Showing posts with label Gabriel Prokofiev. Show all posts
Showing posts with label Gabriel Prokofiev. Show all posts

Monday, September 22, 2014

Prokofiev needs your help

Gabriel Prokofiev - grandson of Sergei and a terrific composer and groundbreaking figure in his own right - asks for our input in a new book project about the alternative classical scene. Please jump in!

'We Break Strings'
Is a book of photos, interviews & essays charting the rise of the alternative classical music scene in London.

This 144-page, high-quality book is the first time that the contemporary classical scene in London has been properly investigated in a single printed document. Photographer Dimitri Djuric's photos give a unique insight into the London scene, and writer/blogger Thom Andrewes remarkably thoughtful and thorough text investigates the social, cultural and aesthetic implications of the scene.
Thom spent months interviewing many of the people involved, and Dimitri spent over 2 years photographing events. Thom was very careful to get a really balanced and wide view of the scene; so that the book reveals the amazing diversity of approaches that are been taken to presenting classical music in new ways.

Please visit the kickstarted page to find out more about the project & support it:

Classical music rarely gets the printed visual representation that other genres of music & art-forms get, and having witnessed how much this 'alternative' classical scene has grown over the last ten years - it feels like the right time to share this growing new movement in contemporary classical music in a visual form, and I think this book will really help get more people interested in the music & the scene.

We have launched the Kickstarter project in order to fund the printing of the book. But, we've been very generous with the Kickstarter 'rewards', and on Kickstarter you can actually buy the book in advance for less that it will cost once it is officially released in November. But, you are welcome to donate more to the cause if you wish, and we also have bigger rewards such as exclusive prints from the book, and guest-passes to Nonclassical events…

Please pass on this email & the kickstarter link to everyone you know - it's a unique chance to discover more about a significant new development in classical music - and we still need to raise much more funds to cover all the costs.

Wednesday, January 11, 2012

Paranoid androids?

I spent a fascinating morning today at the Royal College of Music talking to postgraduate students, together with inspirational and entrepreneurial academic David Bahanovich and the one and only Gabriel Prokofiev. We covered topics ranging from Gabriel's innovative Non-Classical club nights to what the greatest musicians have in common - energy? dedication? more?; and from why "person gives concert" is not a story, to why you really need to understand, in today's music business, how digital media and social networking function or else risk being torpedoed. And much more.

It's wonderful, in 2012, to walk into the RCM and see devoted and brilliant young people who are on fire with the love of music and ready to spend their lives in its service. But also very worrying, because I don't know what in the world is going to happen to the RCM - or the other British music colleges - after the government removes all their support. Or am I being a paranoid android? After all, British music students can still hop on a plane to Denmark and study there free of charge (though they may need a different range of vocabulary from that of The Killing and Borgen). But I want to see top-notch, open-minded, free-spirited music colleges here in the Big Smoke, a city buzzing with creativity and diverse music-making every moment of every day, where young musicians could be nurtured without having to burden themselves with impossible debt. A college education should be free to those talented enough to pursue it. When we stop investing in education, we smother the future. It's that simple.

Speaking of creativity, David told me, en passant, about the pianist Christopher O'Riley's runaway success in the US with piano transcriptions of Radiohead, which apparently help to attract people to his recitals who might be under the age of 50 and sometimes sport interesting haircuts. Christopher's programmes might have a first half of, for instance, Janacek and Bartok, and a second half of Radiohead song covers. I hadn't heard the transcriptions before, so thought I'd check them out. Here's Paranoid Android: in this context, not so very far away from mainstream American minimalism, perhaps. Contemporary music: a convergence?