Monday, January 18, 2016

Here it is: GHOST VARIATIONS

You may have wondered why I've been posting clips of late Schumann and asking you to have a special listen. Now I can reveal all...

The campaign to launch my new novel, Ghost Variations, goes live TODAY via the groundbreaking 21st-century-style publisher Unbound.


Our heroine: Jelly d'Arányi
1933. A world spiralling towards war. A composer descending into madness. And a devoted woman struggling to keep her faith in art and love against all the odds.

Ghost Variations, inspired by real events, tells the extraordinary tale of how the great violinist Jelly d’Arányi rediscovered the long-suppressed Schumann Violin Concerto with the aid of supposed messages from the spirit world.
The concerto, Schumann’s last orchestral work, was embargoed by the composer’s family for fear that it betrayed his mental disintegration. As rumours of its existence spread from London to Berlin, Jelly embarks on an increasingly complex quest to find the manuscript, upon which the Nazi administration has designs of its own.

Though aided and abetted by a team of larger-than-life personalities – including her sister Adila Fachiri, the pianist Myra Hess and the musicologist Donald Francis Tovey – Jelly finds herself confronting forces that threaten her own state of mind. Saving the concerto comes to mean saving herself.


Clara and Robert Schumann
We have 90 days from now to crowd-fund the book: https://unbound.co.uk/books/ghost-variations. If you enjoy my other books, my articles and JDCMB, or if you just like the sound of this one, please come on over and be part of it! This digital e-book publication is worldwide, so it doesn't matter where you are - Sheen or Sydney, San Francisco or Singapore, you'll be able to get your e-copy. 

For a pledge of just £10 you receive the e-book upon its release, are credited as a patron in its pages and gain access to the “shed” (a new blog at Unbound in which I chronicle the book’s creation).

A range of further rewards attend higher contributions.

For example, a special Early Bird deal includes a ticket to join me and fellow patrons to attend the Orchestra of the Age of Enlightenment’s performance of the Schumann Violin Concerto at the Royal Festival Hall on 6 February (violinist is Patricia Kopatchinskaja, with Marin Alsop conducting). We’ll have a drink and discussion after the concert. ONLY 9 PLACES AVAILABLE and you need to book by 31 JANUARY. 

You could sign up for an option which gives you a special print of the cover art, access to a playlist I'm creating to illustrate the book, a credit as a SuperPatron and an invitation to the launch party.

Or you could sponsor a character from the cast of real-life musicians: in addition to all the above, you’ll receive an information pack about her/him, compiled and written by me, including recommended reading and listening lists, plus a special credit in the book. Choose from Jelly d’Arányi, Adila Fachiri, Myra Hess, Donald Francis Tovey and Yehudi Menuhin.

To see the full list of pledge levels and associated rewards, please go to: https://unbound.co.uk/books/ghost-variations

To learn more about Ghost Variations, please join us for a special evening at London’s Hungarian Cultural Centre on 21 March. I give a short lecture about Jelly d’Arányi (who was, of course, Hungarian) and David Le Page (violin) and Viv McLean (piano) perform some of the music associated with her – including Ravel’s Tzigane, music by Bartók and Brahms, and a spot of Schumann. Admission is free, but booking is required: please phone 020 7240 8448 or email bookings@hungary.org.uk.

I look forward very much to bringing you this extraordinary tale and hope that you will be as swept up in it as I have been for the four-or-so years it's taken to write. 


Sunday, January 17, 2016

Music to fly you through a hurricane

We've been away for a couple of weeks, escaping British winter (the Pierre Boulez appreciation was written on the beach).

For the last couple of days, the weather on the island was distinctly odd. The sea was delivering surfing-style breakers instead of tranquil bathing water and everything turned slate-grey instead of turquoise. The wind was strong and rain fell from otherwise clear skies. The hotel put up a notice saying that, very unusually for this time of year, we were experiencing "strange sea conditions" and one shouldn't bathe when the red flag was raised. Perhaps, we wondered, something far away to the north was causing problems from a great distance, since there is nothing between except ocean across which all that energy can cascade unhindered.

The other night we flew back - and some very uncomfortable things began to happen around 2am, somewhere mid-Atlantic.

The sensation that everything is shaking. The feeling that the dipping and plunging might be limitless and there's a wild ocean beneath offering more of the same. The impression that at any moment you might be turned upside down or knocked sideways out of your seat, and you don't really know what's going on because it's officially night-time on board and all that has happened in the cabin is that the pilot has turned on the Fasten Your Seatbelts sign.

We got back in one piece, just about. "Sorry about those few lumps and bumps along the way," remarked the cheery pilot.

This is Alex. Say hello.

On the train back from Gatwick we read this: http://www.independent.co.uk/environment/nature/hurricane-alex-is-the-first-atlantic-storm-to-form-in-january-since-1938-a6813226.html

We'd clearly flown through the effects of Storm Alex. Honest, guv, I will never understand those people who like going on roller-coasters at fairgrounds for fun.

So what do you do when you're on a plane and you think you may die and you can't do anything about it? Some people pray. I sing Bach to myself. I got through Storm Alex by imagining this.



Highly recommended. Thank you, Johann Sebastian.

Wednesday, January 06, 2016

Adieu, Maestro

Pierre Boulez has died at the age of 90. A visionary who owned a muse of fire. Farewell, Maestro, and thank you for waking us up and changing our lives.

Tuesday, January 05, 2016

The piano prodigy determined to beat Hitler

I had a lovely interview the other week with the American pianist Mona Golabek, whose mother started out as a child prodigy pianist in Vienna. Once Hitler had annexed Auatria, though, she was fortunate to escape, one of the several thousand Jewish children permitted to come to Britain on the Kindertransport - but leaving their families behind. Mona wrote a book about her mother and now performs an inspirational one-woman show telling the story through words and music. She's bringing it to the St James Theatre, London, later this month.

My piece is in The Independent today: http://www.independent.co.uk/arts-entertainment/theatre-dance/features/the-pianist-of-willesden-lane-mona-golabeks-moving-one-woman-show-about-her-mother-a6796511.html