First, mad props to Sequenza 21 for a virtuoso tweet feat: IF ALMA MAHLER HAD TWITTERED... If I had an aisle, I'd be rolling in it.
Next, slightly more sober but no less delightful, one for both the Dead Violinists Society and the Hungarian Fix Club: Szigeti plays Hubay's 'The Zephyr', recorded *96 years ago* in 1913, when Szigeti would have been 21 years old. The YouTube poster has included some excellent info about both Hubay and Szigeti, too.
Saturday, May 16, 2009
Friday, May 15, 2009
Classical Brits...
Everyone has been reporting on the Classical Brits, but I was at home, coughing, so I refer you to Opera Chic, who has some cool pics of JONAS KAUFMANN (I really AM jealous) as well as Katherine Jenkins holding a fan (no, not that kind of fan - the fluttery, Carmeny kind), Lang Lang with Herbie Hancock (or Herbie Hancock with Lang Lang, depending), Darcy Bussell with KJ (ditto - Darcy is the willowy one) and more, her award for Best Hair going to...Camilla, Duchess of Cornwall. Hmm.
Thursday, May 14, 2009
JD WINS #OPERAPLOT!
The #operplot results are out, and yrs truly gets a prize, with two winning entries among the top seven.
The full list is up at The Omniscient Mussel now; the winners aren't ranked, but we've been asked to choose our prizes in a random order determined by a Twitter volunteer.
The standard of entries was absolutely astronomical and star judge Danielle de Niese really had her work cut out. She and Miss Mussel deserve very big cups of hot chocolate!
So mine were:
Here’s my castle. Are you afraid? No, I’m going to open all those damn doors! Are you afraid? No, let me in! Who’s that? Oh shit. [Bluebeard]
Dear Don, 1003 women in Spain alone is too many. You’ll be in deep shit when my dad’s ghost gets to you. Go to hell. Love, Anna [Don Giovanni]
I'm tickled pink!!! And rather pleased that it was Duke Bluebeard's Castle and Don Giovanni that made the top list. Bluebeard is extra-special since my Hungarian stuff surfaced, and as for Don Giovanni, I'll never forget the time Tom was in the on-stage band in Graham Vick's very odd production at Glyndebourne...though I won't forget the dead horse either.
My prize is the English National Opera offering: a box for Cosi fan tutte...in Mr Kiarostami's production, as reported the other day.
The full list is up at The Omniscient Mussel now; the winners aren't ranked, but we've been asked to choose our prizes in a random order determined by a Twitter volunteer.
The standard of entries was absolutely astronomical and star judge Danielle de Niese really had her work cut out. She and Miss Mussel deserve very big cups of hot chocolate!
So mine were:
Here’s my castle. Are you afraid? No, I’m going to open all those damn doors! Are you afraid? No, let me in! Who’s that? Oh shit. [Bluebeard]
Dear Don, 1003 women in Spain alone is too many. You’ll be in deep shit when my dad’s ghost gets to you. Go to hell. Love, Anna [Don Giovanni]
I'm tickled pink!!! And rather pleased that it was Duke Bluebeard's Castle and Don Giovanni that made the top list. Bluebeard is extra-special since my Hungarian stuff surfaced, and as for Don Giovanni, I'll never forget the time Tom was in the on-stage band in Graham Vick's very odd production at Glyndebourne...though I won't forget the dead horse either.
My prize is the English National Opera offering: a box for Cosi fan tutte...in Mr Kiarostami's production, as reported the other day.
Tuesday, May 12, 2009
Birthday tribute for Fauré
Today is Fauré's birthday and a quick trawl for a suitable present turned up the following astonishing short film from Emile Vuillermoz, made in 1936 - from the same series as the Szymanowski Fontaine d'Arethuse movie we posted a little while ago.
The great French soprano Ninon Vallin (1886-1961) sings Fauré's early mélodie 'Les Berceaux'. The song's narrative of seafarers facing danger while their families left behind is gently yet powerfully visualised.
Happy birthday to 'The Archangel'!
The great French soprano Ninon Vallin (1886-1961) sings Fauré's early mélodie 'Les Berceaux'. The song's narrative of seafarers facing danger while their families left behind is gently yet powerfully visualised.
Happy birthday to 'The Archangel'!
Monday, May 11, 2009
"Could I speak to Mr Heifetz?"
This is priceless...tough love, or something, but certainly proves that Mr H neither minced his words nor lacked a rather deadpan sense of humour. Mad props to ace violinist Philippe Quint for the link.
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