Spent Wednesday morning at the preview of the new exhibition From Paris: A Taste for Impressionism at the Royal Academy of Arts, talking to the curator MaryAnne Stevens and the French conductor Fabien Gabel about the correlation of music and art in the Impressionist era, and why it was that it took about 20 years for composers to cotton on. Then we had a go at matching some of the paintings with appropriate music...Above, Degas's Dancers in a Studio; an exercise in form and perspective made up of images of preparation. Debussy Etudes?
Results are up now on the new and still developing music portal intriguingly entitled Sinfini, which word seems to suggest an infinite symphony of sins... In reality, though, the site is clean, enthusiastic and friendly, while the most sinful thing about this assignment is probably Duparc's gorgeous setting of Leconte de Lisle. The exibition, at the RAA's Sackler Wing, opens tomorrow.