Hungarian Dances is out today! Above, pictures from the presentation of the book courtesy of the British-Hungarian Fellowship which took place at the Hungarian Cultural Centre on Tuesday night, featuring Eva Norton, chairman of the BHF, who organised the event; Lady Valerie Solti who spoke movingly about the book in relation to her husband's experiences of leaving Hungary and read some extracts; and a slightly overwhelmed author.
I'll be off for a week or so, so here are a few snippets to keep you busy.
THURSDAY 6 MARCH is Hungarian Dances publication day. I will be at Richmond Library, Little Green, Richmond-upon-Thames TW9 1 QL to introduce the book at 6.15pm. Readings, questions, refreshments, signed copies etc. Admission free, but please reserve a place by phoning 020 8940 0891.
FRIDAY 7 MARCH I will be at East Sheen Library, Sheen Lane, London SW14, for a teatime intro to same, at 3pm. Readings this time from ace local actress Geraldine Moffatt (who was in Get Carter), plus intro, questions, signed copies, refreshments provided. Admission free too, but please reserve a place by phoning 020 8876 8801.
And to put you in the mood for this very violiny tale, here is Jascha Heifetz playing Dohnanyi's Andante Rubato Alla Zingaresca, with a wonderful Hungarian Gypsy photo montage. Enjoy.
To forestall any more barbed comments from the likes of Viola in Vilnius below, this is just to say I am, as a friend of mine would say, "under the snow". Normal blogging, both writing and reading, to resume as soon as humanly possible.
First it was classical music in the London underground to soothe commuters. Now it's ballet-dancing traffic cops - at least, in Timisoara. Read all about it.
More about traffic, too, in the marvellous tale of how a motorbike courier made everything possible for ace soprano Marina Poplavskaya, who's about to sing Tatyana in the ROH's Eugene Onegin - here's my interview with her from yesterday's Independent. Spassiba balshoy, Marina, and toi-toi for the big day!
Big cheers and congratulations to our fabulous Italian turned Londoner Dario Marianelli, whose music for Atonement last night scooped the Oscar for Best Original Score. Watch his 'thank-you cam' spiel here. And for a more in-depth look at the score, read his interview at Music from the Movies here.
