Carmen: best of the lot

Seeing the second-to-last performance of Carmen at Glyndebourne yesterday left me convinced all over again that this opera is a complete no-holds-barred masterpiece. The performance there had grown tremendously since the dress rehearsal: huge assurance and relish from the LPO and conductor Stephane Deneve, and Tania Kross as Carmen was a knockout.

But never mind the melodies, the spectacle and the toreador costumes from Seville, it's the last scene that counts the most; and Glyndebourne just can't quite match the Covent Garden production which, as performed here by Anna-Caterina Antonacci and Jonas Kaufmann, has the most powerful interpretation of it that I've ever been lucky enough to see. Voila.

Re HD

A very nice interview re Hungarian Dances from ASWOMAN, a Hungarian online magazine, with many thanks to the lovely Erika Orban! It's in English, btw.

http://aswoman.net/en/view.php?cisloclanku=2008080001

Beware of titles

Especially those proclaiming the death of this, that or the other. Far as I can tell, in this piece from The Times, Stephen Pollard is actually saying that British music is in better shape now, with the likes of James MacMillan and Thomas Ades on board, than it's been for decades.

O ciel

Mikhail Rudy has written his autobiography, Le Roman d'un pianiste - his 'Russian story', which will be published by Editions du Rocher, France, next week. Few performers are as perfectly au fait with writing as they are with their instruments, but Micha is a notable exception and tells his tale with power and eloquence. Andy Sommer is making a film about him, too, which is due for release in the autumn.

Messiaen talks about birds