Tuesday, November 18, 2008
Double Dutch courage!
Pliable at the Overgrown Path has good news today from our friends in Holland: the culture minister has stepped in to save Concertzender! Pliable suggests that this has not a little to do with the power of blogging to marshal support.
Monday, November 17, 2008
Dutch courage...
...but no happiness: the independent classical radio station Concertzender has been forced off the internet-air. A tragic waste of the passion, energy and commitment that went into its existence. Overgrown Path has a full report here.
Elephants like Elgar
Personally I'm convinced everything started going wrong in the economy when the Bank of England kicked Elgar off the £20 note. But it seems that elephants still like him.
Sunday, November 16, 2008
Words & music, shaken or stirred?
OK, so the novel and the CD work side by side, like good friends with independent lives who get together to party. But now they're shacking up: we have some actual Hungarian Dances concert invitations for next year. The concert-of-the-book, invented for the Queen's Gate Terrace event last June, therefore needs rethinking and repointing.
Squeezing a 400-page novel that covers three generations, 80 years and a sackload of characters into extracts totalling about 20-25 minutes out of a 75-min event is not so simple. What works best? Three biggish chunks of reading at the beginning, in the middle and near the end? Or an ongoing exchange of smaller chunks, with nothing longer than about 10 minutes, perhaps assisted by lighting effects to smooth the transitions and provide a modicum of theatricality without my walking backwards and forwards in precarious heels?
Next, how closely need the music match the extracts? It should be easy to work in some pieces like Hejre Kati that aren't directly mentioned in the book; and to shoehorn in Bartok's cameo appearance alongside the Romanian Dances; later, when Rohan plays Tzigane, there can be no substitute. But is it too obvious first to describe someone playing a piece, then play it, and use this as a blueprint throughout? Or is obviousness necessary if we're to get through to a book-clubbish audience as well as existing fiddle fanatics?
The mixing of drinks sometimes requires a good cocktail barista to work the magic. In this case, we want the audience to be stirred without the performers being shaken. Feedback needed, please, from Mr Bond, Ms Moneypenny and anyone who was there on 17 June and has sensible and helpful thoughts on the subject.
Squeezing a 400-page novel that covers three generations, 80 years and a sackload of characters into extracts totalling about 20-25 minutes out of a 75-min event is not so simple. What works best? Three biggish chunks of reading at the beginning, in the middle and near the end? Or an ongoing exchange of smaller chunks, with nothing longer than about 10 minutes, perhaps assisted by lighting effects to smooth the transitions and provide a modicum of theatricality without my walking backwards and forwards in precarious heels?
Next, how closely need the music match the extracts? It should be easy to work in some pieces like Hejre Kati that aren't directly mentioned in the book; and to shoehorn in Bartok's cameo appearance alongside the Romanian Dances; later, when Rohan plays Tzigane, there can be no substitute. But is it too obvious first to describe someone playing a piece, then play it, and use this as a blueprint throughout? Or is obviousness necessary if we're to get through to a book-clubbish audience as well as existing fiddle fanatics?
The mixing of drinks sometimes requires a good cocktail barista to work the magic. In this case, we want the audience to be stirred without the performers being shaken. Feedback needed, please, from Mr Bond, Ms Moneypenny and anyone who was there on 17 June and has sensible and helpful thoughts on the subject.
Friday, November 14, 2008
What Botox is meant to do
Before my father's untimely death in 1996, one of his last research projects was to explore the use of Botulinum toxin in the treatment of conditions such as muscular dystrophy, focal distonia etc - in which muscles go into spasm and cannot function.
This, as everyone knows, morphed rather grotesquely into Botox, the beauty treatment by which women allow themselves to be injected with a deadly poison in order to straighten out the odd wrinkle. This fantastic article from The Times today, however, proves how worthwhile that research really was: it has given Leon Fleisher the use of his right hand again, after 35 years. Fleisher is the most glorious musician - an artist of true humanity and integrity - and now he has a new lease of life at the piano.
You can hear him at the Wigmore Hall on Sunday afternoon. If you're not within concert-going distance, hear this CD.
This, as everyone knows, morphed rather grotesquely into Botox, the beauty treatment by which women allow themselves to be injected with a deadly poison in order to straighten out the odd wrinkle. This fantastic article from The Times today, however, proves how worthwhile that research really was: it has given Leon Fleisher the use of his right hand again, after 35 years. Fleisher is the most glorious musician - an artist of true humanity and integrity - and now he has a new lease of life at the piano.
You can hear him at the Wigmore Hall on Sunday afternoon. If you're not within concert-going distance, hear this CD.
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