Wednesday, May 29, 2013
Above, part of the first reconstruction, by the Joffrey Ballet, of the original Rite, choreographed by Nijinsky, designed by Roerich. And here, my article from The Independent (published 12 Feb) telling the story of that first night.
And... today is also Korngold's birthday. He turned 16 on the day the Stravinsky first hit the stage. He was quite a fan of Stravinsky, as it happens - there's a lovely story about when he went to hear Petrouchka and applauded and his father, the music critic Julius Korngold, tried to stop him. The young composer's response to the Rite furore either isn't recorded or hasn't reached my eyes/ears yet. One imagines the ballet might have caused Julius's blood pressure some problems.
It would be so interesting, on the one hand, to rewind the clock, air-lift Julius Korngold out of Erich Wolfgang's personal equation, let the lad study with Schoenberg and hang out with the avant-garde crowd and see how he ended up writing... But on the other hand, if he had done that, would he have come into contact at the crucial moment with Max Reinhardt? It was thanks to Reinhardt that he first went to Hollywood in 1934. He might not have escaped otherwise.
Anyhow, an actual staging of Das Wunder der Heliane has turned up on the Internet, so here is Act I. It's from Brno, with a setting that makes vivid reference to the fact that the opera shared its own year of birth with Fritz Lang's Metropolis. It is conducted by Peter Feranec and directed by Johannes Reitmeier. The second part is available to view on Youtube as well.