The rest is news

Alex Ross's book The Rest is Noise has reached print at last. Congratulations, Alex - and I'm looking forward to the UK edition from Fourth Estate which is due out here in spring. Stylists as fine as Alex are a rarity in classical music writing and this volume looks certain to become a classic. If anyone out there still hasn't sampled Alex, here's a link to his Sibelius chapter - some of the most beautiful writing about music I've ever seen.

Chris Foley of Collaborative Piano alerts today to an interesting innovation: he's created a Classical Music Pagecast on Pageflakes. Technotwit here hadn't come across this idea until now, but it's good: the ultimate blogroll.

Opera Chic has found a real Italian tenor and links to a Youtube video of him singing Nessun Dorma. Voice to die for. Name: Fabio Armiliato. Thanks, OC!

And over at Think Denk, Jeremy has created a side-splitting scenic spoof: Shakespeare's little-known tragicomedy about life, love and death al dente among passionate youngsters in New York, Romeo and Juilliard. Get along there quick and meet Romeo, Mercutio, Candy and the Ghost of Dorothy DeLay.

Some of my favourite men wear tights

The Guardian today runs an extract from the autobiography of Carlos Acosta (picture above shows him without said tights...photo credit by Tristam Kenton, from The Guardian).

When the news reached my father's ears that I was running around the streets with gangs, he said to my mother, "We have to do something, Maria, otherwise we're going to lose the boy." Our neighbour Candida, whose nephew was one of the principal dancers with the Cuban National Ballet, had a suggestion: "You say he likes dancing? Why don't you send him to ballet school?"

My father's eyes lit up. Ballet! Suddenly there was hope. I was only nine, but I still remember that day when my parents told me their plans.

"What's everyone in the neighbourhood going to think? They'll say I'm gay!"

"Listen, you're my son and the son of the tiger shares his father's stripes. If anyone calls you gay, just smash his face in, then pull down your trousers and show him what you've got between your legs."

"But Papito, I want to be a footballer."

"Your mother and I have made up our minds, and that's that. It's your future, my boy!"

Meanwhile I have a hot date with my tv tonight: special documentary Nureyev: From Russia with love on BBC2 at 9.30. Watch clips here. And BBC4, the digital channel, is showing the Fonteyn & Nureyev film of Kenneth MacMillan's Romeo and Juliet immediately afterwards. Is Acosta the closest thing we have now to Nureyev? I reckon so...

Nureyev, for a while, had a house about ten minutes walk from where we live. Sometimes I stare over the wooden gate towards the door that was once his, trying to imagine a creature as self-willed and wild as that living somewhere as ridiculously bourgeois and uneventful as this suburb. Not that he stayed long. One biography tells the story that he decided to move after an occasion when he left late for a performance at Covent Garden and jumped on the District Line at East Putney in the wrong direction.

Krystian speaks...

My German isn't brilliant, but I think that this open letter from Krystian Zimerman explains why he and Gidon Kremer did not appear together as originally planned at this year's Salzburg Festival.

For those of us who rely on the universal language that is music, here is KZ playing two of Gershwin's Preludes in Japan. I'm told that he also made a substantial speech to the audience - in Japanese - about American politics and the war in Iraq, but that has not as yet made it on to Youtube.

Enjoy.

Et a propos de St Nazaire...

...here are some famous goings-on from up the road in St Marc, courtesy of Jaques Tati a.k.a. Monsieur Hulot, on his holidays. This episode includes the conversational reference to St Nazaire plus...well, you have to see it.

A walk through the end of time...

Back from France...as I'd suspected, my technotwit tendencies (or inadequate laptop) prevented any blogging en route.

My play 'A Walk through the End of Time' was premiered on Saturday as part of the opening night of the Consonances Festival - a privilege indeed, and an astonishing experience.

The Alveole 14 of St Nazaire's former Nazi submarine base eyesore has been renamed LIFE and transformed into a venue for experimental performing arts which turned out to have a startlingly good acoustic; ours was the first show to take place inside it. Actors Marie-Christine Barrault and Charles Gonzales gave their all, director Ilonka van den Bercken from Amsterdam devised some beautiful coups-de-theatre, a young Dutch artist created projected drawings to illustrate the action in real time and the closing performance of the Messiaen Quartet for the End of Time by Charles Neidich, Philippe Graffin, Raphael Wallfisch and Claire Desert was unforgettable. And afterwards the mayor of St Nazaire awarded me a medal. :-)

More pics on my permasite. For the moment, above: the American War Memorial on the beach at St Nazaire; the set inside LIFE; and a would-be playwright with Raphael Wallfisch (left) and Philippe Graffin (right).