A dark horse of music steps into the light

Want to hear something completely different? Pop along to The Warehouse, Waterloo, tonight, where Fifth Quadrant and violinist Simon Hewitt Jones are presenting the work of Michael Rosenzweig, a multi-talented South African-born composer who moved to Britain several decades ago full of promise, yet whose work has gone all but unheard until now. Fifth Quadrant tonight performs his String Octet, Elegy for 13 Solo Strings and Fugue '97 alongside music by Dvorák and Barber.

Here's a sneak preview: an extract from Fifth Quadrant's first read-through of the Elegy. The composer conducts.



Simon Hewitt Jones writes:

At the age of 65, Michael Rosenzweig remains the dark horse of British classical music, a position he has held since his arrival on these shores in l979 touting a Symphonic Tone Poem, a string quartet, a piano trio and several other works that paid homage to Mahler, Schoenberg, Bartok and Stravinsky.

At the time, Rosenzweig had no formal music education at all; he’d simply listened to the masters, taught himself to write music and somehow produced work of such promise that two major universities offered to admit him straight into their Masters and Doctoral programs – on full scholarships. Further honours soon materialised, including the DAAD Artists Fellowship in Berlin and ringing endorsements from such luminaries as Chou Wen-chung, Lukas Foss, Jack Beeson and Emanuel Hurwitz.

Rosenzweig appeared to be on the brink of greatness, but he ‘dropped out of sight’ circa 1995 and has spent the last three decades starving in London garrets while making the odd appearance as guest conductor of Bulgaria’s Vidin State Philharmonic. His appearance at The Warehouse with Simon Hewitt Jones' Fifth Quadrant offers Londoners a rare chance to see this enigmatic figure and hear some of his unheard music.

Endorsements are impressive, too. These are just two of them:

CHARLES MACKERRAS, international conductor: “I must say I find your compositions wholly admirable. You are obviously a man of huge talent.”

OLIVER KNUSSEN, composer, conductor, Conductor Laureate London Sinfonietta: “A talent of a major order…one of the most substantial composers of his generation at work anywhere today.”

7.30pm 25 August, The Warehouse, 13 Theed Street, Waterloo, London SE1 8ST. Further info and online booking: http://www.michaelrosenzweig.com

...And a return to THE APPRENTICE!

It so happens that the house in the latest series of The Apprentice is on my jogging route up to Richmond Park... And suddenly I'm back in the board room and Siralun is saying:

"YOUR TASK TODAY IS TO BRING PEACE TO THE MIDDLE EAST. AND DON'T FORGET TO BUY THE BISCUITS."

(Above: part of Dal'Ouna in action: Dimitri the oud player, Oday the singer and Drew Balch the violist perform after the talk)


[The Qattan Foundation, Earl's Court. Siralun, flanked by Nick and Karen, faces Jess, Simon, Ramzi and Drew]


Siralun: Morning, all. Your task today is to solve one of the biggest problems in the world, through music. You have three days to put on a discussion and make use of the latest technology to convey it to the widest possible audience. Off you go."
All of us: Yes, Siralun...

[The House, Aldeburgh. Half past midnight. Frantic clicking of BlackBerry keys (Jess) and tapping of iPad (Simon).]

Drew: You know, those kids today were just amazing. They're real young artists, not just schoolchildren.
Simon: Damn, the internet connection's gone again!
Jess: I keep getting messages saying everyone's away. How are we going to raise an audience?
Drew: Doesn't matter, because the task's really about the webcast.
Jess: How does this webcast thing work, anyway?
Simon: Oh, it's easy, you just point the computer and press 'start'.
Jess (feeling abruptly old): Oh, er, right...I see...gulp...

[Thursday, 7am. Beethoven's Violin Concerto rings gently out of the dining room through a practice mute. Jess looks in.]

Jess (embarrassed): Sorry to bother you, Simon, but have you got any idea how to work this shower?
Simon (putting down violin): Oh, it's easy...Look, you just turn this switch, and bingo.
Jess: Er, right. Thought I'd tried that. Never mind...
Simon: We're going to get some coffee and croissants at the beach for ten minutes. Come and join us?

[8am. The beach. Brilliant morning sun due east. Pebbles crunch underfoot. Jess, munching croissant and enjoying cappuccino, can't find the lads anywhere. Might have been sensible to wear my glasses.]

The sea on the pebbles: Ahhhhhh...shhhhhhhh....Ahhhhhh....shhhhhhhh....
Jess: This place is unbelievable. But how do we get anyone to come to our debate the day after bloody tomorrow?
The sea: Ahhhhh.....shhhhhh....Ahhhhhh.....shhhhhhh....

