Picasso's Guernica |
So, confession time. I've never got along with Forza. I've seen it a few times and always found it overblown, implausible, ghastly and ridiculous by turns. Last night, though, I was thoroughly absorbed and deeply moved. Perhaps because I am a sceptic about the piece and therefore don't have my own fixed ideas of what I want from it (other than Jonas Kaufmann as the tenor, please) (I went to see him do it in Munich once, but he was off sick), I found Bieito's updating to the Spanish Civil War worked pretty well, on the whole.