Wonderful Webmaster alerts me to the fact that Sir Georg Solti would have been 95 today. So by way of tribute, here's how he turned things round at Covent Garden.
Sunday, October 21, 2007
For opera fans: indigestion
oh dear...English National Opera has set The Coronation of Poppea on a cruise ship. (Am also a tad intrigued to see this critic describe Monteverdi's tale of lust, murder and unscrupulousness as a 'comedy'.)
Sounds like ENO is giving its audience indigestion yet again, after what seems to have been a seriously gorge-sticking Carmen directed by Sally Potter, with Don Jose as a security guard. With the singers ENO has at its disposal - Kate Royal as Poppea, Alice Coote as Carmen etc - and a terrific orchestra, not to mention London's plethora of great talent right on the doorstep, the place really should be able to do better.
Sounds like ENO is giving its audience indigestion yet again, after what seems to have been a seriously gorge-sticking Carmen directed by Sally Potter, with Don Jose as a security guard. With the singers ENO has at its disposal - Kate Royal as Poppea, Alice Coote as Carmen etc - and a terrific orchestra, not to mention London's plethora of great talent right on the doorstep, the place really should be able to do better.
Saturday, October 20, 2007
Korngold features today on Music Matters, BBC Radio 3
Presenter Tom Service features Korngold in BBC Radio 3's flagship magazine programme today at 12.15. Includes interviews with biographer and apostle Brendan Carroll, Academic Erik Levi (who is joining Brendan, me and Ben Wallfisch for the South Bank round-table discussion next Saturday), Andre Previn, Korngold's daughter-in-law Helen and archive material from the composer's sons Ernst and George. You can hear it online for 7 days after the broadcast. More info here.
UPDATE, 12.55pm: It was a great feature - with one bad mistake. The date given at the end for the UK premiere of Das Wunder der Heliane is wrong. Tom says '14 November' and it is actually 21 November. But if you turn up on 14th, you can hear Nikolaj Znaider play the Violin Concerto.
Also, I'm not sure that they made it clear that Korngold's sons George and Ernst are not actually alive - their interview extracts were from archive material which I believe was provided by Brendan. AND nobody mentioned the kick-off events in the QEH Korngoldfest on 27 October: 1.30pm, Barrie Gavin's documentary; 3.30pm, the discussion. Nash Ensemble is after that.
UPDATE, 12.55pm: It was a great feature - with one bad mistake. The date given at the end for the UK premiere of Das Wunder der Heliane is wrong. Tom says '14 November' and it is actually 21 November. But if you turn up on 14th, you can hear Nikolaj Znaider play the Violin Concerto.
Also, I'm not sure that they made it clear that Korngold's sons George and Ernst are not actually alive - their interview extracts were from archive material which I believe was provided by Brendan. AND nobody mentioned the kick-off events in the QEH Korngoldfest on 27 October: 1.30pm, Barrie Gavin's documentary; 3.30pm, the discussion. Nash Ensemble is after that.
Wednesday, October 17, 2007
Tuesday, October 16, 2007
A Korngold rarity - countdown # 2
I found this on Youtube and could hardly believe my eyes/ears. This is from Korngold's mid-1930s Hollywood musical Give Us This Night starring Gladys Swarthout and Jan Kiepura, the great Polish tenor for whom Korngold created the role of The Stranger in Das Wunder der Heliane. Kiepura plays an Italian fisherman who is 'discovered' and transformed into an opera star, singing Romeo to Swarthout's Juliet. Here is the love duet that closes the opera-within-a-film and the film itself. And if you think this is OTT, just wait until you hear Heliane.
I have only ever seen this film once before, on a tiny reel-to-reel machine in the basement of UCLA in 1993. Some of the melodies are so delicious that if Pavarotti had got hold of them they'd have been world famous 20 years ago.
Enjoy.
I have only ever seen this film once before, on a tiny reel-to-reel machine in the basement of UCLA in 1993. Some of the melodies are so delicious that if Pavarotti had got hold of them they'd have been world famous 20 years ago.
Enjoy.
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