[Back at house, everyone has finished their croissants and coffee already. Message pings into BlackBerry]
Jess: Hooray! Dennis can join our panel on Saturday!
Drew: My fiancee will be there. And Cassandra, and all of Dal'Ouna.
Jess: I managed to make a Facebook event and we've had several yesses and three whole maybes.
Simon: It's a real pain not having internet access...er, Jess, when you get home, please could you have a look at this TO DO list... (shows Points 1 to 8 on iPad). It's very easy, you just...
Jess: Er, right, yes...

[Saturday, 1.30pm, Earl's Court Station]

Jess (wheeling an elegant purple shopping trolley): Sorry I'm late! Bloody District Line.
Simon (carrying suitcase, computer carrier, violin case, suit carrier, iPad and iPhone): Could you nip to Sainsbury's and get the refreshments? I've got to go and set up the webcast...

[Sainsbury's, Earl's Court. Jess meets the Automatic Checkout and unloads stuff at the side, not wishing to use plastic carrier bags but to place everything straight into elegant purple shopping trolley, which is what it's for]

Automatic Checkout: Please place item in bagging area.
Jess: So if I put the trolley on the bagging area...
Automatic Checkout: Checking weight of item... PLEASE CALL ASSISTANCE.
Assistant: Madam, you need to take the trolley off the bagging area, then place the item you've just scanned on the bagging area, or the machine thinks you've gone.
Jess: It thinks?
Automatic Checkout: Please place item in bagging area.
Saturday Afternoon Queue: Tsk tsk tsk tsk...
Jess: *%$%$^£&;*!*)!*&""!???///
[ten minutes later]
Automatic Checkout: You have successfully completed your purchase. Thank you for shopping at Sainsbury's.
Jess: At least I have enough HobNobs to feed an army...

[The venue. Big room: an art gallery with beautiful tall windows, elegant lighting and paintings - an exhibition by a young Palestinian artist who now lives in Venice. Small room: boardroom redolent of Siralun himself, with a big heavy table.]

Jess: We should use the gallery.
Simon: We should use the boardroom. That's what we did last time.
Jess: But the gallery is beautiful and the music might be better in there...
[Simon rushes upstairs to change into suitable shirt. Jess and Cassandra arrange the gallery with plenty of chairs and fold-out trestle tables, plus loads of HobNobs, brownies and drinks in the kitchen.]
Artist: Marhaba! How come the lighting's changed on my exhibition?
Simon: Look, I can't get the WiFi connection to connect, but in the boardroom there's a fixed connection so we'll have to go in there.
Dennis: Hello! Where'd you like me to be?
Simon: Dennis! Great to see you...just a minute...we're fighting the technology...it's easy, really....
[Jess and Cassandra decommission the gallery and set up boardroom instead.]
Artist: Can I have my lighting back now, please?
Simon: Jess, your laptop's connection's disappeared, can you please get it working again, I have to talk to Ramzi quickly...
Jess: You want me to fix a computer?!?
Simon: Yes, yes, it's easy....
[3.05pm. Webcast delayed. Three guests have arrived.]
Jess: Welcome, please come in and have a Hobnob...

[3.20pm We have lift-off. Simon has an iPad, an iPhone and my laptop open on the table. I clutch my doughty BlackBerry]
Simon: Hello, everyone, and thanks for watching! Please send us your questions on Twitter...
Dennis: So, Ramzi, tell us about Al Kamandjati? And what do you hope to achieve with the Road to Jericho project?
Ramzi: Music can be a form of revolution. Revolution does not have to be about throwing stones. Revolution is inside us. We cannot wait for change from outside, because it won't happen. We have to make the changes in ourselves...
Dennis: Can music help with achieving resolution or reconciliation?
Ramzi: Well, you can't have reconciliation unless you actually solve the problem first.
Dennis: Have you talked to Barenboim about all this?
Ramzi: I played for several years in the West-Eastern Divan Orchestra, and yes, we discussed. Barenboim's parents were piano teachers in Argentina. He said that when he was a child, he therefore thought everyone who came to the house was there to play the piano. He thought the whole world played the piano. I grew up in a refugee camp where there was continual conflict with the soldiers, and for most of my childhood, I thought the whole world was like this - in continual conflict.
Dennis: So that was your normality?
Ramzi: Exactly. Then after the Oslo Accord, some musicians and music teachers who had left the country were allowed to return and that was when I discovered music and had the chance to learn the viola... We used, before 1948, to have a thriving musical culture. That was virtually destroyed. Now we are rebuilding it.
Simon by email to several friends: *Please* send us some questions by Twitter!
Clemency, by Twitter: Ramzi, what is the single biggest obstacle you face?
Ramzi: We'd need a whole extra hour for that one...
Pal in America, by email: I've never tweeted before! Can I send questions by Twitter without an account?
Jess, Blackberrying under the table: Email me your questions and I'll tweet them for you...
[Pal in America sends 3 questions. Jess tweets them, then gestures frantically with BlackBerry at Simon at the other end of the panel, hoping webcast won't notice. Meanwhile the laptop has switched itself off.]

