Friday, June 22, 2018

Glyndebourne calling

Ever heard an opera at Glyndebourne written by a woman? I haven't. OK, maybe I missed one, but still. Hopefully that's about to change. Glyndebourne recently built and cultivated a gorgeous, fragrant rose garden. Now it can cultivate a special musical sphere too. Please form an orderly queue for this terrific opportunity. (We ladies are accustomed to queuing, as most opera houses will attest.)

They built a rose garden. They can build a new repertoire too.


GLYNDEBOURNE WRITES:

Glyndebourne’s commitment to nurturing musical talent and thus securing the future of opera for coming generations has long been at the heart of the organisation. Today we are announcing two new schemes to further support young artists.


Balancing the Score: supporting female composers is a new development scheme exclusively for female composers. It will offer up to four women the chance to spend two years immersed in life at Glyndebourne, attending rehearsals and meeting professional opera makers and performers. Participants will be introduced to commissioning opportunities at Glyndebourne and development opportunities with high profile partners such as the London Philharmonic Orchestra.


The announcement comes at a time of growing awareness of the under-representation of female composers in classical music. In February the BBC Proms announced that it would give half of its new commissions to women by 2022, and a new BBC series starts tonight in which presenter Danielle de Niese will shine a light on forgotten female composers from history.


Lucy Perry, Head of Education at Glyndebourne, said: ‘Glyndebourne is a proud and committed commissioner of new opera and, like many of our peers, we are concerned about the under-representation of female composers in classical music. With this new programme we can do our bit towards tackling that issue by offering practical support to female composers who aspire to write opera.’


Along with the chance to immerse themselves in the work of a world-class opera house, the successful candidates will receive an annual bursary of £2,000 to cover expenses and time spent at Glyndebourne during the part-time residency.


Applications for Balancing the Score open today at glyndebourne.com to female composers of any age. The closing date is Friday 17 August 2018 and interviews will be held on Wednesday 24 October.


Also announced today, and to mark this 50th anniversary year of the Glyndebourne Tour, is a new development scheme for young orchestral players called On the Road. Young professional instrumentalists will be invited to join the Glyndebourne Tour Orchestra as it travels the country, to gain their first professional operatic experience. The players will participate on an equal footing with other members of the orchestra and will be paid for their participation.


The new scheme extends the Tour’s cornerstone commitment to nurturing young talent. Among the internationally acclaimed artists whose performances with Glyndebourne Tour helped establish their careers are Robin Ticciati, Jakub Hrůša, Ivor Bolton, Louis Langrée, John Tomlinson, Sarah Connolly, Gerald Finley, Emma Bell, Alfie Boe, Roberto Alagna, Edward Gardner and Kate Royal.


Steven Naylor, Director of Artistic Administration, said: ‘This scheme is designed to offer newly graduated players real-world professional work experience over a concentrated three-month period by putting them straight in at the deep end – the fastest way to learn!’


In its first year, the scheme will offer places to 9 players. In future years applications will be invited online for players of a selected number of instruments.