Today is the Winter Solstice and shortest day of the year, so traditionally (well, two years ago) it became the occasion for our very own virtual music awards ceremony.
Welcome once again to the Cyberposhplace! Please help yourself to a glass of Virtualvintagechampers and the delectable canapes made by our very own Virtualcelebritychef. And now let's have a big round of applause for each and every musician who has touched the hearts of his or her audience during the past 12 months....
Thank you! Quiet, please. Now would the following winners please approach the podium where Sir Georg 'Ginger Stripes' Solti will allow you to stroke his fur coat just this once, and will give you a special prize purr.
Icon of the year: Mstislav Rostropovich, who passed away in April. A hero, an inspiration, and a bloody phenomenal cellist. Without him, the music of the past century wouldn't have taken the shape that it did. Adieu, dear maestro.
Pianists of the year: joint mad props to Marc-Andre Hamelin for his simply staggering recording of Alkan, and Piers Lane, who not only plays like the angel of the Antipodes but has also managed to turn the National Gallery's Myra Hess Day into an annual event. Last but by no means least, a special mention for Pascal Devoyon, whose pages I turned during the Messiaen Visions de l'Amen in St Nazaire. That was quite an experience!
Violinists of the year: Tasmin Little, for an unforgettable performance of Bartok's Solo Sonata a couple of months ago, but also for her gameness and good humour in agreeing to go busking for our Indy feature at just a few hours' notice. Watch out for her very exciting new project in January. And Philippe Graffin, as ever, and not only for commissioning stuff like plays and short stories from me: just hear that tone, that bow arm, those slides! Another interesting project is afoot, too, of which much more next year...
Singer of the year: Juan Diego Florez. What a knockout. What a dreamboat. Especially singing high Cs at the distance of 4 metres (or, even better, across the sofa in the ROH press office interview room).
Youthful artist of the year [NB I disqualify teenagers from this; too many artists are pushed too hard for being too young, so instead...]: the accomplished and adorable cellist Natalie Clein, whose new Elgar recording is happily nothing like Jacqueline du Pre's.
Conductor of the year: Vladimir Jurowski. Yes, again - but there can be no other contender, as far as I'm concerned.
Interviewee of the year: Pinchas Zukerman who declared, tapping my right forefinger, "I always say to my students: 'This is your bank account'." Close seconds: Cecilia Bartoli, Natalie Dessay and Sting (watch this space!).
CD of the year: Terezin, recorded by Anne Sofie von Otter with Bengt Forsberg, Daniel Hope and friends. This is one of the most extraordinary discs that's ever come my way, and the most devastating. Ilse Weber, a young nurse, volunteered to go with the sick children of Terezin to death at Auschwitz so that she could take care of them em route; her songs are the heart of this recording. It's said she sang 'Wiegala' with the children in the gas chamber. The CD also features music by Pavel Haas, Hans Krasa and the solo violin sonata by Erwin Schulhoff, plus some amazing, black-humoured cabaret songs.
Lifetime Achievement Award: British violist Rosemary Nalden, for her work in Soweto with Buskaid. Check back here for a reminder of their glorious appearance at the Proms.
Take a bow, everybody...Thank you. Thank you for your moving, uplifting, inspiring, life-enhancing music-making. You're wonderful. We love you.
And now a few personal highlights of 2007:
Proudest moment: Standing on the RFH platform uttering the words "Welcome to the UK premiere of Korngold's Das Wunder der Heliane!".
Next-proudest moments: publication of Alicia's Gift; and writing my first play, A Walk Through the End of Time, and seeing it performed in St Nazaire.
Most affecting moment: Attending the world premiere of Nigel Osborne's opera Differences in Demolitions in Mostar, Bosnia.
Most unfortunate moment: there've been a few, but I have managed not to sue anyone.
Biggest sigh of relief: realising that my dubious language skills had only seriously screwed up on one point in my first-ever French interview, with Ouest-France (I got 'journal' et 'magasin' muddled and the result was a lovely romantic article about how I first met Philippe in a violin shop!)
Personality of the year: Joyce Hatto. In one way or another.
Feline of the year: .....[ouch! Solti, get your teeth out of my ankle!].
Man of the year: Erich Wolfgang Korngold. (Sorry, Tom.)
AND ONE MORE VERY SPECIAL PRIZE... WONDERFUL WEBMASTER OF THE YEAR: MAESTRO HORST KOLO!
Cheers!!
6 comments:
Just wanted to say how much I enjoyed reading 'Alicia's Gift'. I picked it up by chance at my local library and will be looking out for 'Hungarian Dances' next year. Have a great festive season and look forward to reading more of your blog writings and interviews.
Thank you, Anne, that's extremely kind! :-))) Happy festive season to you as well.
Proudest moment: Standing on the RFH platform uttering the words "Welcome to the UK premiere of Korngold's Das Wunder der Heliane!"
Yay for you! How cool is that? (Hint: very)
I followed the link to the EWK page and noticed this:
UK premiere of Die tote Stadt at the ROH - January 2009. The acclaimed Salzburg/Vienna production by Willy Decker will be conducted by Ingo Metzmacher. It opens on 26 January 2009, with 6 further performances. The cast includes Stephen Gould (Paul) Nadia Michael (Marie-Marietta) and Gerald Finlay (Frank-Pierrot)
I heard Ingo Metzmacher conduct Schreker's glorious Die Gezeichneten in Amsterdam and he did an amazing job; he should do the same for DTS.
I have an in-house recording of Stephen Gould singing Paul from the Deutsche Oper Berlin in 2004 with Thielemann and he's fantastic--still hope he has that kind of voice. Gerald Finlay is luxury casting indeed.
One odd thing: on Stephen Gould's website, it lists him singing Paul on these dates:
January 27, 2009
January 30, 2009
February 02, 2009
February 05, 2009
February 11, 2009
Um, is he NOT singing the premiere? There's no way he could sing it two days in a row, so who's going to do the premiere, Placido Domingo? :-)
Man I can't wait for this production, have to start saving up for another trip to England......
"Proudest moment: Standing on the RFH platform uttering the words "Welcome to the UK premiere of Korngold's Das Wunder der Heliane!""
Being there was deffo a highlight of my year. :) Even if the self-important scalliwags at Musical Criticism (Dominic McHugh and his gang of pirates) declared it a lowlight of their year (I guess they and I will never see eye to eye- they also despised the ROH 'Iphigenie in Tauride', which I adored). Mad props to da Juro for rocking my musical world despite an underpowered non-heldentenor and a you-know-the-thing-with-the-mouth-baritone.
And an eternal thank you to Sir "Ginger Stripes" Solti himself for generously distributing the prizes without paying any compliments to himself.
Emlyn, with the kind assistance of Wonderful Webmaster, Sir G'GS'S has a little reply for you, over at Paws for Thought...!
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