I have a little guest spot in the Observer today, re the conundrum facing young female soloists in the classical music world re sounding good versus looking good... It's connected to Susannah Clapp's larger article, here.
Meanwhile Fiona Maddocks has written such a brilliant take on Glyndebourne's Der Rosenkavalier that I think we should campaign for her to receive a DBE for services to opera, wit and good sense.
[UPDATE: Also see Clare Colvin in the Sunday Express: comment piece about how this incident shows that opera is not a minority cult, but makes news and causes argument every bit as much as other art forms. It's not online yet, but here's her Rosenkavalier review for starters.)