One for the Kaufmaniacs

I've just been watching the Andrew Marr Show, in which some government twonk has been banging on about how his colleagues in power ought to sound more optimistic about Brexit.

It's one of those New Age lispings from the '90s that if you believe in something hard enough, you make it magically come true. You turn it into a little rhyme known as an 'affirmation' and you sit in your room every morning and every evening repeating it and repeating it and eventually bingo, there it is on your pretty-patterned life plate. Only problem is that beyond your room you might find yourself up against other people believing in other things, or even those peculiar phenomena known as realities.

So I've fled in disgust and found you a trailer for the Jonas Kaufmann documentary to help cheer up anyone who needs a smile right now. See above.

John Bridcut's film, Jonas Kaufmann: Tenor for the Ages is on BBC4 at 9pm tonight. Don't miss it. You might learn a little more about what was going on through those two tempestuous years from Last Night of the Proms to Otello. The latter involved a last-minute sprint back to the dressing-room to fetch a forgotten sword - just after the opera had begun. The former involved Union Jack boxer shorts and we might just hear how he got them. (Well, we do hear. I'm not telling.) The good news is that the film will be on iPlayer for a month, so you can watch it online as many times as you like.

The broadcast is followed at 10.30pm by the showing of Otello itself, filmed at the Royal Opera House in June. Why such an event gets confined to BBC4 at dead of a Sunday night is actually beyond me. Perhaps the action is somehow, somewhere, considered too nasty, too tragic and too Italian [despite being by Shakespeare] to foist upon that relentlessly optimistic Brexiteering UK public? After all, optimism fixes everything, dunnit? [irony font applies]. Otello just wasn't optimistic enough when Iago began to pour the poison of doubt and jealousy into his ear. He could have won if he'd been optimistic, no?

Or is it more that he swallowed a heap of lies fed systematically to him by someone he trusted but shouldn't have? Lies that induced him to murder and suicide? Is that just too close to the bone?

Time was when Jonas Kaufmann singing one of Verdi's greatest roles would be primetime fare for mainstream channels, probably on a holiday or special occasion moment. If you're going to have an opera season, as the BBC is, why not really have an opera season? Why squirrel it away? What a missed opportunity. How very unoptimistic.

And in the news today...

* Glyndebourne is filming Die Meistersinger this afternoon and it will be webcast live and free on The Guardian's website. It's also to be shown in the Science Museum in South Kensington. Stephen Moss will be doing a live Meisterblog and tweets are invited, as on the first night, with the hashtag #diemeistertweeter. There's a treasure-trove of supporting articles and webcasts on the site. Details of the streaming, interview with Vlad etc, here.

* In similar vein, Norman Lebrecht makes the point in today's Telegraph that all of a sudden the issue of access, access, access is no longer relevant. We have access, thanks to webcasts, cinecasts and the Big Screens, and apparently this, our very own wet and soggy island, is where the future of opera is being carved. (Discuss...)

He also had a high old time at the ENO's new Nico Muhly opera Two Boys, which I had not initially planned to attend. Had it been sold as a "Susan Bickley is Helen Mirren in Prime Suspect" opera (as every man and his cat has been saying that it is since the premiere on Friday), I'd have booked in at once. But from the marketing it sounded like a niche thing that was fashioned for young gay blokes who live online; therefore it mightn't be interesting for married, female, 40-something technotwits... There shouldn't be a problem getting in, though. When I checked the website on Thursday to see if there were seats left for Monday, the place was less than half full. If all is well up north (we have difficult family issues at present), I may go. Alternatively I might catch up with DVDs of another wonderful woman detective: Brenda Blethyn as Vera in the ITV series based on the absolutely brilliant Geordie detective novels by Ann Cleeves, if said DVDs are yet available.

* This morning @MalteseTenor Joseph Calleja was on the Andrew Marr Show on BBC1, singing 'E lucevan le stelle'. Michael Gove, our education minister - currently trying to avert a strike by teachers this week - was listening from the sofa, where he'd been trying to say he wasn't really intending to exhort parents to strike-break. He applauded enthusiastically... Feel the power, Micks. Let the people hear the music. Let the people learn music, too, at school. Music for all, please: right here, right now.

Speaking of opera and the internet, Calleja shared my blog on his Facebook fan page the other day. Aw shuks. Can you imagine a world in which Richard Tauber had internet access?