Here's what The Guardian has to say about Paul Kildea's resignation from the Wigmore Hall. And The Classical Source has the official version released by the hall's PR.
I could say a few things too, but I'm not going to.
I spent yesterday evening there listening to Rustem Hayroudinoff playing the socks off the complete Etudes-Tableaux by Rachmaninov. I've admired Rustem's playing for years and have always felt angry that he's not had the attention he deserves, except in a vote of confidence by Chandos, for which he's made three recordings (his Dvorak Concerto, with the BBC Philharmonic and Noseda, is just out).
What we heard last night was the performance of a mature and deep-thinking artist who understands Rachmaninov's mind as if from the inside and delivers his music in the finest Russian tradition with a huge, deep, beautiful tone and superb elan, which increased as the recital progressed. The great E flat minor number was an exceptional treat. What I loved most was that he did not shy away from Rachmaninov's big emotional issues. It's often seen as an asset to be 'cool' about such things and not accentuate the emotional content of such intensely romantic music. Rustem, thank heavens, doesn't seem to agree with that. He sounds as if he is confirming what I have come to feel too: that if you deny great feeling, you deny life, never mind music, its essential meaning. That doesn't mean that the playing was 'over the top', however - rather, it was profoundly felt and totally sincere.
Here's a nice review from The Classical Source.
