Come on in, quick.
It's raining. Again. Still. Just dump your stuff in the cloakroom and hurry along that corridor to the...yes, it's our CyberPoshPlace! It's decked out with seasonal sumptuousness and ready to host our magical mystery Silver Chocolate Awards all over again, as we do every winter solstice.
The glitter-balls are atwirl, the walls are draped with purple silk and on their thrones, side by side, Ricki and Cosi, joint feline monarchs of our particular glen, are preparing to give this year's winners a prize purr and let them stroke their fine silvery and milk-chocolate-coloured fur.
Meanwhile, our cyber bubbly will make you only as tipsy as you wish to be, our virtual canapés magically transform to be gluten free, dairy free or vegan as you desire, upon contact, and every composer and musician you have ever wished to meet is here, transformed into founts of sociability.
Luigi, you have a big year ahead. Exploring your life in greater depth and attempting to pay tribute to you has been one of the most thrilling experiences I've ever had. It has turned into a journey from Jane Austen to (sort of) Tristan und Isolde and I hope it will bring your story to life in a whole new way. There are some wonderful books about you out there. There's also a lot of pretty awful stuff. I hope to contribute to the former, rather than the latter, but I guess time will tell. It's full steam ahead now. Please come up to Ricki and Cosi and enjoy a really good purr.
Paul Fincham, The Happy Princess was a treat of a whole different kind: it was a story I've wanted to adapt for opera for years, your music is chock-full of earworms, and the staging, again by Karen, was utterly perfect. The thing was a smash-hit even if it only had one performance. Let's hope there will be more opportunities for it beyond this, because it deserves to be heard! Thank you for your work, your confidence and your friendship. And thank you, Garsington Opera, for the faith that you put in all of us! And, dear mystery colleague - can't wait to see what you're coming up with....
I'd like to give a gigantic thank-you to Marios Papadopoulos, whose support for Ghost Variations in the form of the Schumann Violin Concerto last June and for Immortal in his Oxford Philharmonic's wide-ranging Beethoven celebrations next year really means the world. I'm looking forward to being part of the Oxford Phil's Beethoven festival in November and working at the Holywell Music Rooms with baritone Benjamin Appl, pianist Manon Fischer-Dieskau and a string quartet drawn from the orchestra's superb musicians. (And Happy Birthday, maestro!)
Speaking of the Bavarian State Opera, this is Opera Company of the Year for Die tote Stadt, which was unforgettably splendid - I doubt I will ever hear this, "my" special opera, better performed. The cast headed by Jonas Kaufmann and Marlis Petersen was perfect and Kirill Petrenko's conducting brought out all the marvels of the Korngold score with its chilli-pepper intensity and bristling detail. A little too much use of the "revolve", perhaps, but never mind. A massive thank you to the fabulous British mezzo-soprano Jennifer Johnston, who sang Brigitta, for hoiking me over to Munich at short notice and making sure I got to hear it! They are all my singers of the year, too.
Pianist of the Year was tricky, because there are so many wonderful performers whom I love to pieces. However, the prize goes to Norma Fisher, the piano pedagogue who had to retire from the stage decades ago, but whose live performances from way back have been resuscitated by the record producer Tomoyuki Sawado and released on Sonnetto Classics to stunning effect. I recently went to visit her for one of the Masterclass series of articles for International Piano magazine - out sometime in the new year. How I wish I could have my time as a piano student again and beat a path to her door (this in no way diminishes my affection and gratitude to the marvellous teachers I DID go to, of course!).
Honourable mention, too, to some remarkable young pianists: Isata Kanneh-Mason, Mishka Rushie Momen and Iyad Sughayer, who all have had mightily impressive debut CDs released this year - Isata's devoted to Clara Schumann, Iyad's to the eye-wateringly challenging piano works of Khatchaturian and Mishka's an intriguing programme based around variations, including a special commission from Nico Muhly. And last, but very crucially, a ginormous thank you to my beloved concert partner Viv McLean - we have a super new Beethoven show coming up next year, so please watch this space.
Speaking of performance partners, a massive, massive cheer to my fabulous team of harpsichordist Steven Devine, cellist Jonathan Manson and baritone Ben Bevan for their glorious collaboration on Being Mrs Bach's UK premiere at Kings Place back in April. Please come up and have your purrs right away. And here's to more outings soon.
Photo by Paul Mitchell
|Dan Tepfer and his trio at Incontri|
|Record of the Year!|
We usually have one stuffed turkey, too, and there've been a few, as I seem to have gone to several of the Wrong Things this year. I'm sorry to say it has to be ENO's Orpheus in the Underworld, which was...unfortunate. Then again, I haven't yet seen Cats... [ouch! Ricki, get your claws out of my leg!]
And now let's have a big round of applause, please, for every musician who has touched the hearts of his/her audience during the roller-coaster year that has just been and gone. Thank you for the music. We love you all!
While the winners approach the silken cushions for their prize purrs, let's have some more cyberbubbly and hope that the year ahead will bring, with its new decade, new hope, new ideas, new approaches, new positivity and new focus on everything we can do to bring openness, internationalism, humanity, great-heartedness and great art of every kind into our everyday world. Bring it on. Time to dance.
MERRY EVERYTHING, EVERYBODY!