A home in music: Streetwise Opera does the Passion

Don't miss this on BBC4 this evening at 7pm. The Sixteen joined forces with Streetwise Opera, the charity that works with the UK's homeless, to stage Bach's St Matthew Passion in Campfield Market, Manchester, last night, directed by Penny Woolcock. They introduce it in this film for The Guardian, and while the BBC is screening a one-hour version tonight you can see the whole premiere on the G's site from Monday.

"The whole of civilisation is founded on art," one of the homeless participants reminds us.

Do stop it with the "sweet"...

I've reviewed Anna Beer's book Sounds and Sweet Airs: The Forgotten Women of Classical Music for today's Sunday Times. It's a great read, exploring the lives and times of eight remarkable people who were significant both to their day and beyond: Francesca Caccini, Barbara Strozzi, Marianna Martines, Clara Schumann, Fanny Hensel, Lili Boulanger and Elizabeth Maconchy. The whole review is here. (There's a paywall. Which, let's face it, is probably the only way forward.)

The only thing I really didn't like was the title: "sweet airs" is exactly the sort of nonsense that women who compose have had to face across century after century and not far off "tinkling prettily" (a term I've seen applied to two very different composers whose works, had they been by men, would probably have been lauded instead for their Bergian expressivity or their contrapuntal rigour). Perhaps in this case it was picked for irony...

And meanwhile, it's Bartók's birthday

Here is Sir András Schiff talking about Bartók, whose birthday is today.

The music shall continue. Great art is eternal...

A farewell to the home pages

The Independent produces its last print edition tomorrow. Many unknown quantities remain regarding the future - as I'm a mere freelancer I work from home and I know nothing, but a great many superb journalists are losing their jobs and/or their columns, there's been a roaring silence thus far concerning future arts coverage and let's say I'm not holding my breath regarding classical music articles.

So here's what's probably my last piece, barring some miracle, and I'm glad to say it's a Glyndebourne preview. They've got an absolute peach of a season coming up and I enjoyed a lovely chat with Gus Christie - but it has to be noted that if you want a top-price seat for Meistersinger it'll cost rather a lot. http://www.independent.co.uk/arts-entertainment/classical/features/glyndebourne-preview-seats-at-britains-best-known-opera-festival-this-summer-will-cost-up-to-300-a6946276.html

My heart is with my friends and colleagues today, editors, writers and columnists, people at the very top of their profession who in some cases have devoted almost their entire working lives to that newspaper and never ceased trying to make it the best in the business. I'm proud to have worked with you for 12 years and I am going to miss you very, very much.

Over and out.

In which footy fans try opera...

The irrepressible Michael Volpe, head of Opera Holland Park, has made a little film, available on BBC Arts, about what happened when he took some fellow Chelsea fans for their first-ever experience of opera, specifically La traviata.

Some remarkable things began to happen quite early in the journey, not only to them...