I went to visit rehearsals for The Indian Queen at ENO's West Hampstead studios and found the one and only Peter Sellars, who's directing it, tackling the ongoing situation with hugs.
Substantial interview with him proved fascinating and provocative.
"This is a period of mass intimidation, one where it's no accident that governments are not only cutting the arts but destroying education...They want a frightened, docile population that's easily manipulated – and the arts are about thinking for yourself..."
Read more of it today in the Independent.
http://www.independent.co.uk/arts-entertainment/classical/features/as-the-indian-queen-opens-can-peter-sellars-save-the-eno-10068028.html
Here's more about the music - "A sadness so deep it's life-giving," says Sellars.
Showing posts with label Purcell. Show all posts
Showing posts with label Purcell. Show all posts
Wednesday, February 25, 2015
Friday, May 31, 2013
Friday Historical bonanza of Jelly d'Aranyi
Yesterday was the 120th birthday of one of my great musical heroines, the violinist Jelly d'Aranyi. And on Youtube, it turns out that an absolute bonanza of her recordings has recently been uploaded - and my goodness, they're amazing. (I still live in hope, though, that one day someone, somewhere, will turn up a recording of her playing the Schumann Violin Concerto in 1938. That's another story.)
Born in Hungary in 1893, Jelly moved to England with her mother and sisters in about 1909. Her playing, beauty and vitality inspired numerous composers to write for her, among them Bartok, Ravel (Tzigane), Ethel Smyth, Vaughan Williams (Concerto Accademica), and FS Kelly, whom she might have married had he not been killed in the Battle of the Somme.
Here are three short glories.
'Jig' from FS Kelly's Serenade, recorded in 1924. With Ethel Hobday (piano).
Purcell 'Golden' Sonata, recorded in 1925, with Jelly's elder sister Adila Fachiri (violin) and Ethel Hobday (piano). Adila was a student of "Onkel Jo" - the d'Aranyi's great-uncle Joseph Joachim - who also bequeathed her his Strad.
This Purcell was later to feature works they performed in Westminster Abbey in 1933 as part of Jelly's tour of British cathedrals giving free concerts for all comers with retiring collection to benefit the unemployed. It became known as Jelly's "Pigrimage of Compassion". T
Gluck: Dance of the Blessed Spirits. With Conrad v. Bos (piano). No commentary needed, really.
Born in Hungary in 1893, Jelly moved to England with her mother and sisters in about 1909. Her playing, beauty and vitality inspired numerous composers to write for her, among them Bartok, Ravel (Tzigane), Ethel Smyth, Vaughan Williams (Concerto Accademica), and FS Kelly, whom she might have married had he not been killed in the Battle of the Somme.
Here are three short glories.
'Jig' from FS Kelly's Serenade, recorded in 1924. With Ethel Hobday (piano).
Purcell 'Golden' Sonata, recorded in 1925, with Jelly's elder sister Adila Fachiri (violin) and Ethel Hobday (piano). Adila was a student of "Onkel Jo" - the d'Aranyi's great-uncle Joseph Joachim - who also bequeathed her his Strad.
This Purcell was later to feature works they performed in Westminster Abbey in 1933 as part of Jelly's tour of British cathedrals giving free concerts for all comers with retiring collection to benefit the unemployed. It became known as Jelly's "Pigrimage of Compassion". T
Gluck: Dance of the Blessed Spirits. With Conrad v. Bos (piano). No commentary needed, really.
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