|Toby Spence sings Florestan's aria, together with pianist David Owen Norris |
but somewhere else
Yesterday it was a pleasure and privilege to "Dimbleby" for Beethoven Matters, a discussion for Garsington Opera and the Royal Philharmonic Society - one that we had assumed weeks ago would not be able to go ahead. Here's what actually happened.
We were going to be live in a small London music venue, expecting an audience of maybe 150-200, with a performance from two of our panellists, Toby Spence and David Owen Norris, and questions from the floor at the end. We expected to have to defend Beethoven amid the slough of overkill resulting from his 250th anniversary and to raise appetite for the new production of Fidelio at Garsington this summer, with Toby as Florestan. All this was going to happen on 29 April, and it was with regret that we saw it floating away into the ether, complete with the new production and most of the anniversary events across the world.
Hang on - there is a thing called Zoom. And some clever people who work for Garsington and the RPS who know how to work it, and how to fade videos and photos in and out of it, and how David could record the piano part of Florestan's aria in his house and send it to Toby, who could then record the singing and these two videos could be put together into something that while not as ideal as a joint performance, was very much better than we could ever have dreamed just three months ago. Indeed, three months ago most of us had never even heard of Zoom, let alone imagined that such a talk could be captured on it and broadcast live simultaneously on Facebook and Youtube. We could even have questions - not from the floor, but from the screen, and arriving from all over the world, including California and Bucharest.
We reached an audience on Youtube that was much what we would have expected from the live event, but on Facebook our technical wizard noted hits that topped the equivalent of a full Wigmore Hall.
This is amazing. It seems we're so globalised that we don't have to go anywhere at all.
Our discussion, with conductor Dougie Boyd, composer Freya Waley-Cohen and, of course, Toby and David, ranged across Beethoven the musician, Beethoven the human being and Beethoven the leaver of a legacy that still inspires and sometimes intimidates even today. If you missed it, you can catch up here: https://www.youtube.com/watch?v=2RctalAtNbk&feature=youtu.be
We couldn't reconstitute the Fidelio production, though, and we couldn't go to the pub together afterwards. Tom nevertheless treated me to prosecco in the back garden and I hope my fabulous colleagues were similarly fortunate.
Beethoven, as the poet Ruth Padel says, is the music of hope. We couldn't agree more.