Tuesday, March 27, 2007
Andersen...
Please follow this link and read this exquisite story by Hans Christian Andersen. Tomorrow I'll explain why.
Philling up the Coliseum
If you fancy going to see Philip Glass's opera about Mahatma Ghandi, Satyagraha, free of charge at the London Coliseum on 5 April, Sky-Arts-sponsored bloggers ArtsWOM have some comps to give their readers. Have a look at their post & email them direct for more details & tix.
More info about the opera & the ENO production here. It's the opera's London stage premiere and the composer's supposed to be there in person. ArtsWOM tells me that their only condition is that anyone taking up the tickets should please talk about the show on their own blogs/outlets/forums.
So, will Glass generally induce a glacial glare, or gleaming gladness? Either way, it should be an event...and I may have to give it a go, too, having (blush) never heard any Glass live in concert, at least not since a CD launch in a converted cavern somewhere in Docklands, back in the days when CDs still had launches like that. Maybe it's time to face the music and reflect...
More info about the opera & the ENO production here. It's the opera's London stage premiere and the composer's supposed to be there in person. ArtsWOM tells me that their only condition is that anyone taking up the tickets should please talk about the show on their own blogs/outlets/forums.
So, will Glass generally induce a glacial glare, or gleaming gladness? Either way, it should be an event...and I may have to give it a go, too, having (blush) never heard any Glass live in concert, at least not since a CD launch in a converted cavern somewhere in Docklands, back in the days when CDs still had launches like that. Maybe it's time to face the music and reflect...
Saturday, March 24, 2007
a bit of fun...
Matthew/Sohothedog has some fun for the weekend with this unusual quiz! Here goes:
1. Name an opera you love for the libretto, even though you don't particularly like the music.
Tosca. I'm not kidding.
2. Name a piece you wish Glenn Gould had played.
Michael Nyman's music for The Piano.
3. If you had to choose: Charles Ives or Carl Ruggles?
Would compromise and go to The Ivy for lunch instead.
4. Name a piece you're glad Glenn Gould never played.
Debussy, La plus que lente.
5. What's your favorite unlikely solo passage in the repertoire?
The tweetybird unaccompanied violin passage in Enescu's Impressions d'enfance.The cuckoo ain't bad either.
6. What's a Euro-trash high-concept opera production you'd love to see? (No Mortier-haters get to duck this one, either—be creative.)
Wagner's Ring performed according to the composer's instructions with designs taken from Arthur Rackham's drawings. Wild!
7. Name an instance of non-standard concert dress you wish you hadn't seen.
Jean-Yves Thibaudet's red socks.
8. What aging rock-and-roll star do you wish had tried composing large-scale chorus and orchestra works instead of Paul McCartney?
Whatstheirnames from Abba.
9. If you had to choose: Carl Nielsen or Jean Sibelius?
Sibelius, but my husband might kill me for that.
10. If it was scientifically proven that Beethoven's 9th Symphony caused irreversible brain damage, would you still listen to it?
Yesdht3icbeutnaoehfgbnauedw278r&!*
1. Name an opera you love for the libretto, even though you don't particularly like the music.
Tosca. I'm not kidding.
2. Name a piece you wish Glenn Gould had played.
Michael Nyman's music for The Piano.
3. If you had to choose: Charles Ives or Carl Ruggles?
Would compromise and go to The Ivy for lunch instead.
4. Name a piece you're glad Glenn Gould never played.
Debussy, La plus que lente.
5. What's your favorite unlikely solo passage in the repertoire?
The tweetybird unaccompanied violin passage in Enescu's Impressions d'enfance.The cuckoo ain't bad either.
6. What's a Euro-trash high-concept opera production you'd love to see? (No Mortier-haters get to duck this one, either—be creative.)
Wagner's Ring performed according to the composer's instructions with designs taken from Arthur Rackham's drawings. Wild!
7. Name an instance of non-standard concert dress you wish you hadn't seen.
Jean-Yves Thibaudet's red socks.
8. What aging rock-and-roll star do you wish had tried composing large-scale chorus and orchestra works instead of Paul McCartney?
Whatstheirnames from Abba.
9. If you had to choose: Carl Nielsen or Jean Sibelius?
Sibelius, but my husband might kill me for that.
10. If it was scientifically proven that Beethoven's 9th Symphony caused irreversible brain damage, would you still listen to it?
Yesdht3icbeutnaoehfgbnauedw278r&!*
Reality check
Nothing like a baby bear for bringing back a sense of perspective. This is Knut, the polar bear cub that is being hand-reared at Berlin Zoo after his mum rejected him, despite "animal rights" activists saying he should be killed rather than let a hellable horralump of a human anywhere near him. The pic (photo by Franka Bruns/AP) can be found at The Guardian, which, if you're friendly towards bears, has ten more. Have a nice weekend.
Friday, March 23, 2007
Can't find my Russian dictionary
But need it for an appropriate expletive in response to this alarming story reported by Matthew Guerrieri yesterday, with a link to the Arizona Daily Star which has the details. It seems that Rachmaninov's great-great grandson is planning to have his famous forefather's works rearranged so that they can be re-copyrighted. This is deeply unsettling.
I'm not convinced that Jane Austen's descendents would have been quick to scribble adverbs all over Pride and Prejudice in order to declare it a new work and pull in even more £££s. And can you imagine a member of the Shakespeare clan rewording for similar purposes - "To exist or to exist not, that is the decision..."
Though I'm as prone as any writer to get stewed up about authors' and composers' rights, a sensible line does need to be drawn, doesn't it? Shades of the Hyperion-Lionel Sawkins case...where will the issue go from here?
I'm not convinced that Jane Austen's descendents would have been quick to scribble adverbs all over Pride and Prejudice in order to declare it a new work and pull in even more £££s. And can you imagine a member of the Shakespeare clan rewording for similar purposes - "To exist or to exist not, that is the decision..."
Though I'm as prone as any writer to get stewed up about authors' and composers' rights, a sensible line does need to be drawn, doesn't it? Shades of the Hyperion-Lionel Sawkins case...where will the issue go from here?
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