Monday, September 22, 2008
Hava nawarda
A press release in the in-box today brought us this photo of a truly great pianist being given a prize by a truly great violinist. At the Jewish Cultural Awards, held in central London yesterday in aid of the London Jewish Cultural Centre, Murray Perahia (left) was presented with the Lifetime Achievement Award by Maxim Vengerov.
Now all we need is a) for Murray to make his more-than-welcome return to the piano permanent and healthy, as represented to huge acclaim at the Proms the other week; and b) for someone to please, please, please wave a magic wand and make Maxim play his violin again? Of course, after a quarter-century at the grindstone after which he's only an early-thirtysomething, he deserves a bit of a break. But we fiddle fanatics miss him badly.
At the same ceremony, I'm delighted to say that the Music Award went to Anne Sofie von Otter for her Terezin CD, which is still top of the list of my Greatest Ever Recordings.
I am also pleased to see Vengerov credited with the following excellent statement: "Being here tonight is so important to me because the work of the London Jewish Cultural Centre is really indispensible, binding Jewish people together regardless of their religious or political bias...and tonight is a celebration of what can be achieved and what there is still to strive for, in keeping Jewish culture alive in a modern changing multicultural society." Now, will you please pick up that Strad and play the damn thing?
(photo credit: Ed Robinson)
Friday, September 19, 2008
Want to write? Come to my workshop
I'm holding a one-day workshop called KICK-START YOUR WRITING! on Saturday 1 November, 10.30am – 5pm, in London SW14.
"I've always wanted to write, but..." There’s always something to stop you from writing: time, space, or simply not knowing where to start.
Is this you? If so, this special workshop could be just what you need: a one-day course to help give you the spurt of energy you need to set off on your adventures in creative writing – which can be one of the most rewarding pursuits in the world, regardless of your age, level or experience.
Within a small group setting, we will explore ways into writing through discussions, exercises and some practical pointers to help release those blocks and start to plan your story. Places are strictly limited, so book early!
The price is £60.00 per person and includes lunch, coffee, tea and a glass of wine.
For further details and booking, please email me
"I've always wanted to write, but..." There’s always something to stop you from writing: time, space, or simply not knowing where to start.
Is this you? If so, this special workshop could be just what you need: a one-day course to help give you the spurt of energy you need to set off on your adventures in creative writing – which can be one of the most rewarding pursuits in the world, regardless of your age, level or experience.
Within a small group setting, we will explore ways into writing through discussions, exercises and some practical pointers to help release those blocks and start to plan your story. Places are strictly limited, so book early!
The price is £60.00 per person and includes lunch, coffee, tea and a glass of wine.
For further details and booking, please email me
Thursday, September 18, 2008
Latest news
While we were gone:
# Vernon 'Tod' Handley, the British conductor, passed away (read full obituary from The Guardian here). Tod did more for British music than any of his peer group, and was a musician of tremendous passion, integrity and imagination - but despite constant campaigning, he was never awarded a knighthood, unlike others who probably deserved it less. Hear him in recordings like this and this.
# The LPO's principal conductor Vladimir Jurowski announced his latest creation: his baby son, Yury (George), born on 10 September - many congratulations to him and his wife Patricia, and Yury's proud sister Martha.
# The Last Night of the Proms came and went, vibrato undamaged, but some commentators sound distinctly underwhelmed, Bryn or no Bryn. Meanwhile all the screams and tantrums about jingoism seem to have achieved some perspective for the first time as everyone assents that basically it's good clean fun - and even Safraz Manzoor in The Guardian doesn't accept that it's 'too white' (by the way, if you follow only one link from this post, make it that one).
# Meanwhile, Messiaen's St Francis of Assisi stole the Proms show utterly, receiving the best reviews of anything I've seen in ages. Unfortunately I was sunning myself in Provence (between thunderstorms and the Mistral) and missed it.
# London's first new concert hall since the Barbican 26 years ago is getting ready to open its doors. King's Place, situated in a snazzy new building beside the canal near King's Cross station, on 1 October with a bonanza of 100 concerts in 5 days. Long term, it's a superb new home for contemporary works, world music and the London Chamber Music Series on Sunday evenings (a cheery bye-bye to the Conway Hall, and thanks for all the streaming colds). Amongst others things. Read all about it here.
# An email arrived bearing a sneak preview of Philippe's Hungarian Dances CD, due for release on the Onyx label later in the autumn. It's even lovelier than I expected.
# Hungarian Dances itself was featured on Yours magazine's book club page. :-)
Back now, ready to pick up the pieces (where possible) and assess the way ahead in the strange new world of the credit crunch.
# Vernon 'Tod' Handley, the British conductor, passed away (read full obituary from The Guardian here). Tod did more for British music than any of his peer group, and was a musician of tremendous passion, integrity and imagination - but despite constant campaigning, he was never awarded a knighthood, unlike others who probably deserved it less. Hear him in recordings like this and this.
# The LPO's principal conductor Vladimir Jurowski announced his latest creation: his baby son, Yury (George), born on 10 September - many congratulations to him and his wife Patricia, and Yury's proud sister Martha.
# The Last Night of the Proms came and went, vibrato undamaged, but some commentators sound distinctly underwhelmed, Bryn or no Bryn. Meanwhile all the screams and tantrums about jingoism seem to have achieved some perspective for the first time as everyone assents that basically it's good clean fun - and even Safraz Manzoor in The Guardian doesn't accept that it's 'too white' (by the way, if you follow only one link from this post, make it that one).
# Meanwhile, Messiaen's St Francis of Assisi stole the Proms show utterly, receiving the best reviews of anything I've seen in ages. Unfortunately I was sunning myself in Provence (between thunderstorms and the Mistral) and missed it.
# London's first new concert hall since the Barbican 26 years ago is getting ready to open its doors. King's Place, situated in a snazzy new building beside the canal near King's Cross station, on 1 October with a bonanza of 100 concerts in 5 days. Long term, it's a superb new home for contemporary works, world music and the London Chamber Music Series on Sunday evenings (a cheery bye-bye to the Conway Hall, and thanks for all the streaming colds). Amongst others things. Read all about it here.
# An email arrived bearing a sneak preview of Philippe's Hungarian Dances CD, due for release on the Onyx label later in the autumn. It's even lovelier than I expected.
# Hungarian Dances itself was featured on Yours magazine's book club page. :-)
Back now, ready to pick up the pieces (where possible) and assess the way ahead in the strange new world of the credit crunch.
Friday, September 05, 2008
A bientot
I'm off. Back in a couple of weeks! Please have some fun with the blogroll in the meantime, and do please keep those votes and thoughts coming - they are very useful and much appreciated.
Wednesday, September 03, 2008
Why are the maestros ditching the white tie?
Here's my latest bit of fun from the Indy, in today's edition.
A few lines were cut, notably the one about the pianist who won't wear round-collared black jackets because where he comes from, it's the garb of choice of Russian criminals; and the way that Daniel Harding makes up for not actually looking like Simon Rattle by conducting with his mouth open. But I'm glad the truth about those ridiculous black shirts at the BBC Symphony Orchestra has had a chance to be aired.
A few lines were cut, notably the one about the pianist who won't wear round-collared black jackets because where he comes from, it's the garb of choice of Russian criminals; and the way that Daniel Harding makes up for not actually looking like Simon Rattle by conducting with his mouth open. But I'm glad the truth about those ridiculous black shirts at the BBC Symphony Orchestra has had a chance to be aired.
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