Quartet alert

Nick writes from the US to inform us of this disturbing development in the life of a fine string quartet:

AUDUBON QUARTET Members About to Lose Instruments. If you follow chamber music, you probably know of the Audubon Quartet, founded 30 years ago, it was the first US string quartet to win international competitions. In the year 2000, though, three of the quartet's members fired the first violinist for behavior incompatible with the concept of a closely knit ensemble -- he had told the others that he'd initiated two lawsuits agains the cellist (and original founder) Tom Shaw.Upon being fired, though, David Ehrlich filed a series of lawsuits against the three and against the quartet as a corporation. One was thrown out, but somehow, he won a judgement against the other three, and now, more than five years later, they are about to lose their instruments and other worldly possessions. It is a grim story. The quartet was in residence at Virginia Tech in 2000. After the lawsuits, the university let their contracts expire (but has since re-hired the violinist). Now members of the community in Blacksburg are trying to get the university to step in and make Ehrlich cease his actions against the others. You can read all about this at www.enditnow.org , the website created by community members. There is also a petition you can sign there.I think this is a matter of interest to all of us who love classical music and especially to the community of players in ensembles small and large.

Nick sent this originally as a comment on a previous post, but it merits a section to itself. I'm afraid I have not heard about this before and I don't know the ins and outs of the background and history, but please explore the link. Litigation culture run mad? Or classic string quartet acrimony meets the 21st century? Oh yes, classic. If you think orchestral life is stressful, just try being in a string quartet. Stories from the orchestras can be 'hair-raising', but with quartets, 'blood-curdling' doesn't begin to describe it.

Meet Simon Trpceski

Simon Trpceski
Originally uploaded by Duchenj.

If you haven't already. Simon is one of the greatest young pianistic talents I've ever heard. He's 26 and hails from Skopje, Macedonia. About five years ago he shot to fame - like so many others - by NOT getting first prize in a piano competition (London) where most people thought he should have. Since then his reputation has been more than consolidated by such things as inclusion in the BBC Radio 3/Wigmore Hall New Generations programme and performances and recordings that receive rave reviews. He'd blown my socks off a couple of times - I think he plays Pletnev's transcription of The Nutcracker better than Pletnev - and when I interviewed him for PIANIST Magazine's latest issue I discovered he was also one of the most charming, engaging, warm, natural and unpretentious musicians I'd come across.

Sounds excessive? Then just hear him play. Yesterday at the Queen Elizabeth Hall he gave a recital of works that he'd told me were all new to his repertoire - Brahms Op.117 and one piece from Op.118, Scriabin's Second Sonata and both books of Debussy's Images. The Brahms was very slow but hypnotically beautiful, with exquisite tonal control and a powerful inwardness that you don't expect from an otherwise extrovert youngster. The Scriabin drew on the music's gentler, Chopinesque aspects, with perfect clarity and power that didn't make sensitivity concede - and proved that you don't have to go nuts with Scriabin as so many do. The Debussy was to die for: I can't imagine it played more beautifully (and I've played Book II myself so tend to pick holes in it whenever possible!). Meanwhile, he'd played Shostakovich's First Piano Concerto with the LPO on Friday evening and is doing so again on Wednesday - fab ensemble with Vladimir Jurowski and an atmosphere as if everyone was having tremendous fun. That's what orchestral concerts should be about but unfortunately often aren't. If you can get to the QEH on Wednesday 7th, GET THERE.

The photo above is by Jillian Edelstein and is printed with my article in PIANIST.

UPDATE, Tuesday 1pm: Here's Robert Maycock's review of the LPO/Jurowski/Trpceski concert from today's Independent.

Panda profundities

Comments on the panda pic are too true. You can adore a panda cub, but it's probably not a good idea to try cuddling it. A friend in a record company once told me she'd gone into an open-to-public cub enclosure in a lion park in South Africa, full of apparently cute, biggish kitties, where one little inhabitant took a liking to her and decided to attach itself to her leg with full complement of teeth and claws. She must be the only classical press attachee in town to have been mauled by a lion.

My fuzziest-ever encounter was with a koala in Cairns, Queensland, about five years ago. They let you hold him for about five seconds, just long enough to take your photo with him, before whisking him away to the next besotted tourist. Koalas don't much like being loved, so he's rationed to about half an hour in the morning and the same in the late afternoon and he didn't half look fed up by the time we reached him. I think he was doped up on gum leaves too. But he was definitely the softest animal I've ever met and I wanted to abduct him. Not sure he'd like the climate here, though. And even if we put a eucalyptus tree in the conservatory, I understand there could be a problem with koala pong.

The lesson to learn is this: the most desirable creatures, whether charismatic, exotic or fuzzy, are not necessarily the ones that are good for us or that we could live with successfully. I fear the same is true of human beings.

The cutest thing on earth...

Panda pic
Originally uploaded by Duchenj.

...has to be this fuzzy starlet from Washington DC. Sorry, Solti!

Warming the cockles

The Pianist Magazine/Yamaha Amateur Piano Competition held on Saturday night for the first time has awarded its first prize to a 79-year-old piano tuner who once prepared instruments for Liberace but has never played in a concert hall before. Jamie Cullum awarded the prize and magazine editor Erica Worth is justifiably very, VERY proud of the event she's initiated. Doesn't this just warm the cockles of your heart? What a change from all those beastly, corrupt, political piano competitions that young pros have to endure... Read more about it here.

Moving stories

Some dips into the blogroll have produced deeply moving moments today:

Evelio writes about the laser surgery he's had on his eyes this week, and the sensation of finally being able to see properly. Words like 'congratulations' just aren't enough.

Cathy Fuller writes about some metaphysical musical shivers, most notably about Schubert's A major sonata, with tremendous sensitivity and beauty. And I'd have loved to hear Renaud Capucon play the Korngold Violin Concerto!

Speaking of Korngold, Andrea has just discovered Die tote Stadt. Weird coincidence or fate knocking, she asks, pleading for my help. Fate, Andrea. Definitely Fate. With Korngold, it always is.

Plus - not blog-related - Roy Howat's performance with the Panocha Quartet at the Wigmore Hall this morning finally lifted the lid off the Faure First Piano Quintet. It's a much maligned piece and Roy's new edition attributes this, basically, to the fact that someone seems to have slapped the wrong metronome marks onto it at some juncture. It was FAST. Very fast. But fabulous: out came the Faurean elan that is so often missing from interpretations that decide it should be as esoteric as esoteric can be. The last movement worked for me for the first time ever. The performance really moved. In every way.

I don't understand why the Wigmore Hall still calls its coffee concerts Coffee Concerts. You get a free coffee, orange juice or sherry after the performance upon production of your ticket. Everyone makes straight for the sherry.