Showing posts with label Die Meistersinger von Nurnberg. Show all posts
Showing posts with label Die Meistersinger von Nurnberg. Show all posts

Monday, August 15, 2016

Wagner summer twilights

Meistersinger in Munich: Jonas Kaufmann as Walther. Photo: Wilfried Hösl

I've been away for a couple of weeks in Germany and Switzerland, starting the trip with two Wagner performances which might resurface somewhere in this year's Chocolate Silver Awards for Best Opera and Weirdest Moment respectively (admittedly there's plenty of the year left for others to exceed, but they'll have to try hard...).

I reviewed both events for the Critics' Circle website: Die Meistersinger von Nürnberg on the final night of the Munich Opera Festival, starring Wolfgang Koch as Sachs and Jonas Kaufmann as Walther, conducted by Kirill Petrenko - a dark-hued, clever, detailed, fascinating, roller-coaster production by David Bösch, set in 1968; and Parsifal at Bayreuth, the new and fervently anti-religion production by Uwe Eric Laufenberg, with Klaus Florian Vogt in the title role. The editors have entitled this one, with perspicacity, 'Twilight of the gods'.

'Weirdest moment' goes to the latter evening. Eating out with friends afterwards, we found ourselves in the same restaurant as Angela Merkel, who had been at the opera too, and she was perfectly friendly when some members of our group bounced up to her to explain how desperately sorry and embarrassed we are about Brexit.

Wednesday, May 18, 2016

Jonas follows his Meistersinger stage debut with...

Quite a party. Photo:
OK, so you make your stage debut in Wagner's longest opera, then you go along to the first night party and start doing a spot of jazz? Only if you're Jonas, and you are. Here's the report:

Reviews from Munich, and tweets by critics who were there, suggest that we who are due to see this later in the year (I'm heading for the last night of the BSO Festival on 31 July) are in for a musical treat, and that the modern-dress production works really well, give or take a predictable boo or two.

There's a video showing extracts at the Bayerische Staatsoper's magazine site:

And let's have a quick fix of the preview:

Closer to home, Glyndebourne's revival of the David McVicar production is about to open, on Saturday, starring Gerald Finley as Hans Sachs. Details and booking here.

Friday, March 27, 2015

Oh, all right then...

... it's Friday, it's gone 4 o'clock and it's high time we had a quick look at what Jonas Kaufmann is up to.

Singing Walther in Meistersinger in Munich, that's what - on the near horizon. Opening night is 16 May 2016, Kirill Petrenko conducts, Sara Jakubiak sings Eva and Wolfgang Koch is Hans Sachs.

It will be Kaufmann's first time in the role on stage - he sang it once before in concert at the Edinburgh Festival - and the Bayerische Staatsoper has issued this trailer in which he and the director David Bösch talk about the challenges that Wagner's glorious opera poses for them both. (With English subtitles.)

Sunday, June 26, 2011

And in the news today...

* Glyndebourne is filming Die Meistersinger this afternoon and it will be webcast live and free on The Guardian's website. It's also to be shown in the Science Museum in South Kensington. Stephen Moss will be doing a live Meisterblog and tweets are invited, as on the first night, with the hashtag #diemeistertweeter. There's a treasure-trove of supporting articles and webcasts on the site. Details of the streaming, interview with Vlad etc, here.

* In similar vein, Norman Lebrecht makes the point in today's Telegraph that all of a sudden the issue of access, access, access is no longer relevant. We have access, thanks to webcasts, cinecasts and the Big Screens, and apparently this, our very own wet and soggy island, is where the future of opera is being carved. (Discuss...)

He also had a high old time at the ENO's new Nico Muhly opera Two Boys, which I had not initially planned to attend. Had it been sold as a "Susan Bickley is Helen Mirren in Prime Suspect" opera (as every man and his cat has been saying that it is since the premiere on Friday), I'd have booked in at once. But from the marketing it sounded like a niche thing that was fashioned for young gay blokes who live online; therefore it mightn't be interesting for married, female, 40-something technotwits... There shouldn't be a problem getting in, though. When I checked the website on Thursday to see if there were seats left for Monday, the place was less than half full. If all is well up north (we have difficult family issues at present), I may go. Alternatively I might catch up with DVDs of another wonderful woman detective: Brenda Blethyn as Vera in the ITV series based on the absolutely brilliant Geordie detective novels by Ann Cleeves, if said DVDs are yet available.

* This morning @MalteseTenor Joseph Calleja was on the Andrew Marr Show on BBC1, singing 'E lucevan le stelle'. Michael Gove, our education minister - currently trying to avert a strike by teachers this week - was listening from the sofa, where he'd been trying to say he wasn't really intending to exhort parents to strike-break. He applauded enthusiastically... Feel the power, Micks. Let the people hear the music. Let the people learn music, too, at school. Music for all, please: right here, right now.

Speaking of opera and the internet, Calleja shared my blog on his Facebook fan page the other day. Aw shuks. Can you imagine a world in which Richard Tauber had internet access?