MESSIAEN 100 UP!

Today is Messiaen's centenary!

I just couldn't choose a piece of his on Youtube to celebrate here - there's a shortage of first-class footage and questionable online sound quality does Messiaen few favours. Instead here is the man himself talking to his analysis class at the Paris Conservatoire about the work he described as his greatest influence: Debussy's Pelleas et Melisande.

Tom Stoppard, Andre Previn and...

The latest newsletter from the National Theatre here in London tells us that rehearsals are underway for Every Good Boy Deserves Favour by Tom Stoppard and Andre Previn, opening on 12 January. It describes the work as "a chilling play for actors and orchestra" about "a patient in an asylum who believes himself to be surrounded by an orchestra".

I wonder if it's based on me?! ;-)

More workshops!

Following a terrific inaugural day on 1 November, I've now scheduled four more KICK-START YOUR WRITING workshops in the new year:

Saturday 24 January
Sunday 1 February
Saturday 28 February
Saturday 21 March

All workshops are held here in sunny East Sheen and run from 10.30am to 5pm. If you've always wanted to write but find it difficult to get started, these are for you!

Please email me for further details.

I'd also like to know if anyone would be interested in a workshop devoted to writing about music?

Hirschhorn, 1967

Following a special mention from Sebastian in the comments the other day, here is a clip of the great Philippe Hirschhorn playing in the Queen Elisabeth Competition in Brussels in 1967. Hirschhorn, who died of a brain tumour aged only 50, was a huge loss to the music world - one of the artists I most wish I could have heard. Just take in that tone. Very occasionally, you find a musician whose sound and ethos feel too good to be true - too good, perhaps, for this world... On one of the other Youtube videos of him there's a comment from listener who says simply: "I believe he returned to where he had come from."

There's a touching tribute to him from our Philippe, Monsieur Graffin, in my profile of him for The Strad a few years back, including a lovely photo of the two of them together. As a teenager, Philippe G used to travel from Paris to Brussels for lessons with Philippe H every couple of weeks. (Due to technotwit difficulties I can't copy the pic from the PDF, so please go to the page to see it...)

Thank heavens for recordings. Before the classical recording industry succeeds in committing suicide, someone should please reflect on the number of extraordinary musicians whose artistry we now know only because someone switched on a microphone.

Podcast!

At the Lake District Summer Music Festival, Bob Jones of Classic FM recorded an interview with Philippe Graffin and me about our collaborations, especially A Walk Through the End of Time, which had its British premiere that day, and of course Hungarian Dances. The podcast is now on the Classic FM website - listen or download!