HAPPY NEW YEAR 2016!

New Year's Eve in London. Photo: Jonathan Brady/PA Wire

Good morning, everyone, and happy 2016!

A warm welcome back to JDCMB if you're a regular reader and a big Aloha if you are new to the site.

The blogging sphere has become quite strange since I started JDCMB by mistake back in March 2004, so here's a little about my mission statement, such as it is.

I'm not "a blogger"; I'm a writer who has a blog. I trained initially as a musician and I write mainly, though not exclusively, about music. I've been in music journalism for 27 years. I held a number of editorial posts on music magazines and since 2004 have been freelancing for The Independent. I've written biographies, novels and plays. Right now I'm working on an opera libretto and my fifth novel.

JDCMB is relatively random and spontaneous. I hope the linking thread is a certain set of musical values, headed by quality and equality. I employ a rather British sense of sarcasm and irony (so do watch out for that if you're not used to it). I try to keep a sense of perspective - life's taught me not to sweat the small stuff - and I don't like the hysteria, witch-hunting and irrationality that's invaded discourse on many topics, including music.

I live in London, UK, and I use English English, not American English.

You can follow JDCMB by signing up for email alerts in the box at the top of the sidebar. Every post is then sent direct to your in-box. (This is an automated system, so I won't actually have your email address.)

JDCMB is free to read and unpaid to write. If you enjoy it, you're invited to support the site in several ways. You could come to my concerts and talks, buy the books, and support my next novel - on a very musical topic - which will be up for crowd-funding with Unbound later this month.

I receive many requests for coverage here, but I can't do everything. If you would like your event, recording or product to be visible on JDCMB, you might like to consider taking an advertisement, or alternatively a Solticat Memorial Sponsorship paragraph, at a highly competitive rate, which contributes to cat food for Solti's successors, Ricki and Cosi.

JDCMB does not invite reader comments, but we have some lively discussions around the posts that are shared on Facebook.

What you won't find on JDCMB: ad hominem attacks, porn, conspiracy theories, twisted thinking and malice.

What you will find: good humour, solid artistic values and plenty of passion. I believe that everybody deserves truly great music and arts in their lives.

Last but not least, Pierre Boulez once said to me: "When things are wrong...you cannot just stay in front of it without doing anything." He's right. So sometimes I try to do something. Very occasionally, it works.

Happy reading, happy listening and, above all, happy music-making!

Radu Lupu should have had a knighthood

Here's why.



Radu Lupu, who is considered by most pianophiles as one of today's greatest artists, receives a CBE in the New Year Honours List. I'm afraid it is simply not recognition enough for an artist of his calibre.

Meanwhile, in Canada another great pianist, Angela Hewitt, has been made a Companion of the Order of Canada - the highest honour that the country can give one of its citizens.



Of course, plenty of people would like to see the UK honours system dismantled lock, stock and barrel, especially right now. I don't see that happening anytime soon, though, and meanwhile it is always good when musicians and deserving members of the music industry receive any public thanks. Here is a selection of the others in this year's list:

The pianist Malcolm Martineau and the conductor Steuart Bedford all receive OBEs, along with singer-songwriter Damon Albarn, former head of the ABRSM Leslie East and music publisher Paulette Long. The founders and artistic directors of Music Theatre Wales, Michael McCarthy and Michael Rafferty, and Jeremy Wilding, chairman of the Three Choirs Festival Society, all receive MBEs. So does the violinist Alina Ibragimova, as well as the CBSO violinist Catherine Arlidge, who has spearheaded numerous initiatives to engage children with music.

In ballet, this year's list includes a knighthood for choreographer and New Adventures director Matthew Bourne, a CBE for Tamara Rojo, head of English National Ballet, and an OBE for choreographer Christopher Wheeldon.

JDCMB Top 10 Posts 2015

From place 10 up to place 1, here are the most-read pieces on JDCMB of 2015

10. Tasmin Little's speech to the All-Party Parliamentary Group for Music Education.

9. Return to the Magic Mountains 1: Manon Lescaut in Munich, and I had a picture taken with Jonas afterwards...

8. Anna Rezniak saves the day for Lars Vogt and Christian Tetzlaff: page-turner video goes viral.

7. Birmingham Music Library is under threat.

6. Sir Simon Rattle tells us that European orchestral conditions look like "the wildest edges of science fiction" from here in the sunny UK. (In which case, if that hall is ever build, he needs to demand that it has proper facilities for its musicians as well as its audience, for starters...)

5. Farewell to Jack McCaw, wonderful clarinettist (and wonderful neighbour).

4. Symphony Hall to be shifted brick by brick to London [please note, this ran on 1 April...]

3. Pianist lands dream job. Namely, Piers Lane is assuming the directorship of the Sydney International Piano Competition.

2. Sarah Connolly's speech on why we need the arts, as presented to a special Arts Council England event in Westminster.

And in first place:

1. Barenboim is involved in designing his own bespoke piano and plays it in London. 

Meanwhile, I'm glad to say that the 2013 post Fanfare for the Uncommon Woman Conductor remains hot property and has notched up more reads than any other post in more than 12 years of JDCMB existence. 

"Two steps forward and one step back - is this forever our future?"

Do have a listen to this interesting conversation, from the BBC World Service's Newsday, between conductor Odaline de la Martinez and composer Nicola LeFanu about the changing - ? - situation of women in their professions. One problem they raise is something that is increasingly being recognised: prejudice is not something conscious. They discuss the potentially great figures of the past whose talents are lost to us. And they wonder what the future may hold. I'm glad to say that there is optimism alongside the realism.

MERRY CHRISTMAS!

With lots of love from all the inhabitants of Casa JDCMB