Sunday, March 16, 2014
I missed the Met's cinema relay of Werther yesterday, travelling home from Paris... Thank you to their website for making the final scene available as an "encore" to watch online, starring Jonas Kaufmann, Sophie Koch and a lot of blood. (Update: we hear that this scene is online now because there were technical problems in the cinecast across the US that meant most people didn't actually see it...)
My interview with Sophie from this month's Opera News is here. Keep watching this space for news of t'other one.
Left: the house where Jules Massenet died, close to the Jardins du Luxembourg in Paris's 6ème arrondissement, which I spotted the other day.
Sunday, March 02, 2014
It was 10 years ago today that I thought I'd investigate these strange new things called blogs. All of a sudden, you could write something and press a button and a minute later a total stranger could be reading it on the other side of the world. For a writer this was a) mind-blowing, b) irresistible. I started mucking about with a site or two and next thing I knew, I had my own blog. I didn't know you could give blogs fancy titles so I just called it Jessica Duchen's Classical Music Blog. And here we are.
Celebration? Well, there's a Hungarian Dances novel-concert this afternoon at 3pm at the gorgeous St Mary's Perivale, with me, David Le Page (violin) and Viv McLean (piano). Admission is free, though you can make a donation afterwards. There will be cake, and there's a pub over the road.
So, how have things changed in these first 10 years?
First of all, and most obviously, we are still here. Many are not. I've recently overhauled the blogroll and am surprised by the number of writers who've stopped blogging in the past couple of years. Perhaps novelty wears off; perhaps pressures of time encroach too much. I've often considered closing down this one, but have never quite been able to bring myself to do it. It's often a sort of mental limbering up at the start of the day, a way of getting brain into gear - even though you should never blog before your second cup of coffee - and it's cheaper than therapy. More importantly, there are few ways to keep certain values going in this scary world, but JDCMB is one. If you are a regular visitor, chances are that you know them. That's why I keep on keeping on.
When the Internet was becoming ubiquitous, its gatekeepers - and its users - made two enormous mistakes. One was to allow anonymity. The other was to make everything free.
Ten years on, many gifted individuals are struggling to make ends meet because of the second; as for the first, this is why many of us have closed our comments facilities and never read "below the line". I closed the JDCMB comments facility not because there were regular trolls, but because it was always a worry that there might be. One needs to eliminate sources of avoidable stress whenever possible.
When Amazon started to allow anonymous book reviews, one of the first things that happened to my stuff was that someone wrote a vicious anonymous review of my Korngold (pictured right) biography. I was convinced I knew who'd written that review and sent a letter to the Society of Authors journal saying, essentially, that anonymity makes nonsense of the whole idea of reviewing. Apparently this was news and I got interviewed by The Guardian. That was 15 years ago, never mind ten; it's still true; and it's still not sorted. (I still think I know who wrote that review, btw, only now I think it wasn't the person I thought it was then. It's worse. Never mind.)
As for free...well, this blog is, obviously, free. Mainly because I haven't worked out a way to put up a paywall. If it becomes possible, I may do so. I've tried other ways to allow it to bring in an income, including, briefly around 2009, virtually selling my soul (it's back - thanks). Occasionally some of you kindly decide to sponsor Solti's cat food and receive a sidebar advert in return. You can still do this if you so wish. Thank you to everyone who's taken up the possibility, especially Amati.com, our latest long-term sponsor, for whom I now write a reasonably regular Soapbox column. Here's the latest, featuring one of Mr Buchanan's priceless cartoons: when should we applaud prodigies?
do read this article from The Observer today.
But the most worrying thing at present is the reduction in freedom of expression that results from this bizarre climate of mass hysteria and free-for-all, line-toeing mudslinging, encouraged by the tabloids and a few bloggers who like high ratings. Such a climate has never happened before in my lifetime. "What do they want? Blood?" asked someone recently. I fear so. It resembles a primitive call for blood-letting - like The Rite of Spring, a ritual in hard times to bring back the sun. It is always the innocent who are sacrificed - whether it's an abstract force for good, like art music itself, or learning, or intellectual capability; or the Chosen Maiden of Stravinsky's ballet, who if you remember is a young, innocent and terrified teenage girl. Guess what? It doesn't help.
I believe we need nothing less than the Enlightenment. An embracing of reason, clarity, proportion, sense and sensibility; love to combat hatred; the power of laughter, which is also an endangered art; a note of sanity to restore rational thought against ideologies that have tipped askew under their own over-inflated obesity. This doesn't mean "a return to..." anything - because you can never go backwards. Nothing does. Time doesn't work like that. You can only go forward. Let's go forward to a fresh Enlightenment. Let there be light.
So, to celebrate JDCMB's tenth birthday, above is the ultimate Enlightenment masterpiece: Haydn's The Creation, a work that features all the qualities and values I love the most, in a performance from 1951 conducted by Eugen Jochum. Enjoy.
Monday, February 10, 2014
...I've been in New York and - in between shopping, museum-hopping and seeing all my oldest and dearest friends - spent a rather pleasant hour in a press room at the Met with a certain tenor, who recovered from his bout of flu in time for a good chinwag. I've been trying to make this happen for years rather than months...and it was worth the wait.
JFK - Jonas Fluey Kaufmann, natch - is in NY preparing for a new production of Werther, which opens on 18 Feb, directed by Richard Eyre and also starring the glorious Sophie Koch as Charlotte (see the new issue of Opera News, just out, for my cover feature about her). HD cinecast is on 15 March. Be there. You'll like it.
It was also wonderful to see Glyndebourne's production of Billy Budd - imported wholesale, orchestra, chorus, Marks Elder and Padmore and all - receive a massive ovation at the Brooklyn Academy of Music the other night. New Yorkers, you have two more chances to see it this week. Here's a rave review from the New York Times.
Just flew home from...JFK. Incredibly, only 5 hrs 40 mins.