Kasper Holten is going home

Sad to receive the press release this morning informing us that Kasper Holten, director of opera at the Royal Opera House, is to leave his post in 2017, after his new production of Die Meistersinger von Nürnberg opens. Here's his letter.

Kasper Holten. Photo: Sim Cannetty-Clarke

‘Dear Colleagues,

I am writing to you as I want to share with you that I have decided to leave my position at The Royal Opera in March 2017.

I love working at ROH – and with all the amazing colleagues here – and it feels very painful to let go of that in 2017. But when I moved to London, my partner and I didn’t have children. Now we do, and after much soul searching we have decided that we want to be closer to our families and inevitably that means we make Copenhagen our home where the children will grow up and go to school.

So when Alex offered me an extension of my contract for another five years beyond summer 2016, I have decided only to ask for an extension of seven months, giving the ROH time to plan for my succession and for me to continue the work as long as possible. I will therefore leave my position in March 2017 after Tony and I open our new production of Wagner’s Meistersinger here at ROH. But my work isn’t done yet, so please don’t do too many farewells quite yet!

I will continue to work hard for The Royal Opera until the day I leave, and Tony and I will put strong plans in place for The Royal Opera until 2020 and beyond, with a varied repertory and many exciting new commissions and productions.

It is with a very heavy heart that I send you these lines, but at the end of the day this decision has been inevitable for me. I am deeply grateful to ROH and to all of you for the amazing adventure it has been to work here – and will continue to be for a while yet!

Warmest regards

Kasper’

Kasper's resignation is part of a trend that I suspect is on the increase: the best  overseas professionals deciding to leave the UK for pastures a little more reasonable. London's insane housing prices, the shockingly dreadful state of our school provision system (I know nobody with children who has not gone through a nightmare or many when finding places to educate them), the distances that people have to travel between work and home and the time it takes to do so - these make family life in the capital an affair so stressful that one can't blame anybody who can move to a more civilised environment for wanting to do so. If we leave the EU, moreover, it's likely to become more difficult still to engage and retain the best European experts. 

Kasper is an often brilliant director, a dynamic and inspiring character and always a joy to interview. We'll miss him, but understand his decision.

Chips, blocks and Barenboims

Here's my latest Editor's Lunch feature for The Amati Magazine. It's Barenboim. Michael Barenboim. He had some jolly interesting things to say, too...

Here he is in the work that is helping to establish him as a force to be reckoned with in his own right: Boulez's Anthèmes II.

Happy Birthday, Krystian Zimerman!

The great Polish pianist is 59 today. Still one of the greatest of them all.

If he will forgive me for posting this, here he is with a rather special take on the 'Moonlight' Sonata that's a bit appropriate. Enjoy!

Top 10 CDs of the year for festive gifts

We all need cheering up at the moment. This year I've been working on an opera libretto (with Roxanna Panufnik, for Garsington 2017) on the theme of war, which has involved consulting former members of the armed forces, including one amazing man who served on the front line in Iraq. The story of the horrors he went through there will stay with me forever. Now off we go to Syria...

To provide a little light relief from the grim news, you might want to listen to some good music, or buy some for your friends and family to enjoy.

As your midwinter festival of choice approaches (please choose from Christmas, Chanukah, pagan fertility celebration, Stravinsky's Rite of Spring, anything I've inadvertently forgotten, and December Birthday - mine is, er, the latter)... here are the best discs that have come my way for review, or simply for listening, this year. I list them in no particular order. Where comments are in quotation marks, they are from my reviews for BBC Music Magazine or Sinfini.


Schumann: Etudes Symphoniques Op.13, Kreisleriana Op.16, Toccata Op.7

Nelson Goerner (piano)

Zig-Zag Territoires ZZT352

"To hear Goerner navigating Schumann’s variety of textures with so much delicacy, good sense, beauty of tone and rapt atmospheres is a treat indeed." 

