It's Tom's half century today!

HAPPY BIRTHDAY, TOM!

We are off for a day of celebration, to include a posh lunch and the purchasing of rather a lot of cheese.

The pic was us in Argentina last year. We haven't changed too much since then, though are currently less tanned.

And the sequel is...

... this. Go here and click on 'Listen' for Track No.9, entitled ISOLDINA. Marc-Andre Hamelin performs and the music is by Clement Doucet after, er, Big Richard.

Note from Technotwit: ambitious attempts to plant the music directly into this post have failed.

Grande Cornish

Certain members of the orchestra not a million miles from here are blaming our freak storms on the fact that they're about to launch into Tristan und Isolde at Glyndebourne, the emotional power of which is inducing the weather to imitate the opera's setting, Cornwall. I couldn't possibly comment... but here's a sneak preview of Nina Stemme singing the Liebestod. Tristan opens next week - with La Nina a climatically appropriate choice for the lead. A further taster to get everyone in the mood will follow tomorrow.

Jerry Hadley, 1952 - 2007

Having learned of the tragic death by suicide of the American tenor Jerry Hadley, the best I can do is refer you to the post by La Cieca and the discussion that follows it. There is also an obituary in The New York Times. Everyone who heard Hadley will treasure the memory of a wonderful voice and superlative performer.

Is it true that artistic, creative souls are especially prone to depression? I reckon depression is common across the board - I've known accountants, management consultants and many others who've suffered it. But the depressed artist remains the most potent symbol, because he or she brings such joy and comfort to others while experiencing a living hell.

Schiff shape!

One of the delectable things about writing booklet notes for CDs is that now and then you're assigned a task you like; and you get the disc at the end of it. This morning a box of dizzying delights hit my desk as a result of one such job: a set of reissues from Warners of Andras Schiff playing concertos and chamber music - no fewer than nine discs.

OmG, which to play first?! The Bartok piano concertos with Ivan Fischer and the Budapest Festival Orchestra? Schubert trios with Yuuko Shiokawa and Miklos Perenyi? The Dvorak Piano Quintet with the Panochas? Beethoven, Mozart and the fascinating Sandor Veress... Solution: close eyes, shuffle discs and pick the one at the top. It's the Dvorak. Heaven.

"...Schiff always puts the music first and last. In a world obsessed with superficiality, image, anti-intellectualism and short-term thinking, Schiff continues to stand proudly for the opposite, offering a voice of reason and artistic integrity."

A couple of weeks ago Andras was awarded the Royal Academy of Music Bach Prize. He'll be starting his Beethoven sonatas cycle in the States this October - Ann Arbor, San Francisco, Los Angeles and New York - I've recently done an interview with him about this for Carnegie Hall's Playbill, which I'll post as soon as it's available online. And you can still hear his lectures about the sonatas from the Wigmore Hall on The Guardian's webcast.

Please excuse me while I gloat, worship and purr, all at the same time.