Requiem for Paris

By Gabriel Fauré.
Our hearts are in Paris today.

Benjamin, Fry and Fisch

Stephen Fry, Benjamin Grosvenor, Ascher Fisch. Photo: Benjamin Grosvenor's Facebook page

Benjamin Grosvenor seems to be having a whale of a time in his first tour of Australia. Above, here is the 23-year-old British pianist with conductor Ascher Fisch (right) and a surprise guest, Stephen Fry (left). After a mutual friend put them in touch, Stephen invited Benjamin to his one-man show on Wednesday and Benjamin returned the invitation, asking the popular British comedian and writer to his rehearsal with the Melbourne Symphony Orchestra on Thursday.

Benjamin has already been to Sydney and Adelaide, is in Geelong today and Melbourne tomorrow. Lovely interview with him in the Sydney Morning Herald can be read here.

Booking is now OPEN for OUR WIGMORE HALL GIG

A tastefully sepia adaptation of Alicia's Gift's cover

Thrilling stuff for me and my wonderful pianist colleague Viv McLean: we are performing ALICIA'S GIFT: THE CONCERT OF THE NOVEL at the mighty and marvellous Wigmore Hall, on 20 February at 2pm. You can find all the programme details and online booking here.

The seriously scary thing about this is that the final number in the concert is actually a duet, so this means I have to play the piano in the bloomin' Wigmore Hall and even if it is three minutes of slow and gorgeous Ravel it's still...a bit terrifying. But hey.

This version of the concert lasts one hour and it will be followed at 3.30pm by a panel discussion, which I'll chair, on the topic of child prodigies - which is what the novel is all about. On our panel are Murray McLachlan, head of keyboard at Chetham's School of Music; Michelle Castelletti, artistic director of the Royal Northern College of Music; and Guy Johnston, cellist par excellence, who was something of a child prodigy himself. Book for the panel discussion here.

Alicia's Gift explores what the presence of a child prodigy can do to a family, and what a misguided family can do to a child prodigy's talent. And that is not always a pretty or painless tale. The novel is therefore not suitable for children, but the concert (mostly) is, and has often been enjoyed by those aged 10 upwards.

Alicia's Gift is published by Hodder and can be found as an e-book or paperback here.

Here's what's in the concert...

• Viv McLean  piano
• Jessica Duchen  narrator

Author Jessica Duchen and pianist Viv McLean unite to tell the story of a child prodigy pianist trying to grow up, exploring her talent’s effect on her family and her family’s effect on her talent. 

Jessica’s readings from her novel Alicia’s Gift alternate with Viv’s performances of the relevant music to create a compelling joint narrative in words and music.

• Fryderyk Chopin (1810-1849)
  • • Ballade No. 3 in A flat major Op. 47
• Claude Debussy (1862-1918)
  • • Estampes
      • Jardins sous la pluie
• Fryderyk Chopin
  • • Etude in C minor Op. 25 No. 12
• Enrique Granados (1867-1916)
  • • Goyescas
      • Quejas, o La maja y el ruiseñor
• George Gershwin (1898-1937)
  • • Rhapsody in Blue
• Maurice Ravel (1875-1937)
  • • Sonatine
    • Ma mère l'oye
      • Le jardin féerique. Lent et grave

Tonight: A fundraising concert for UNICEF Syria Children's Appeal

Conductor Nicolas Nebout is heading a fundraising concert tonight at St James Piccadilly in aid of UNICEF's Syria Children's Appeal. Please come along if you can, or donate to the charity at the links below.

Nicolas says:

"We will perform Beethoven's Fifth Symphony, Mahler's Kindertotenlieder with the internationally renowned British mezzo-soprano Sarah Connolly, and a world premiere by award-winning Syrian composer Malek Jandali - all profits going to UNICEF.

"It will be an inspiring evening for all involved and I hope this event will be an opportunity to unite the classical music community in the UK behind this important cause! People can show their support on social media with hashtag #MusiciansForSyria. "

Book tickets at http://www.brownpapertickets.com/event/2265817 and donate online at: http://www.justgiving.com/MusiciansForSyria

Verdi's Guernica: The Force of Destiny at ENO

Calixto Bieito's hotly awaited (by some of us) new staging of Verdi's The Force of Destiny opened last night at ENO. I've reviewed it for the recently expanded reviews section of The Critics' Circle website and you can read it here.

Picasso's Guernica

Mine is one of the more enthusiastic write-ups doing the rounds this morning (except for The Standard, which gives it 5 stars. Mine is starless - hooray! - but would have given 4 had that been necessary. The Guardian also gives it 4).

So, confession time. I've never got along with Forza. I've seen it a few times and always found it overblown, implausible, ghastly and ridiculous by turns. Last night, though, I was thoroughly absorbed and deeply moved. Perhaps because I am a sceptic about the piece and therefore don't have my own fixed ideas of what I want from it (other than Jonas Kaufmann as the tenor, please) (I went to see him do it in Munich once, but he was off sick), I found Bieito's updating to the Spanish Civil War worked pretty well, on the whole.