Blair...
[UPDATE, 10.45pm: Mr Blair has not, as we all thought earlier, gone on holiday today, though he was planning to. He's postponed his trip to Barbados for the time being.]
Elisabeth Schwarzkopf, 1916-2006
The great soprano has died at the age of 90. An iconic figure without whom opera in the 20th century would not have been the same.
I never met her, but when I was a kid, she and her husband Walter Legge lived in the next street from us in Hampstead. The complex of back gardens adjoined. And sometimes, when the weather was fine and all the windows were open, one could hear the sound of singing across the leaves...
UPDATE: Saturday 5 August, 10.25am: read obituary from The Independent here.
I never met her, but when I was a kid, she and her husband Walter Legge lived in the next street from us in Hampstead. The complex of back gardens adjoined. And sometimes, when the weather was fine and all the windows were open, one could hear the sound of singing across the leaves...
UPDATE: Saturday 5 August, 10.25am: read obituary from The Independent here.
Sunday, July 30, 2006
CDs for a summer Sunday
I got a bit hot under the collar over the business of my article in The Australian, so thought I'd calm down by recommending some nice CDs for you.
The youthful Pole Rafal Blechacz was the winner of the last Chopin Competition in Warsaw and this is his first CD: it's pretty stunning. Beautiful tone quality, plenty of variety and an individuality which feels like a genuine response to the music - for example, a marvellous grandeur about the A flat major Polonaise. The Szymanowski variations are fascinating. I think we'll be hearing more of this fellow; I certainly hope so.
This is Elektrafying: Semyon Bychkov and the WDR in Strauss's completely OTT masterpiece, starring a nuclear-powered trio of Deborah Polaski as Elektra, Anne Schwanewilms as Chrysothemis and Felicity Palmer as Klytemnestra. If an ideal of Greek drama was catharsis, I'd say this does it: after listening, I felt exhausted, exhilarated and, peculiarly, less stewed up than usual over daft things in the rest of my life. Watch this space in a few months' time for an explanation of why my new name for Maestro Bychkov is 'The Big Cheese'.
Korngold fans might like to discover Miklos Rozsa, another central European immigrant to the US, who wound up writing film music of a rather different kind. That dynamic duo of Philippe Graffin and Raphael Wallfisch, with the BBC Concert Orchestra conducted by Barry Wordsworth, have recorded Rosza's Sinfonia Concertante, coupled with the Cello Concerto: ascerbic, stirring, edgy stuff with a highly individual flavour - plenty of paprika. PG & RW will be performing it live at the Queen Elizabeth Hall next May, again with the BBCCO and Wordsworth - more of that soon, since the second half will be Korngold's scandalously underprogrammed Sinfonietta...
Last but not least, here's one of the latest and best from the LPO's own label: Vladimir Jurowski conducts Tchaikovsky's Manfred Symphony, live at the Royal Festival Hall. It's a glorious piece - I urge you to hear it if you don't know it - full of Byronic angst, high drama and marvellous melodies. Vladimir shapes and paces it with enormous intelligence and sensitivity. Marvellous despite the less than ideal acoustic (hopefully when the RFH reopens next year, that pigeon-hitting-wall deadness will be a thing of the past).
Enjoy...
The youthful Pole Rafal Blechacz was the winner of the last Chopin Competition in Warsaw and this is his first CD: it's pretty stunning. Beautiful tone quality, plenty of variety and an individuality which feels like a genuine response to the music - for example, a marvellous grandeur about the A flat major Polonaise. The Szymanowski variations are fascinating. I think we'll be hearing more of this fellow; I certainly hope so.
This is Elektrafying: Semyon Bychkov and the WDR in Strauss's completely OTT masterpiece, starring a nuclear-powered trio of Deborah Polaski as Elektra, Anne Schwanewilms as Chrysothemis and Felicity Palmer as Klytemnestra. If an ideal of Greek drama was catharsis, I'd say this does it: after listening, I felt exhausted, exhilarated and, peculiarly, less stewed up than usual over daft things in the rest of my life. Watch this space in a few months' time for an explanation of why my new name for Maestro Bychkov is 'The Big Cheese'.
Korngold fans might like to discover Miklos Rozsa, another central European immigrant to the US, who wound up writing film music of a rather different kind. That dynamic duo of Philippe Graffin and Raphael Wallfisch, with the BBC Concert Orchestra conducted by Barry Wordsworth, have recorded Rosza's Sinfonia Concertante, coupled with the Cello Concerto: ascerbic, stirring, edgy stuff with a highly individual flavour - plenty of paprika. PG & RW will be performing it live at the Queen Elizabeth Hall next May, again with the BBCCO and Wordsworth - more of that soon, since the second half will be Korngold's scandalously underprogrammed Sinfonietta...
Last but not least, here's one of the latest and best from the LPO's own label: Vladimir Jurowski conducts Tchaikovsky's Manfred Symphony, live at the Royal Festival Hall. It's a glorious piece - I urge you to hear it if you don't know it - full of Byronic angst, high drama and marvellous melodies. Vladimir shapes and paces it with enormous intelligence and sensitivity. Marvellous despite the less than ideal acoustic (hopefully when the RFH reopens next year, that pigeon-hitting-wall deadness will be a thing of the past).
Enjoy...
Friday, July 28, 2006
Reflets dans le blog
A little idle surfing yesterday produced some information that gave me a pleasant surprise: a Google search on 'classical music blog' produces (!drumroll!) JDCMB at the top of the pile. I have no fond illusions of grandeur, though: I reckon it's simply because my title includes the words 'classical music blog'. I can assure everyone that there was nothing 'clever' about the way I chose the name in March 04.
JDCMB came into being almost by accident. Blogs weren't as much of a global phenomenon then as they are now and I'd never thought of looking for any devoted to classical music. In a quiet patch following some intensive work on Ravel, after which I felt a little flat, I thought I'd investigate Something New and logged on to Blogger to see how these funny things called blogs worked. Next thing I knew, a prompt was asking me to choose a name for my blog. I didn't know that other similar sites might have poetic, meaningful titles, so I typed in the first thing that came into my head: Jessica Duchen's Classical Music Blog, which seemed to say everything anybody needed to know. Bingo: one blog. Nobody could have been more surprised than I was. And here we are.
JDCMB came into being almost by accident. Blogs weren't as much of a global phenomenon then as they are now and I'd never thought of looking for any devoted to classical music. In a quiet patch following some intensive work on Ravel, after which I felt a little flat, I thought I'd investigate Something New and logged on to Blogger to see how these funny things called blogs worked. Next thing I knew, a prompt was asking me to choose a name for my blog. I didn't know that other similar sites might have poetic, meaningful titles, so I typed in the first thing that came into my head: Jessica Duchen's Classical Music Blog, which seemed to say everything anybody needed to know. Bingo: one blog. Nobody could have been more surprised than I was. And here we are.
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