Wednesday, July 06, 2005

OH MY GOD

We got the 2012 Olympics!! This is ABSOLUTELY UNBELIEVABLE!!!

It could just be the best thing that has ever happened to London - this city is going to have to get its transport & infrastructure act together within seven years, and being obliged to do so is probably the only way it ever will.

It's wonderful to hear people on TV declaring that London's going to be the greatest city on the planet. As a kid, I was always convinced that that was the case; but through the 1980s, watching the place grow run-down, demoralised and neglected, it was depressing to feel that we were being relegated to what one well-known writer described during the John Major years as 'the bargain basement of Europe'. That's no longer true. Things have been on the up for some years now, speaking on average (there are, of course, still parts of the city which are horrendously deprived, including the eastern districts where the Olympics are to take place), but if this can't complete the transformation then nothing can.

The London bid seems to have succeeded not least because it talked about inspiring young people. The arts need to inspire young people with a similar world-class example - and in music, as well as in sport, it's only the combination of the finest practitioners, accessibility (not least physical accessibility) and solid media coverage that can provide it strongly and widely enough. Arts and music movers and shakers need to start thinking NOW about how we can join in most effectively.

Saturday, July 02, 2005

Yum

One of the most interesting effects of performing is what it does to one's eating habits. Since we finished our little run of recitals, my chocolate consumption has reduced by 500%. Miraculous, but true. Does the chocolate produce the highs & lows associated with giving concerts, or does one eat it to forestall those dips in energy? (If the latter, afraid it doesn't work.)

I'm enjoying having my life back, as well as the healthier diet. Am cooking dinner for friends today, via my current favourite recipe book: Nigella Lawson's Forever Summer. It's a special treat to be confined to the kitchen late on Saturday afternoon because BBC Radio Three has jazz 4-6.30pm and I love Geoff Smith's Jazz Record Requests - there's always something wonderful or fascinating or rare, if not several of all three. So any guests who come over on a Saturday are more or less guaranteed a more elaborate meal than they'd get here during the rest of the week! ...oh well, so much for that healthy diet...

Speaking of which, here's a recent revelation about the nature of masculine & feminine alternative heavens. Apparently, for most man, the best alternative to heaven would be a place with an endless supply of leggy blondes (maybe this place?). Us girls think differently. Our alternative heaven has got to be Bruges: the town, I believe, that has the highest concentration of Belgian chocolate shops per square metre!

Thursday, June 30, 2005

The Pagan Serenity Prayer

I love this. An unfamiliar version of a familiar yet perennial plea..

PAGAN SERENITY PRAYER
God & Goddess grant me:
The power of water, to accept with ease & grace what I cannot change
The power of fire, for the energy & courage to change the things I can.
The power of Air, for the ability to know the difference.
And the power of Earth, for the strength to continue my path.

Tuesday, June 28, 2005

On Friday 8 July...

...the place to be is the Wigmore Hall, where a concert is taking place that's rather special to me. If you introduce a violinist to a cellist over dinner one day and suddenly they're playing your favourite piece of music together at the Wigmore Hall, you can't help feeling a little responsible! Anyway, this performance by the Razumovsky Ensemble is the result. Online booking here via the Wigmore website, or phone the box office on 020 935 2141.

The Razumovsky Ensemble is Oleg Kogan's baby. He's hit on a most unusual but highly creative modus vivendi for it, drafting in top-notch musicians who don't often have the chance to get together and play chamber music, but give everything when they do. The line-up is never exactly the same, but the combinations are always intensely combustible - every one of their Wigmore gigs that I have heard has absolutely raised the roof. For this concert, Philippe and Asdis are joining the line-up for the first time. And I am so thrilled that they are playing my beloved Faure C minor Piano Quartet that I'm ready to turn somersaults.

Here's what The Times said about the Razumovskys a few concerts ago: "They open up a world of music-making fabulously rich in tone colours, ensemble precision and lyrical sweep of a kind rarely met this side of paradise. Each Razumovsky member may be king of their chosen instrument, but they scale the heavens as a team."

Need I say more? Except: BE THERE!

Saturday, June 25, 2005

Oyyyyyyyyyyy

I reckon it's the beginning of the end.

I've been reading what I initially thought was a wonderful book, published in a serious literary imprint, with an exotic setting and a nice arty photo on the cover. I was riveted from the first page. But a little way in, the brakes screeched: I was reading - and I'm not making this up - the words "he was stood". The hero was standing in a doorway. In a literary novel he should not have "been stood" anywhere. In NO novel purporting to be written in halfway decent English should one see the expression "he was stood" - or anything similar. Nor was this a one-off accident. Later, I found a reference to a bunch of characters who "were sat" in a bar. It's not as if this writer was trying to create a colloquial local voice (the novel's hero is supposedly a writer himself and would probably rather have died than use this moronic construction). And the author's biog suggests he's someone who should have known better.

No doubt there'll be plenty wrong with my own book - but at least not that...

I would like to excise from the current use of English the following turns of phrase"

"was sat/stood" - in every permutation;

"concertize" - you don't concertize. You give a concert. Please note that I use 'z' here and not 's' for a reason;

"I'm, like,....and she's, like,....and then I'm, like,...." as a way of explaining who said what;

"Buy your CD's here" - note incorrect use of apostrophe. Not long ago I had an email from a youngster working for a reputable music agency who didn't have a CLUE where to put his apostrophes. If I were the artist he's working for, I'd be worried about my chances.

Oh heck, there has got to be a better way than this to spend a Saturday evening...