Saint-Saëns: Piano Concertos Nos 2 and 5

Louis Schwizgebel (piano), BBC Symphony Orchestra/Fabien Gabel (no.2) and Martyn Brabbins (no.5)

Aparte AP112

"Louis Schwizgebel, currently a BBC New Generation Artist, won second prize at the Leeds International Piano Competition in 2012...[he] displays his fine feathers like a vivid young peacock. His touch is gorgeously singing and wonderfully delicate, but can sharpen to serious bling when occasion demands – and he applies it judiciously."

Prokofiev: Piano Concerto No.2; Tchaikovsky: Piano Concerto No.1

Beatrice Rana (piano)

Orchestra dell’Accademia Nazionale di Santa Cecilia/Antonio Pappano

Warner Classics 0825646009091

"In the hands of Rana – who as it happens is the same age as Prokofiev was when he wrote it – the Second Piano Concerto becomes a white-hot volcano of intense expression."

Rachmaninov: Music for Two Pianos

Symphonic Dances Op.45; Suite No. 1 in G minor, Op.8; Suite No.2, Op. 17; 6 Duets Op. 11; Romance and Waltz in A; Russian Rhapsody in E minor

Martha Argerich (piano), with Nelson Goerner, Lilya Zilberstein, Gabriela Montero, Daniel Gerzenberg, Anton Gerzenberg, Alexander Mogilevsky (pianos)

Warner Classics 0825646235940 (2 CDs)

"If you like extremely lively Rachmaninov, you will love this. Martha Argerich joins forces with a host of starry younger pianists, live in concert, for a feast of Rachmaninov’s works for two pianos and/or multiple pianists."

Time Present and Time Past

Alessandro Scarlatti: Variations on ‘La Follia’; Górecki: Harpsichord Concerto, Op.40; CPE Bach: 12 Variations on ‘Les Folies d’Espagne’; Geiniani: Concerto grosso in D minor after Corelli’s Op.5 No.12; Reich arr. Esfahani: Piano Phase for Two Pianos; Bach: Harpsichord Concerto in D minor, BWV1052

Mahan Esfahani (harpsichord), Concerto Köln

DG Archiv Produktion 479 4481

“'I am often subjected to all sorts of assumptions about historicity and authenticity and what is right and what is wrong and what can’t belong. I see my recordings as a way of refuting all of that,' Mahan Esfahani writes. At this rate he’ll simply leave others standing – or, perhaps, combing through the embers."

Chopin: 24 Preludes, Op.28; Nocturne in C minor, Op.48 No.1; Piano Sonata No.2 in B flat minor, Op.35; Polonaise in A flat major, Op.53

Seong-Jin Cho (piano)

DG 479 5332

"Oh joy – a new Chopin Competition winner who can really, seriously play superb Chopin." 

Lutoslawski: Piano Concerto; Symphony No.2

Krystian Zimerman (piano), Berliner Philharmoniker/Simon Rattle

DG 4794518

Coruscating intensity and brilliance from the pianist for whom this great concerto was written. Refulgent glow from the BPs.

Coleridge-Taylor: Violin Concerto in G minor; Delius: Suite for Violin and Orchestra; Haydn Wood: Violin Concerto in A minor

Tasmin Little (violin), BBC Philharmonic/Andrew Davis

Chandos CHAN10879

Little and Davis do this rare British repertoire proud. Coleridge-Taylor's Violin Concerto is one of his most beautiful works, not perfect but often very rewarding, especially the gorgeous slow movement. 

Jonas Kaufmann: The Puccini Album

Orchestra dell'Accademia Nationale di Santa Cecilia/Antonio Pappano

Sony Classical 88875092492

One for the Kaufmaniacs, if they haven't got it already, which they probably will have, but hey - this is the vocal album equivalent of a year's supply of chocolate with 90 per cent cocoa solids. 

Biber: The Rosary Sonatas

Rachel Podger (violin), Marcin Swiatkiewicz (harpsichord/organ), Jonathan Manson (cello/viola da gamba), David Miller (theorbo/archlute)

Channel CCSSA37315

Extraordinary music, complex and symbolic and penetrating; playing that offers real empathy and peerless attention to detail. This is anything but easy baroque listening, and all the more rewarding for that.