This isn't what Zimerman is playing tomorrow, Tuesday, when he's programmed the Bach Second Partita, Beethoven Op.111, Brahms Op.119 and Szymanowski Variations at the Royal Festival Hall. The extract below was filmed a while ago (we were all younger once), but same person, same pianist, same wonder. Also read Kenneth Woods's super tribute after the Manchester recital a couple of days ago.
Treat yourself here to the Chopin Barcarolle - and those of you in rushing up distance of London, see you tomorrow (pre-concert interview live on stage 6.15pm, concert 7.30pm).
Monday, May 26, 2008
Saturday, May 24, 2008
Music matters today
I'm on BBC Radio 3's Music Matters today, in a panel discussion about music in fiction. Fellow panellists are Richard Coles and Philip Hensher, presenter is Petroc Trelawny, and Ian McEwan and Patrick Gale are quoted at some length. The programme begins at 12.15 but will also be available online at Listen Again for 7 days.
Friday, May 23, 2008
Tea for everyone
It seems that everyone needs extra tea today, so here is a good dose of it from Shostakovich. Love to all.
Thursday, May 22, 2008
More about KZ...
...from my colleague Michael Church in today's Indy, previewing the recital tomorrow in Manchester. KZ will then be in Basingstoke on 25th before the RFH on 27th.
By the way, Michael says that our hero won't record, but our hero told me, when I interviewed him for Pianist magazine, that he's just agreed three more recordings, even though he wouldn't say what they were going to be. Take your pick.
MEANWHILE, back in the pit...a hairy moment during the first night of Glyndebourne's Eugene Onegin when Tom managed to lose his violin part for the new Matthias Pintscher piece (which the LPO is playing at the RFH next week) down a crack between the floorboards. Despite quips about how it might be the best place for it, he transformed himself into Superfiddler and crawled through a subterranean tunnel to retrieve it, causing his colleagues much hilarity as they tripped over his legs.
By the way, Michael says that our hero won't record, but our hero told me, when I interviewed him for Pianist magazine, that he's just agreed three more recordings, even though he wouldn't say what they were going to be. Take your pick.
MEANWHILE, back in the pit...a hairy moment during the first night of Glyndebourne's Eugene Onegin when Tom managed to lose his violin part for the new Matthias Pintscher piece (which the LPO is playing at the RFH next week) down a crack between the floorboards. Despite quips about how it might be the best place for it, he transformed himself into Superfiddler and crawled through a subterranean tunnel to retrieve it, causing his colleagues much hilarity as they tripped over his legs.
Sunday, May 18, 2008
Weather forecast?
I used to have a theory that if it was cold and rainy for the first Glyndebourne dress rehearsal of the season, the rest of the summer would be heavenly. Yesterday at the Onegin dress, the weather was so horrid and miserable that we picnicked in the car with some soup. Bodes well? Hmm. Last year we did exactly the same thing, for Macbeth, and then it didn't stop raining for a year. Somehow I don't think I'll be getting Michael Fish's weather job at the Beeb.
Will write about Onegin in detail once it opens - for now all I can say is it's a total treat. Meanwhile mad props to Clive Davis at The Spectator and Brian Micklethwaite at Samizdata (a Libertarian blog - !?) for their kind comments and links, and to Gert for staying for the whole of Simon Boccanegra the other night and reporting that eventually Simone gave up and was overdubbed in his death scene by, er, Paolo the villain!
And hat off to Stephen Pollard who tells it like it is about the BBC's coverage of its own recent Young Musician of the Year competition. It was won by a 12-year-old trombonist called Peter Moore, and the reason I didn't write anything about it is that I didn't even know it was on, which seems rather to prove Stephen's point. Sue Tomes has similar words in The Guardian. More of that when I can control the rage-induced tremor in my hands.
Will write about Onegin in detail once it opens - for now all I can say is it's a total treat. Meanwhile mad props to Clive Davis at The Spectator and Brian Micklethwaite at Samizdata (a Libertarian blog - !?) for their kind comments and links, and to Gert for staying for the whole of Simon Boccanegra the other night and reporting that eventually Simone gave up and was overdubbed in his death scene by, er, Paolo the villain!
And hat off to Stephen Pollard who tells it like it is about the BBC's coverage of its own recent Young Musician of the Year competition. It was won by a 12-year-old trombonist called Peter Moore, and the reason I didn't write anything about it is that I didn't even know it was on, which seems rather to prove Stephen's point. Sue Tomes has similar words in The Guardian. More of that when I can control the rage-induced tremor in my hands.
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