Can't find my Russian dictionary

But need it for an appropriate expletive in response to this alarming story reported by Matthew Guerrieri yesterday, with a link to the Arizona Daily Star which has the details. It seems that Rachmaninov's great-great grandson is planning to have his famous forefather's works rearranged so that they can be re-copyrighted. This is deeply unsettling.

I'm not convinced that Jane Austen's descendents would have been quick to scribble adverbs all over Pride and Prejudice in order to declare it a new work and pull in even more £££s. And can you imagine a member of the Shakespeare clan rewording for similar purposes - "To exist or to exist not, that is the decision..."

Though I'm as prone as any writer to get stewed up about authors' and composers' rights, a sensible line does need to be drawn, doesn't it? Shades of the Hyperion-Lionel Sawkins case...where will the issue go from here?

Hooray!

David Hurwitz at Classics Today has succeeded in writing the article I've been trying to write for 20 years about the deeply misguided modern practice of forbidding vibrato in violin playing of certain eras and types. You'll need more than two cups of coffee - it's 115 pages long.

To celebrate, here's George Enescu - one of my personal heroes - playing Corelli (audio only, though from Youtube).

Kiri wins her case

The Indy tells us today that Kiri has won the court case of the flying knickers. The promoter sued her for breach of contract, wanting £820,000 in damages. Turns out she hadn't signed a contract, so she couldn't have breached it. Duh.

"Dame Kiri is obviously a dame, and I mean that with great respect," said the head of the promotion company.

If you can't beat 'em...

... join 'em! A warm welcome, please, for NORMAN LEBRECHT'S brand new blog on Artsjournal, linked to his new book, with the priceless title SLIPPED DISC. Welcome to the blogosphere, Uncle Norman, and we hope you enjoy the roller-coaster you're about to discover!

'Too Much Mozart'

Too Much Mozart, a short story I've written to accompany a new CD of the Mozart Sinfonia Concertante, is now available to read online at my permawebsite: follow the link from the news page. The recording will be released on the Avie label later in the spring and features Philippe Graffin (violin and director), Nobuko Imai (viola) and Het Brabants Orkest; the story will be published in the CD booklet.