Dennis: Ramzi, you're inspirational. We've learned a lot today. Now, we have some music from Dal'Ouna.
[The group switches places with the panel and perform three gorgeous Arabic songs with two ouds, percussion and viola obbligato. Left to right: Ibrahim, Dimitri, Oday, Drew, Ramzi.]
Simon, aside, to Jess: Actually, what we need is someone to run the digital side, take down the tweets and pass the chairperson a piece of paper with the questions.
Jess: Did you say...a PIECE OF PAPER?!?

[5pm. Mingling over wine, juice, brownies, tortilla crisps and HobNobs. We have far too many HobNobs and not quite enough wine.]
Simon: Er, we need to be out of the building in ten minutes.
Jess: Please, someone, eat the HobNobs?
Ramzi and co:  Shukran! Ma'a salama! We're off to see Big Ben!

[Sunday morning, 9am. The Boardroom. Simon and Jess wait anxiously on the black leather sofas.]
Secretary: You can go through to the Boardroom now.
Siralun: Well, well, well. That was a pretty pickle, wasn't it? And you sure as hell didn't bring peace to the Middle East.
Jess: Music can't bring peace, Siralun. But it can make people happier. It can show people - especially children - living under impossible conditions that there are beautiful things in life too. That's a good start.We can only do what little we can...
Simon: Siralun, I think we did commendably, under some very difficult circumstances and constraints of time, geography, internet connections and so forth.
Siralun: Jess, Simon knew the space and you didn't. He said 'We should use the boardroom' and you still went ahead and set up the gallery. You started the webcast 15 minutes late because of that. People were wondering what was going on.
Jess: No, Siralun, the set-up didn't take even two minutes as everyone mucked in. We started late because we couldn't get the computer connection up and running.
Siralun: But you didn't listen to the Project Manager.
Simon: That was the least of the problems. The technology really is easy, Siralun, when it works - but...
Siralun: Ah yes. Technology. Jess, is there one single piece of technology on the face of Planet Earth that you are actually capable of using without totally screwing up?
Jess: Well, my generation is the very last that just wasn't born into it, and...
Siralun: Your generation? Don't make me laugh. I've met grandmothers in their ninth decade who are better at working things than you are.
Jess: I'm a creative, Siralun!
Siralun (highly sarcastic): With all that that implies. Here's one piece of creativity neither of you thought of using: a good old-fashioned piece of paper and a pencil. Why didn't you?
Simon and Jess: Er. Um. The technology's easy, really, but...
Siralun: Jess, you're responsible for this - even pencil and paper seem to be beyond the reach of your birdbrained understanding.
Jess: I'm a technotwit, Siralun, and I've never pretended to be anything else. Personally I think this task was a great success. We had the most fascinating talk and viewers tuned into the webcast from as far afield as Rome and Oklahoma.
Siralun: Oklahoma? Oh, what a beautiful morning. Jess (points finger), you're fired!

Sunday. Back in sunny Sheen, I'm going jogging once I've finished this blogpost. I might take a different route today.

Catch Fifth Quadrant, Dal'Ouna and the Aldeburgh Young Musicians in The Road to Jericho on the opening night of the Spitalfields Festival at Shoreditch Church on Friday 10 June. I'm introducing the pre-concert event at 6pm. And in the main concert, as well as traditional Arabic music and a Dvorak string quartet, the guys will be giving the world premiere of Who is my Neighbour? by Antony Pitts, written especially for the project.

We had a lot of fun yesterday. Dennis chaired the meeting wonderfully and drew out the best that Ramzi and Simon had to say; my "prose poem" about things we don't know we do know seems to have gone down rather well; the music from Dal'Ouna was breathtakingly beautiful and performed straight from the heart; and the webcast, miraculously enough, worked. Quite a palava doing it all in just a few days, though. Huge thanks to Dennis Marks, the Qattan Foundation, and the long-suffering artist Mohammed Joha whose exhibition is called Dreams in Black and White, and a big bravi to all the musicians involved!